Sara Stewart Movie Reviews & Previews - Rotten Tomatoes

Sara Stewart

Sara Stewart
Sara Stewart's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): New York Post

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/4 97% Black Panther (2018) Like all the best comics movies, this one's got a villain (Michael B. Jordan) so compelling he nearly steals the show from the hero (Chadwick Boseman).‐ New York Post
Read More | Posted Feb 14, 2018
1.5/4 25% The 15:17 to Paris (2018) Minus its pivotal event, "The 15:17 to Paris" feels a lot like sitting through someone else's endless photo slide show: Really only interesting to the people who lived it.‐ New York Post
Read More | Posted Feb 8, 2018
2.5/4 70% Braven (2018) For anyone looking for a shot of vengeance adrenaline while waiting for "John Wick 3" to come down the pike, "Braven" will probably fit the bill.‐ New York Post
Read More | Posted Feb 1, 2018
68% Lizzie (2018) I spent most of the running time waiting for Lizzie (Chloë Sevigny) to grab the hatchet and wrap things up already.‐ New York Post
Read More | Posted Jan 30, 2018
70% Nancy (2018) You'll come away knowing you've seen a master at work.‐ New York Post
Read More | Posted Jan 29, 2018
100% Hereditary (2018) This remarkable directorial debut from Ari Aster builds on classical horror tropes - the occult, possession, mental illness- to craft its own unique spin on terror.‐ New York Post
Read More | Posted Jan 27, 2018
2/4 56% Please Stand By (2018) Lewin ... posits this as a whimsical road comedy, but I couldn't help questioning both the logic and the consistency.‐ New York Post
Read More | Posted Jan 25, 2018
81% Damsel (2018) It takes a bit to get accustomed to the Zellners' style - but once you do, boy, does "Damsel" really blossom.‐ New York Post
Read More | Posted Jan 24, 2018
100% Won't You Be My Neighbor? (2018) Behind that facade of nice, it turns out, there was mostly even more nice - albeit, buoyed by a serious commitment to educational TV.‐ New York Post
Read More | Posted Jan 23, 2018
92% Three Identical Strangers (2018) This is riveting, deeply unsettling stuff.‐ New York Post
Read More | Posted Jan 23, 2018
100% The Tale (2018) It is truly hard to imagine more effective tinder to ignite a conversation than The Tale.‐ New York Post
Read More | Posted Jan 23, 2018
84% Sorry to Bother You (2018) Some of it works, some of it leaves you scratching your head. But director Boots Riley is one to watch.‐ New York Post
Read More | Posted Jan 23, 2018
3/4 92% Saturday Church (2018) Under the generous debut direction of Damon Cardasis, there's enough heart and raw truth here to uplift the moments that falter.‐ New York Post
Read More | Posted Jan 11, 2018
2.5/4 78% Film Stars Don't Die in Liverpool (2017) Bening forgoes vanity and digs into the humiliation Grahame felt as she aged out of the vampy roles Hollywood typecast her in. Bell brings a sturdy humanity to Peter ...‐ New York Post
Read More | Posted Dec 28, 2017
3/4 88% The Post (2018) "The Post" may be all-too-easy Oscar bait, but it's as satisfying and polished as you'd expect.‐ New York Post
Read More | Posted Dec 20, 2017
2/4 51% Downsizing (2017) Alexander Payne's new sci-fi comedy, about a near future in which humans can opt to "go small," squanders its big ideas in record time.‐ New York Post
Read More | Posted Dec 20, 2017
2.5/4 91% Phantom Thread (2018) I've never written down the word "wallpaper" in my notes so many times in the course of a single film.‐ New York Post
Read More | Posted Dec 18, 2017
4/4 91% Star Wars: The Last Jedi (2017) While there are elements nodding to The Empire Strikes Back, The Last Jedi is no copycat. In its most daring moments, it even tweaks a few series tropes, updating them with a decidedly populist kick.‐ New York Post
Read More | Posted Dec 12, 2017
3/4 91% The Disaster Artist (2017) Funny -- sometimes brutally -- and surprisingly touching, it works whether you've seen the source material or not, though there are plentiful shout-outs to die-hard fans.‐ New York Post
Read More | Posted Dec 10, 2017
3.5/4 90% I, Tonya (2018) Gillespie walks a fine line in mining both the buffoonish nature of the crime and the deep sadness of Harding's rise and fall, and mostly pulls it off.‐ New York Post
Read More | Posted Dec 7, 2017
2.5/4 92% The Shape of Water (2017) Ultimately, this is a film from a group of terrific talents that never quite comes together the way you'd hope. It's just too fluid to wholly take shape.‐ New York Post
Read More | Posted Nov 30, 2017
3/4 86% Darkest Hour (2017) Gary Oldman hasn't done a deep dive into a character for years, but he makes up for lost time with a spectacular performance as British Prime Minister Winston Churchill, rousing the country to fight the Nazis against all odds at the start of World War II.‐ New York Post
Read More | Posted Nov 20, 2017
2/4 40% Justice League (2017) A pointless flail of expensive (yet, somehow, cheap-looking) CGI that no amount of tacked-on quips, or even Gadot's luminescent star power, can rescue.‐ New York Post
Read More | Posted Nov 16, 2017
4/4 96% Mudbound (2017) Rees always finds balancing notes here - of humanity, passion and true love. It's a tale as messy as its muddy fields, and it's a must-watch.‐ New York Post
Read More | Posted Nov 16, 2017
3/4 92% Thelma (2017) With its gray skies, moody ambience and ominous orchestral score, "Thelma" fits the cliché about Scandinavian entertainment being dark as hell - in the best way. It's also gorgeous.‐ New York Post
Read More | Posted Nov 9, 2017
3/4 54% LBJ (2017) It's as workmanlike as Johnson was as a politician; but as a primer on one of history's less flashy leaders, it's a worthwhile watch - mostly for fellow Texan Woody Harrelson's committed performance behind those prosthetic ears.‐ New York Post
Read More | Posted Nov 3, 2017
3/4 92% Thor: Ragnarok (2017) It's witty, it's weird and it goes against decades of bloated, overserious comics fare.‐ New York Post
Read More | Posted Nov 2, 2017
2.5/4 77% Thank You for Your Service (2017) Hall is careful not to reduce his characters to tormented caricature.‐ New York Post
Read More | Posted Oct 25, 2017
1/4 7% The Snowman (2017) This adaptation is so sloggy it feels like wading through thigh-deep snowfall, stained scarlet from all the gratuitous gore.‐ New York Post
Read More | Posted Oct 19, 2017
2.5/4 69% Wonderstruck (2017) Haynes folds in so many eras and visual styles, it's hard not to be dazzled - and why should you resist? - even if, as usual, he keeps your emotions at arm's length.‐ New York Post
Read More | Posted Oct 19, 2017
2.5/4 88% Only the Brave (2017) What goes down in Yarnell, and Kosinski's respectful portrayal of it, is undeniably devastating - and a well-deserved salute to a group of low-key heroes.‐ New York Post
Read More | Posted Oct 19, 2017
2/4 92% The Meyerowitz Stories (New and Selected) (2017) More than most of Baumbach's creations, the Meyerowitzes are just too tedious for words.‐ New York Post
Read More | Posted Oct 12, 2017
2/4 87% Blade Runner 2049 (2017) Like the 20-foot-tall ballerina holograms pirouetting through its decrepit Los Angeles streets, "Blade Runner 2049" is hauntingly beautiful, technologically stunning and low on substance.‐ New York Post
Read More | Posted Oct 4, 2017
1.5/4 34% Mark Felt: The Man Who Brought Down the White House (2017) "Mark Felt: The Man Who Brought Down the White House" is all handsome period costumes, smoky rooms and muttered dialogue; you could be forgiven for thinking it's any number of John Grisham plots.‐ New York Post
Read More | Posted Sep 28, 2017
3/4 86% American Made (2017) It's nice to be reminded that Tom Cruise has the chops to play somebody other than Tom Cruise, Action Hero.‐ New York Post
Read More | Posted Sep 28, 2017
3/4 86% Battle of the Sexes (2017) It's a feel-good film with a somewhat curdled legacy: You could clip just about any piece of sexist dialogue here, label it 2017 and pass it off as plausible.‐ New York Post
Read More | Posted Sep 21, 2017
3/4 92% Stronger (2017) Director David Gordon Green generally skips feel-good cliché to chronicle Bauman's struggle with being painted as the face of never letting the terrorists win.‐ New York Post
Read More | Posted Sep 20, 2017
3/4 69% mother! (2017) "mother!" is undeniably a wild, memorable ride. It's a Rorschach test of a movie to interpret however you like.‐ New York Post
Read More | Posted Sep 14, 2017
3/4 82% Brad's Status (2017) White excels at writing dislikable protagonists ... while giving his characters enough humanity not to be monsters, and the potential for change.‐ New York Post
Read More | Posted Sep 14, 2017
4/4 93% Three Billboards Outside Ebbing, Missouri (2017) This rural drama is the best yet from playwright and filmmaker Martin McDonagh, and one of Frances McDormand's greatest performances.‐ New York Post
Read More | Posted Sep 12, 2017
97% The Death of Stalin (2018) A delicious black comedy ...‐ New York Post
Read More | Posted Sep 11, 2017
96% The Florida Project (2017) You come away better for having known this crew, a demographic that's sorely underrepresented on the screen.‐ New York Post
Read More | Posted Sep 11, 2017
38% I Love You, Daddy (2017) CK's fans are arguably more devoted than even Allen's, and this film will find its audience. But it will also find a number of viewers who think it's a little nausea-inducing.‐ New York Post
Read More | Posted Sep 11, 2017
28% Suburbicon (2017) "Suburbicon" is a surprisingly tone-deaf combination of two wildly different stories that simply don't work in concert.‐ New York Post
Read More | Posted Sep 9, 2017
99% Lady Bird (2017) This is a resoundingly modern, assuredly female-voiced comedy that portends more great things to come from Gerwig behind the camera.‐ New York Post
Read More | Posted Sep 9, 2017
2/4 22% Rememory (2017) You may find this one purged from your own memory banks shortly after watching.‐ New York Post
Read More | Posted Sep 7, 2017
3/4 85% It (2017) The literal ghouls here take a back seat to the subtler ones, which are really where "It" shines darkly.‐ New York Post
Read More | Posted Sep 7, 2017
3/4 93% Gook (2017) Chon directs with style and a humane eye for all parties; he's a dynamic young director to keep your eye on.‐ New York Post
Read More | Posted Aug 17, 2017
3/4 92% Logan Lucky (2017) It's a lark, if you can tolerate the hammy redneck accents, and confirms that Soderbergh is as agile as ever at knitting together all the moving parts of a complex heist.‐ New York Post
Read More | Posted Aug 17, 2017
1/4 40% The Hitman's Bodyguard (2017) Why did either of you gentlemen sign up for this tone-deaf piece of work? Who thought it was appropriate to use mass graves as a plot point in an action comedy?‐ New York Post
Read More | Posted Aug 17, 2017