Sara Stewart Movie Reviews & Previews - Rotten Tomatoes

Sara Stewart

Sara Stewart
Sara Stewart's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): New York Post

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 88% Battle of the Sexes (2017) It's a feel-good film with a somewhat curdled legacy: You could clip just about any piece of sexist dialogue here, label it 2017 and pass it off as plausible.‐ New York Post
Read More | Posted Sep 21, 2017
3/4 96% Stronger (2017) Director David Gordon Green generally skips feel-good cliché to chronicle Bauman's struggle with being painted as the face of never letting the terrorists win.‐ New York Post
Read More | Posted Sep 20, 2017
3/4 67% mother! (2017) "mother!" is undeniably a wild, memorable ride. It's a Rorschach test of a movie to interpret however you like.‐ New York Post
Read More | Posted Sep 14, 2017
3/4 86% Brad's Status (2017) White excels at writing dislikable protagonists ... while giving his characters enough humanity not to be monsters, and the potential for change.‐ New York Post
Read More | Posted Sep 14, 2017
97% Three Billboards Outside Ebbing, Missouri (2017) A towering achievement that will no doubt put in an impressive showing come Oscar nomination time.‐ New York Post
Read More | Posted Sep 12, 2017
95% The Death of Stalin (2017) A delicious black comedy ...‐ New York Post
Read More | Posted Sep 11, 2017
97% The Florida Project (2017) You come away better for having known this crew, a demographic that's sorely underrepresented on the screen.‐ New York Post
Read More | Posted Sep 11, 2017
59% I Love You, Daddy (2017) CK's fans are arguably more devoted than even Allen's, and this film will find its audience. But it will also find a number of viewers who think it's a little nausea-inducing.‐ New York Post
Read More | Posted Sep 11, 2017
42% Suburbicon (2017) "Suburbicon" is a surprisingly tone-deaf combination of two wildly different stories that simply don't work in concert.‐ New York Post
Read More | Posted Sep 9, 2017
100% Lady Bird (2017) This is a resoundingly modern, assuredly female-voiced comedy that portends more great things to come from Gerwig behind the camera.‐ New York Post
Read More | Posted Sep 9, 2017
2/4 18% Rememory (2017) You may find this one purged from your own memory banks shortly after watching.‐ New York Post
Read More | Posted Sep 7, 2017
3/4 85% It (2017) The literal ghouls here take a back seat to the subtler ones, which are really where "It" shines darkly.‐ New York Post
Read More | Posted Sep 7, 2017
3/4 92% Gook (2017) Chon directs with style and a humane eye for all parties; he's a dynamic young director to keep your eye on.‐ New York Post
Read More | Posted Aug 17, 2017
3/4 93% Logan Lucky (2017) It's a lark, if you can tolerate the hammy redneck accents, and confirms that Soderbergh is as agile as ever at knitting together all the moving parts of a complex heist.‐ New York Post
Read More | Posted Aug 17, 2017
1/4 38% The Hitman's Bodyguard (2017) Why did either of you gentlemen sign up for this tone-deaf piece of work? Who thought it was appropriate to use mass graves as a plot point in an action comedy?‐ New York Post
Read More | Posted Aug 17, 2017
2/4 48% The Glass Castle (2017) Movie adaptations shouldn't require that you know their source material. But in the case of "The Glass Castle," it's impossible not to just say it: You're better off reading the book.‐ New York Post
Read More | Posted Aug 10, 2017
3/4 75% Atomic Blonde (2017) Theron makes one hell of a superspy, and it's high time she got her "John Wick" moment.‐ New York Post
Read More | Posted Jul 27, 2017
4/4 82% Detroit (2017) It is not an easy watch, and it is an essential one.‐ New York Post
Read More | Posted Jul 27, 2017
3/4 93% Dunkirk (2017) The tension starts from minute one and doesn't let up until the credits roll in "Dunkirk," Christopher Nolan's terse, nerve-jangling WWII drama.‐ New York Post
Read More | Posted Jul 20, 2017
1/4 50% Valerian and the City of a Thousand Planets (2017) Besson styles him as a cocky space rogue, but Valerian is weak sauce. And so is this movie.‐ New York Post
Read More | Posted Jul 20, 2017
3/4 89% Girls Trip (2017) Now this is how you do a female raunch comedy.‐ New York Post
Read More | Posted Jul 20, 2017
3/4 93% War for the Planet of the Apes (2017) Apologies to Charlton Heston loyalists, but "War for the Planet of the Apes" is a good example of how today's movies sometimes beat the hell out of the oldies.‐ New York Post
Read More | Posted Jul 13, 2017
3/4 67% Footnotes (Sur quel pied danser) (2017) Footnotes isn't perfect, but at least nobody lectured me about jazz.‐ New York Post
Read More | Posted Jul 12, 2017
2/4 81% The Rehearsal (2016) Feels like a handful of sketches in need of more connection.‐ New York Post
Read More | Posted Jul 7, 2017
3/4 99% City of Ghosts (2017) Their story should be required viewing for anyone engaging in discussion of the refugee "problem."‐ New York Post
Read More | Posted Jul 6, 2017
3/4 92% A Ghost Story (2017) If you're patient ... C's wordless vigil will send you away with a shivery melancholy that defies easy explanation.‐ New York Post
Read More | Posted Jul 6, 2017
4/4 92% Spider-Man: Homecoming (2017) Beginning with a score that riffs on the late-'70s cartoon and closing with a slyly funny after-credits scene, it's as sure-footed as its arachnid namesake.‐ New York Post
Read More | Posted Jul 5, 2017
3/4 85% Okja (2017) Chilling, subversive ...‐ New York Post
Read More | Posted Jun 29, 2017
4/4 93% Baby Driver (2017) It's been a week since I saw "Baby Driver," and I'm still pleasantly buzzed.‐ New York Post
Read More | Posted Jun 27, 2017
2/4 46% Rough Night (2017) It's the first R-rated, woman-directed comedy in years, but here's the rub: The funniest thing about it is the men.‐ New York Post
Read More | Posted Jun 15, 2017
16% The Mummy (2017) It's hard to tell if it's Cruise or the dragging weight of the movie, but he's almost totally devoid of the star power that makes the "Mission: Impossible" movies compulsively watchable.‐ New York Post
Read More | Posted Jun 9, 2017
3/4 89% It Comes At Night (2017) A savvy riff on our current cultural anxieties.‐ New York Post
Read More | Posted Jun 7, 2017
3/4 92% Wonder Woman (2017) Gadot ... exudes superhero charisma, which powers her through a clichéd last chapter.‐ New York Post
Read More | Posted Jun 1, 2017
1/4 29% Pirates of the Caribbean: Dead Men Tell No Tales (2017) If being dull, gruesome and obnoxiously loud weren't enough, Dead Men Tell No Tales makes sure to get in a blast of sexism, too.‐ New York Post
Read More | Posted May 30, 2017
2/4 53% War Machine (2017) Pitt's always at his best when he throws off the too-serious mantle of Romantic Hero, and he seems to be having a ball here. Too bad the screenplay seems to lose interest in him halfway through.‐ New York Post
Read More | Posted May 25, 2017
3/4 70% Alien: Covenant (2017) Clearly, the elder Scott's aim is on the scares - and oh, what satisfying, terrifying, screams-echoing-down-a-ship's-corridor scares they are.‐ New York Post
Read More | Posted May 18, 2017
1.5/4 36% Snatched (2017) There are countless moments during which Hawn and Schumer simply stare at each other, seemingly as baffled as I was by the dullness of it all.‐ New York Post
Read More | Posted May 11, 2017
2/4 28% King Arthur: Legend Of The Sword (2017) For every Ritchian moment of cockney camaraderie or narrative trickery, there's a generic scene of mass sword-fighting in the muck, regrettably shot in that gray-brown palette mandated for all gritty fantasy reboots.‐ New York Post
Read More | Posted May 10, 2017
3/4 83% The Lovers (2017) Here is a neat, little slow burn of a comedy that upends the cheating-spouse narrative; even its title is cheekily misleading.‐ New York Post
Read More | Posted May 4, 2017
3/4 82% Guardians of the Galaxy Vol. 2 (2017) If it's overstuffed in the way of most sequels, well, at least it's stuffed with good cheer.‐ New York Post
Read More | Posted May 4, 2017
2/4 17% The Circle (2017) Our gradual, voluntary loss of privacy is ripe for dramatization, but this movie arrives when people are actually backing up from social media.‐ New York Post
Read More | Posted Apr 28, 2017
2.5/4 26% Unforgettable (2017) For a bad movie, this one is an awful lot of fun.‐ New York Post
Read More | Posted Apr 20, 2017
2/4 66% The Fate of the Furious (2017) "The Fate of the Furious" begins and ends with adrenaline-spiking scenes - a drag race through Havana, an airplane brawl - that remind you why this gear-head franchise is still purring along. As for the two hours in between . . . not so much.‐ New York Post
Read More | Posted Apr 13, 2017
87% The Lost City of Z (2017) By all means, go see "The Lost City of Z" - I wouldn't have missed it. But spare a thought for all the less celebrated characters in it ...‐ New York Post
Read More | Posted Apr 13, 2017
2/4 48% Going in Style (2017) As creaky as its would-be bank robbers' joints.‐ New York Post
Read More | Posted Apr 6, 2017
2/4 44% Ghost in the Shell (2017) With its killer-robot geishas, Godzilla-size hologram ads and nearly nude fighting gear, it's a cyberpunk wonderland - but there isn't much ghost left in this smokin' hot shell.‐ New York Post
Read More | Posted Mar 30, 2017
3/4 61% The Zookeeper's Wife (2017) Overall, Caro seems to be making a pointed narrative choice: In the war movie genre, those who quietly tend to the vulnerable don't always get their due.‐ New York Post
Read More | Posted Mar 30, 2017
2/4 67% Life (2017) For all its CGI showiness, the fact that Ryan Reynolds and Jake Gyllenhaal signed on for this splatterfest is the film's most impressive feat.‐ New York Post
Read More | Posted Mar 23, 2017
3/4 71% Beauty and the Beast (2017) If you want your old favorite dressed in sumptuous new clothes, that's what you'll get. Those who always desired a little more depth from "Beauty and the Beast" will be happy, too: There's something there that wasn't there before.‐ New York Post
Read More | Posted Mar 16, 2017
2.5/4 80% Personal Shopper (2017) "Personal Shopper" doesn't have much of a plot, but if you can tune into its languid frequency, it will get under your skin.‐ New York Post
Read More | Posted Mar 7, 2017