Sheila O'MalleyMovie Reviews & Previews - Rotten Tomatoes

Sheila O'Malley

Sheila O'Malley
Sheila O'Malley's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Chicago Sun-Times, RogerEbert.com, The Dissolve

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/4 90% Ma (2017) A bold and unique film that has 'personal' written all over it. No one else could have made it. ‐ RogerEbert.com
Posted Jan 13, 2017
4/4 100% Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017) A tender, human, and very, very funny portrait of Hollywood royalty. ‐ RogerEbert.com
Posted Jan 6, 2017
4/4 90% 20th Century Women (2017) The most pleasurable aspect of 20th Century Women (and it's pleasurable throughout) is that it allows itself to be messy. ‐ RogerEbert.com
Posted Dec 23, 2016
2.5/4 79% Patriots Day (2017) Berg and company have recreated familiar events in a gripping and immediate narrative. ‐ RogerEbert.com
Posted Dec 21, 2016
2/4 38% All We Had (2016) With her well-meaning desire to create an inspirational story of survival and redemption, Holmes has kept the entire film extremely low-stakes. ‐ RogerEbert.com
Posted Dec 9, 2016
3.5/4 100% Things to Come (L'avenir) (2016) Hansen-Løve's gift is in presenting this vast internal journey with elegance and clarity, resisting the urge for scenery-chewing catharsis. ‐ RogerEbert.com
Posted Dec 2, 2016
2.5/4 70% Miss Sloane (2016) The film is not so much tone-deaf as old-fashioned, emerging from a more innocent time (say, three weeks ago) when politics as usual actually had some meaning. ‐ RogerEbert.com
Posted Nov 25, 2016
3/4 91% Always Shine (2016) None of this would be possible without the extraordinary performances of these two actresses. ‐ RogerEbert.com
Posted Nov 25, 2016
2.5/4 88% I Am Not Madame Bovary (2016) It's a pleasure to look at the screen and to watch the artistry of the entire creative team. But there's a forbidding quality to the entire enterprise. ‐ RogerEbert.com
Posted Nov 18, 2016
4/4 88% Elle (2016) Watching Elle feels like climbing Mt. Everest without an oxygen tank. The air is dizzyingly clear up there. And dangerous, too. ‐ RogerEbert.com
Posted Nov 11, 2016
3/4 77% In a Valley of Violence (2016) In a Valley of Violence does not take itself too seriously (a great asset), but it also takes itself just seriously enough that it's not empty snarky parody. ‐ RogerEbert.com
Posted Oct 21, 2016
2.5/4 86% Christine (2016) There are questions of exploitation that nag throughout, as well as a queasy feeling that we the audience are participating in exploiting this troubled woman all over again. ‐ RogerEbert.com
Posted Oct 14, 2016
3/4 95% Little Sister (2016) A quiet and gentle film, emotional but not manipulatively sentimental, sad but not nihilistic, Marilyn Manson epigram and Goth-font chapter markers notwithstanding. ‐ RogerEbert.com
Posted Oct 14, 2016
4/4 98% Under The Shadow (2016) There is no escape, for characters or audience. Under the Shadow is unnerving in the extreme. ‐ RogerEbert.com
Posted Oct 7, 2016
3/4 79% Audrie & Daisy (2016) Audrie & Daisy is a stark portrait of a problem which is not in any way local, aberrant, or random. The problem is systemic. ‐ RogerEbert.com
Posted Sep 23, 2016
3/4 100% Southwest of Salem: The Story of the San Antonio Four (2016) A powerful act of advocacy. ‐ RogerEbert.com
Posted Sep 16, 2016
3.5/4 83% Kicks (2016) Kicks is not without its flaws, but even the flaws show Tipping's willingness to take risks, to go for the big gesture and to go for it honestly. ‐ RogerEbert.com
Posted Sep 9, 2016
2.5/4 15% The Wild Life (2016) There's always a lot to look at. The script is so-so, but the total lack of snark and cynicism in the film is refreshing. ‐ RogerEbert.com
Posted Sep 9, 2016
94% Among the Believers (2016) Trivedi and Naqvi put together this multi-tentacled story using a daunting variety of footage, news reports and archival film mixed with interviews. It paints an extremely grim picture. ‐ RogerEbert.com
Posted Sep 2, 2016
2/4 71% White Girl (2016) Director Elizabeth Wood's style is immersive and raw, although to what end is not clear. ‐ RogerEbert.com
Posted Sep 2, 2016
2/4 83% In Order of Disappearance (2016) The killings are creative and brutal, but eventually the whole structure of it becomes an empty, slick exercise in style. ‐ RogerEbert.com
Posted Aug 26, 2016
3/4 95% Spa Night (2016) Even with its flaws, Spa Night is an extremely personal film. We need more of those. ‐ RogerEbert.com
Posted Aug 19, 2016
4/4 73% Disorder (Maryland) (2016) Disorder is tense and scary, beautiful to look at and even more gorgeous to hear. In the end, it is also extremely moving. That's the most thrilling part of all. ‐ RogerEbert.com
Posted Aug 12, 2016
3.5/4 97% Little Men (2016) Little Men is extremely powerful in its own right, with its devotion to its characters' differing perspectives so refreshing in an increasingly black-and-white world. ‐ RogerEbert.com
Posted Aug 5, 2016
2/4 44% Quitters (2016) A challenging and joyless experience. ‐ RogerEbert.com
Posted Jul 22, 2016
3.5/4 99% Don't Think Twice (2016) Don't Think Twice is hilarious, yes, but it's also thoughtful and sad and sweet. Birbiglia knows how to communicate those things, too. ‐ RogerEbert.com
Posted Jul 22, 2016
3/4 87% Phantom Boy (2016) The film can be smothered by the obligations of its plot, but it's still beautiful and original, extremely funny, and sometimes very moving. ‐ RogerEbert.com
Posted Jul 15, 2016
1.5/4 82% Captain Fantastic (2016) Captain Fantastic treats the situation (and Ben) so uncritically and so sympathetically that there is a total disconnect between what is actually onscreen and what Ross thinks is onscreen. ‐ RogerEbert.com
Posted Jul 8, 2016
3.5/4 93% Life, Animated (2016) "Life, Animated" is powerful and emotional, without being manipulative. It is deeply inspiring, without trying to be. ‐ RogerEbert.com
Posted Jul 1, 2016
1.5/4 61% Carnage Park (2016) "Carnage Park" is an extremely empty experience. ‐ RogerEbert.com
Posted Jul 1, 2016
3.5/4 77% Wiener-Dog (2016) One of Solondz's sharpest visions of futility. ‐ RogerEbert.com
Posted Jun 24, 2016
3/4 96% Nuts! (2016) Lane has a gift for finding the unexpected in the familiar, the right narrative structure, however eccentric, to tell a story. ‐ RogerEbert.com
Posted Jun 22, 2016
3/4 35% Puerto Ricans In Paris (2016) It's charming. It's funny. ‐ RogerEbert.com
Posted Jun 10, 2016
3.5/4 97% The Fits (2016) "The Fits" is the kind of film that asks more questions than it answers. The questions have echoing resonance. ‐ RogerEbert.com
Posted Jun 3, 2016
3/4 90% Art Bastard (2016) Engaging and thought-provoking ... ‐ RogerEbert.com
Posted Jun 3, 2016
3.5/4 89% The Lobster (2016) While extremely funny, it is a bitter and ruthless film. Lanthimos plays target practice and his aim is deadly. ‐ RogerEbert.com
Posted May 13, 2016
3/4 90% Dheepan (2016) "Dheepan" is finely-drawn, beautifully shot and acted, featuring complex characters doing their best in no-win situations. ‐ RogerEbert.com
Posted May 6, 2016
3.5/4 70% Sin Alas (2015) "Sin Alas" is emotional and dense, thought-provoking and intelligent, and it's all held together by music, Lima's poem, colors, sounds. ‐ RogerEbert.com
Posted May 4, 2016
3/4 82% Men & Chicken (Mænd & høns) (2016) What does all of this add up to? Damned if I know. But it's fun to see a film that plays by its own rules to such a degree that any comparison to anything else falls apart. ‐ RogerEbert.com
Posted Apr 22, 2016
3.5/4 96% Sing Street (2016) Carney has a humorous and loving eye for detail, an intuitive ear for dialogue, and the film is extremely personal in a way that is universal. ‐ RogerEbert.com
Posted Apr 15, 2016
1.5/4 9% God's Not Dead 2 (2016) "God's Not Dead 2" is filled with a sense of paranoiac persecution and seething resentment towards secular public schools, the ACLU, government interference and those who don't care for "Duck Dynasty." ‐ RogerEbert.com
Posted Apr 1, 2016
3.5/4 97% The Dark Horse (2016) It's a feel-good story with the potential to make you feel great. ‐ RogerEbert.com
Posted Apr 1, 2016
89% Fastball (2016) If you are not familiar with this level of baseball nerdiness, then Fastball will be a revelation, and hopefully an entertaining one. If you are familiar, then Fastball will satisfy on a deep and extremely specific level. ‐ RogerEbert.com
Posted Mar 31, 2016
3.5/4 86% Everybody Wants Some!! (2016) Linklater approaches all of this with affection, and even kindness-one of his distinguishing characteristics. "Everybody Wants Some!!" is a corrective to the tired, false "dumb jock" stereotype. ‐ RogerEbert.com
Posted Mar 31, 2016
3/4 88% Born To Be Blue (2016) "Born To Be Blue" has many of the elements familiar to music biopics, but it's trying to do something different. It doesn't always succeed, but the attempt is a welcome change. ‐ RogerEbert.com
Posted Mar 25, 2016
3.5/4 97% Krisha (2016) The film feels like a blazing catharsis for all involved. ‐ RogerEbert.com
Posted Mar 18, 2016
2.5/4 27% The Perfect Match (2016) There is a welcome (and surprising) layer of complexity running through the film that makes it a little bit more than your standard fare. The likable and funny ensemble helps too. ‐ RogerEbert.com
Posted Mar 11, 2016
2.5/4 95% Marguerite (2016) If someone had said to Marguerite early on, "Listen. You can't sing," would it have made a difference? Would she have been happy? But Marguerite is undeniably happy when she sings. It's an ethical quandary, one the film has a lot of fun exploring. ‐ RogerEbert.com
Posted Mar 11, 2016
4/4 97% Cemetery of Splendor (2016) Within its structure lies multiple intersecting and contradicting arcs of meaning, none of which cancel each other out but instead create a vast pool of associations. ‐ RogerEbert.com
Posted Mar 4, 2016
75% Gored (2015) Trivedi and Naqvi put together this multi-tentacled story using a daunting variety of footage, news reports and archival film mixed with interviews. It paints an extremely grim picture. ‐ RogerEbert.com
Posted Mar 1, 2016