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Christy Lemire

Tomatometer-approved critic

Reviews

Movies TV Shows
Love, Brooklyn (2025) 69% EDIT “The movie itself is such a sanitized and heightened version of Brooklyn that it never feels like a real place where real people live.” – FilmWeek (LAist) Dec 31, 2025 Full Review The Cut (2024) 69% EDIT “It's not a great movie, but I did appreciate the extremes that [Orlando Bloom] would go to transform himself.” – FilmWeek (LAist) Dec 31, 2025 Full Review Preparation for the Next Life (2025) 97% EDIT “Sebiye Behtiyar is a star!” – FilmWeek (LAist) Dec 31, 2025 Full Review The Conjuring: Last Rites (2025) 58% EDIT “If you love all these movies, there are lots of greatest hits elements here.” – FilmWeek (LAist) Dec 31, 2025 Full Review Clemente (2024) 84% EDIT “I loved this and needed this as a balm.” – FilmWeek (LAist) Dec 31, 2025 Full Review Riefenstahl (2024) 97% EDIT “It's an incredible piece of editing... Laid out as it is, you see all the contradictions.” – FilmWeek (LAist) Dec 31, 2025 Full Review The Baltimorons (2025) 95% EDIT “It is so sweet, so understated, and just a wonderful slice of life.” – FilmWeek (LAist) Dec 31, 2025 Full Review Downton Abbey: The Grand Finale (2025) 91% EDIT “I found it quite cozy.” – FilmWeek (LAist) Dec 31, 2025 Full Review Spinal Tap II: The End Continues (2025) 65% EDIT “This is really painfully unfunny.” – FilmWeek (LAist) Dec 31, 2025 Full Review The Long Walk (2025) 88% EDIT “It is not for the faint of hear, but it will stick with you.” – FilmWeek (LAist) Dec 31, 2025 Full Review Adulthood (2025) 77% EDIT “An exciting, different kind of role for Josh Gad.” – FilmWeek (LAist) Dec 31, 2025 Full Review Plainclothes (2025) 83% EDIT “There's way too much stuff going on.” – FilmWeek (LAist) Dec 31, 2025 Full Review Strange Journey: The Story of Rocky Horror (2025) 97% EDIT “It got its arms around a lot in a very affectionate way.” – FilmWeek (LAist) Dec 31, 2025 Full Review Predators (2025) 97% EDIT “This is so eye-opening and caused me to really think differently about this show. ” – FilmWeek (LAist) Dec 31, 2025 Full Review Eleanor the Great (2025) 67% EDIT “It makes this tonal shift that would be tricky for a veteran filmmaker, and Scarlett Johansson, as great an actress as she is, was not ready for this.” – FilmWeek (LAist) Dec 31, 2025 Full Review One Battle After Another (2025) 94% EDIT “Essential viewing for what is happening in our country right now. ” – FilmWeek (LAist) Dec 31, 2025 Full Review Not Without Hope (2025) 75% EDIT “Not enough for the faith-based audience, but too much for the secular audience.” – FilmWeek (LAist) Dec 31, 2025 Full Review Merv (2025) 36% EDIT “Totally formulaic but really cute.” – FilmWeek (LAist) Dec 31, 2025 Full Review The King of Color (2025) EDIT “It is fascinating as an exploration of American commerce in the 20th Century and things that we take for granted when we go shopping.” – FilmWeek (LAist) Dec 31, 2025 Full Review Resurrection (2025) 89% EDIT “It is exquisitely beautiful much of the time, but also totally impenetrable from a narrative perspective.” – FilmWeek (LAist) Dec 31, 2025 Full Review Dust Bunny (2025) 85% EDIT “I really loved this -- a very strange and beautiful film.” – FilmWeek (LAist) Dec 31, 2025 Full Review Anaconda (2025) 48% 2/4 EDIT “But once "Anaconda" evolves into a standard action movie with real chases, explosions, and gunfire, it takes on a generically glossy sheen that makes it forgettable. ” – RogerEbert.com Dec 23, 2025 Full Review Little Trouble Girls (2025) 98% EDIT “A beautiful and sensitive coming-of-age story.” – FilmWeek (LAist) Dec 12, 2025 Full Review Hamnet (2025) 86% 2.5/4 EDIT “The craft on display alone is enough to bring a tear to your eye. ” – RogerEbert.com Nov 26, 2025 Full Review Wicked: For Good (2025) 66% 3/4 EDIT “The songs may not be as catchy this time around, but 'Wicked: For Good’ really sings where it counts: with the emotional ache of the fractured friendship at the story’s core. ” – RogerEbert.com Nov 18, 2025 Full Review
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