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Daniel Steinhart

Daniel Steinhart's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

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EDIT “Broomfield gets his subjects talking candidly before they've had the chance to compose themselves. It makes the director an amusing guide through the gangsta-rap underworld.” – Film Journal International Jun 15, 2002 Full Review Uzumaki (2000) 61% EDIT “One of the film's strongest achievements is the way it manages to get so much mileage out of such a simple concept as spirals.” – Film Journal International May 25, 2002 Full Review Late Marriage (2001) 88% EDIT “Brilliantly explores the conflict between following one's heart and following the demands of tradition.” – Film Journal International Apr 20, 2002 Full Review The Believer (2001) 82% EDIT “Though a little raw and awkward in places, the film is undeniably powerful and always fascinating.” – Film Journal International Mar 23, 2002 Full Review Dogtown and Z-Boys (2001) 92% EDIT “At its core is a truly human tale of how a bunch of kids who had everything going against them unintentionally created a cultural phenomenon.” – Film Journal International Feb 23, 2002 Full Review Metropolis (2001) 87% EDIT “Vibrantly colored and beautifully designed, Metropolis is a feast for the eyes.” – Film Journal International Jan 28, 2002 Full Review Little Otik (2000) 84% EDIT “As strange and intriguing as [Svankmajer's] previous work, the movie is also his most accessible.” – Film Journal International Jan 8, 2002 Full Review The American Astronaut (2001) 63% EDIT “McAbee is unable to fashion a cohesive enough storyline to keep this bizarro space odyssey engaging throughout.” – Film Journal International Dec 9, 2001 Full Review Final (2001) 44% EDIT “Though Scott co-directed two other films (Big Night with Stanley Tucci and Hamlet with Eric Simonson), his solo effort feels like the debut of an amateur.” – Film Journal International Dec 9, 2001 Full Review Donnie Darko (2001) 88% EDIT “Kelly takes what appears to be a common high-school drama and fashions an intelligent rethinking of the genre by mixing fantasy, horror and metaphysical discourse.” – Film Journal International Dec 9, 2001 Full Review The Devil's Backbone (2001) 93% EDIT “An engrossing ghost story set against the backdrop of the Spanish Civil War.” – Film Journal International Dec 9, 2001 Full Review 101 Reykjavik (2000) 89% EDIT “A fresh alternative to overrated blockbusters.” – Film Journal International Aug 27, 2001 Full Review Waydowntown (2000) 70% EDIT “The setting turns out to be more interesting than any of the character dramas, which never reach satisfying conclusions.” – Film Journal International Jul 30, 2001 Full Review Ghost World (2001) 93% EDIT “An irreverently humorous and original portrait of teenage girlhood and the strange world that the lead characters mockingly observe.” – Film Journal International Jun 25, 2001 Full Review The Anniversary Party (2001) 61% EDIT “This movie feels a lot like a privileged peek into Hollywood's private lives.” – Film Journal International Jun 1, 2001 Full Review The Low Down (2000) 59% EDIT “Tries so hard to capture the reality of life's struggles, yet fails to deliver.” – Film Journal International Apr 30, 2001 Full Review The King Is Alive (2000) 61% EDIT “A haunting and powerful ensemble work.” – Film Journal International Mar 29, 2001 Full Review Beautiful Creatures (2000) 38% EDIT “The movie loses momentum as it becomes increasingly implausible.” – Film Journal International Mar 5, 2001 Full Review The Caveman's Valentine (2001) 46% EDIT “What began as an exciting twist on the detective genre turns into not much more than pedestrian murder mystery.” – Film Journal International Feb 7, 2001 Full Review
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