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Josh Martin

Josh Martin's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Out of the Past (1947) 87% EDIT “It drips with barely contained sexuality and, at times, a streak of gleeful viciousness.” – Screen Slate Jan 8, 2026 Full Review To the Ends of the Earth (2019) 93% EDIT “To the Ends of the Earth is an astutely observed study, one with an exceptionally keen eye on the spectator's relationship to this character and the world she finds herself lost in.” – Film Inquiry Dec 12, 2020 Full Review The Climb (2019) 90% EDIT “The Climb is an intelligent and uncomfortable comedy, alive with palpable cinematic energy and written with an awkward prickliness that's almost impossible to pin down. Put more succinctly, it's one of the better comedic debuts I've seen in a long time.” – Film Inquiry Nov 13, 2020 Full Review Deerskin (2019) 88% EDIT “While Dujardin and Haenel give it their all, the bonkers charm of Dupieux's creepy adventure simply fades into indifference over time. The final product is a memorable film that still amounts to very little.” – Film Inquiry May 1, 2020 Full Review True History of the Kelly Gang (2019) 80% EDIT “True History of the Kelly Gang has plenty of potential, but for a myriad of reasons, it just never coheres into what it could have been.” – Film Inquiry Apr 25, 2020 Full Review Nina Wu (2019) 81% EDIT “Small surface-level problems aside, this is a gripping tale, aided by a skillful filmmaker and an incredible performance.” – Film Inquiry Mar 27, 2020 Full Review Spenser Confidential (2020) 35% EDIT “This basic buddy comedy feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.” – Film Inquiry Mar 19, 2020 Full Review The Whistlers (2019) 83% EDIT “Pivoting from steely resolve to emotional profundity, the brilliant evolution in its final moments cements The Whistlers as an unconventionally thoughtful experience.” – Film Inquiry Feb 22, 2020 Full Review Gretel & Hansel (2020) 63% EDIT “Gretel & Hansel is thematically muddled and sluggish, often relying on the splendid production design and score to push things along. It's easy to see what it's trying to accomplish, but the end result feels both disappointing and a tad derivative.” – Film Inquiry Feb 8, 2020 Full Review 6 Underground (2019) 36% EDIT “This is indeed a Michael Bay movie, and it has no shame about that. It's utterly insane-and an absolute blast.” – Film Inquiry Jan 1, 2020 Full Review Little Joe (2019) 67% EDIT “Little Joe ends up feeling like a severe missed opportunity. And with a roster of characters that feels about as flat as humanly possible, Little Joe's ambiguity and dread never carry the proper weight.” – Film Inquiry Dec 7, 2019 Full Review 1917 (2019) 88% EDIT “Mendes and Deakins present a vision of uninterrupted chaos, equipped with a unique blend of personal pathos and visual bravado. Its cumulative impact is undeniable.” – Film Inquiry Dec 3, 2019 Full Review Knives Out (2019) 97% EDIT “For all its faults, Knives Out is still a moderately enjoyable ride; it's brisk and often engaging, even with a substantial running time of 130 minutes.” – Film Inquiry Nov 27, 2019 Full Review Cyrano, My Love (2018) 80% EDIT “It's not revolutionary, but Cyrano, My Love's well-executed array of simple pleasures satisfies from start to finish.” – Film Inquiry Nov 9, 2019 Full Review Collisions (2018) 83% EDIT “Even if the conclusion feels a bit preordained, Garcia and Alvarez ensure that Levien's emotional punches land with force and gravitas.” – Film Inquiry Nov 9, 2019 Full Review Marriage Story (2019) 95% EDIT “An intimate tale of a relationship's collapse that also contains tear-jerking flashes of grandeur and sentimentality, Marriage Story runs the emotional gamut with ease and dramatic clarity.” – Film Inquiry Nov 9, 2019 Full Review The Laundromat (2019) 42% EDIT “Considering the unfocused narrative and squandered potential, it's safe to call The Laundromat one of the year's worst.” – Film Inquiry Oct 31, 2019 Full Review The Report (2019) 83% EDIT “In its current state, The Report runs through its story too quickly-and in such an obvious, leaden manner - to ever make much of an impact.” – Film Inquiry Oct 30, 2019 Full Review Motherless Brooklyn (2019) 65% EDIT “Norton's film possesses a melancholic sensibility, and it uses that to reach some interesting ends.” – Film Inquiry Oct 30, 2019 Full Review Jojo Rabbit (2019) 81% EDIT “If the content of a film expressly about Nazi Germany can't fully reckon with its grave sins, maybe it was a bad idea from the start.” – Film Inquiry Oct 30, 2019 Full Review The Two Popes (2019) 89% EDIT “By charting a path from mutual opposition to forgiveness and a brighter future for the faith, The Two Popes earns its humorous and good-natured vibes. This is a crowd-pleaser I can really get behind.” – Film Inquiry Oct 25, 2019 Full Review The Aeronauts (2019) 72% EDIT “Even with a handful of awe-inspiring moments, The Aeronauts is an inconsequential adventure, a journey too familiar, routine, and misguided to ever make much of an impact.” – Film Inquiry Oct 25, 2019 Full Review Clemency (2019) 92% EDIT “It's a film that doesn't quite know how to move from its harrowing opening to its tragic destination, but for those two moments alone, Clemency proves to be a painful, yet breathtaking experience.” – Film Inquiry Oct 25, 2019 Full Review The Truth (2019) 87% EDIT “Despite working with a handful of potentially fascinating strands, Kore-eda's latest never follows through on its plethora of potential in any meaningful way.” – Film Inquiry Oct 24, 2019 Full Review Honey Boy (2019) 94% EDIT “Though Honey Boy's ultimate destination is a touch less overwhelming than one would expect, Har'el's expressive, gorgeous filmmaking frequently elevates the experience.” – Film Inquiry Oct 24, 2019 Full Review
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