Mark Caro
Tomatometer-approved critic
Toy Story (1995)
100%
3.5/4
EDIT
“Toy Story should score like a galaxy of Flash Gordon's. ” –
Chicago Tribune
Sep 9, 2025
Full Review
This Is Spinal Tap (1984)
98%
4/4
EDIT
“"Spinal Tap" hits bull's-eye after bull's-eye on the rock world's hind quarters.” –
Chicago Tribune
Sep 9, 2025
Full Review
The Lost World: Jurassic Park (1997)
57%
2/4
EDIT
“Spielberg disposes of his edible humans with unseemly nastiness... Are we supposed to cheer at this display? Does Spielberg think giving kids nightmares is truly the best use of his talents?” –
Chicago Tribune
Jun 30, 2025
Full Review
Mission: Impossible II (2000)
58%
2/4
EDIT
“M:I-2 never reaches the giddy heights that escapist action movies should scale. ” –
Chicago Tribune
May 8, 2025
Full Review
Mission: Impossible (1996)
67%
2.5/4
EDIT
“The difficulty isn't just keeping up with the story; it's caring enough to bother, since Koepp and Towne have inputted little in the way of character.” –
Chicago Tribune
May 6, 2025
Full Review
Smoke Signals (1998)
90%
3/4
EDIT
“Beach portrays Victor as a likable, charismatic brooder, and Adams, with his off-kilter rhythms and soft features, makes a distinctive impression as Thomas.” –
Chicago Tribune
Nov 8, 2023
Full Review
The Matrix (1999)
83%
3/4
EDIT
“The writing remains more intelligent than most thrillers, and the action is executed with such panache that even if you don't buy the reality of The Matrix, it's a helluva place to visit. ” –
Chicago Tribune
Jul 10, 2023
Full Review
Little Nemo: Adventures in Slumberland (1992)
55%
2/4
EDIT
“Fantasy should be a constant parade of the unexpected, but every surprising element here is matched by an overly familiar device. ” –
Chicago Tribune
Mar 7, 2023
Full Review
Rosewood (1997)
87%
2.5/4
EDIT
“Singleton's main goal is the vivid re-creation of mob violence, and he achieves it expertly.” –
Chicago Tribune
Jun 5, 2020
Full Review
Mercury Rising (1998)
21%
EDIT
“Baldwin's Kudrow is a one-dimensional, humorless variation on his corporate tyrant in Glengarry Glen Ross.” –
Chicago Tribune
Apr 21, 2020
Full Review
Super Mario Bros. (1993)
27%
2/4
EDIT
“Like their video-game counterparts, co-stars Bob Hoskins and John Leguizamo somehow manage to weave their way past threatening obstacles and escape with their dignity.” –
Chicago Tribune
Apr 17, 2019
Full Review
Empire Records (1995)
35%
1.5/4
EDIT
“If Clerks were written by TV hacks, it might feel something like this.” –
Chicago Tribune
Mar 29, 2019
Full Review
Gummo (1997)
39%
0/4
EDIT
“The point of all this nihilism and grotesqueness? You got me.” –
Chicago Tribune
Jan 7, 2019
Full Review
The Mod Squad (1999)
3%
1/4
EDIT
“Maybe someone thought a new Mod Squad would be hip, but it's just a big jive turkey.” –
Chicago Tribune
Mar 21, 2017
Full Review
Oasis: Supersonic (2016)
84%
3/4
EDIT
“"Supersonic" boasts an ear-blasting, you-are-there immediacy, utilizing a treasure trove of archival photos and footage to make you feel present.” –
Chicago Sun-Times
Oct 27, 2016
Full Review
The Beatles: Eight Days a Week -- The Touring Years (2016)
96%
3/4
EDIT
“Howard is more interested in wowing audiences with exuberant, hysteria-ridden performances than he is in digging for explanations.” –
Chicago Sun-Times
Sep 15, 2016
Full Review
Graffiti Bridge (1990)
18%
2/4
EDIT
“The movie suffers from various technical difficulties -- like choppy editing and songs that get cut off mid-groove -- and in the end everything collapses in a heap.” –
Chicago Tribune
Apr 22, 2016
Full Review
A Smile Like Yours (1997)
6%
1/4
EDIT
“It's the cinematic equivalent of having a saccharine-coated tongue depressor jammed down your throat.” –
Chicago Tribune
Jul 22, 2014
Full Review
My Boyfriend's Back (1993)
13%
1/4
EDIT
“The movie is full of nonsensical plot twists, embarrassingly broad performances and unappealing characters.” –
Chicago Tribune
Jul 15, 2014
Full Review
Almost Heroes (1998)
5%
1/4
EDIT
“All in the movie have been encouraged to play up the cartoonish aspects of their characters, and they deliver punch lines like a series of elbows to the rib cage.” –
Chicago Tribune
Jul 15, 2014
Full Review
Striptease (1996)
11%
2/4
EDIT
“The result is a perversely odd concoction: a comedy that has fun with everything but stripping -- which, post-Showgirls, would seem to wear the biggest bull's-eye.” –
Chicago Tribune
Jun 18, 2014
Full Review
Blast From the Past (1999)
59%
1.5/4
EDIT
“That's a relatively clever set-up for what's become a familiar genre: the time-displacement comedy, in which we get a kick out of viewing our era through another era's eyes. But this movie's eyes, Adam's, are awfully twinkly and not too focused.” –
Chicago Tribune
Mar 21, 2014
Full Review
Can't Hardly Wait (1998)
42%
2/4
EDIT
“Kaplan and Elfont provide a real public service by showing how underage binge drinking can boost bookish students' social lives.” –
Chicago Tribune
Mar 19, 2014
Full Review
Chasing Amy (1997)
86%
3.5/4
EDIT
“The performances are universally strong. The goateed Affleck makes for a particularly sympathetic protagonist; he has the looks and confidence of a lady-killer, but nagging befuddlement and vulnerability are rarely far from the surface.” –
Chicago Tribune
Feb 7, 2014
Full Review
Solo (1996)
8%
1.5/4
EDIT
“These escapist showdown movies are only as good as their villains and heroes. The heavies here are more of those ubiquitous gung-ho military types who are due to be dishonorably discharged from further cinematic duty.” –
Chicago Tribune
May 28, 2013
Full Review
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