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as A Son
as The Girl
as Her Friend
as A Rival
as Dean Edwards
as Ronald's Mother
as Crew Coach
as Baseball Coach
as Jeff's Friend
as Keaton's Double for Pole Vault
as Jeff's Friend
Critic Reviews for College
The movie is worth seeing for a lot of reasons, one of them being the weirdly elegant pratfall Keaton takes on the baseball diamond when he gets clipped by an opposing player sliding into third.
Keaton himself strives to be funny, but his actions are so frightfully absurd that it strikes one that the character he plays never ought to be out of an asylum.
Buster on the playing field, failing gloriously at every sport but executing each one beautifully when he dashes to his girl's rescue, is a study in precision and grace.
Arguably the most underrated work of cinema's greatest director, Buster Keaton's College is swift, hilarious, hopeful, defiant, and ultimately life-affirming.
Audience Reviews for College
An intellectual, who eschews athletics but reasonlessly loves a girl who doesn't, tries out for various sports teams in his first year at college. I thought the anti-intellectualism inherent in this story was off-putting. The man committed to the intellectual life was demeaned - the object of his affections rejects him and even the dean of the college pities him enough to manipulate the coach of the rowing team to include poor Ronald. The film ultimately supports the idea that intellect for its own sake is a meaningless pursuit. Additionally, much of the middle part of the film is dedicated to Keaton slapstick. He awkwardly attempts to play baseball, unable to field a simple grounder, and flummoxes various track and field events. However, the climax, during which Keaton's character performs all of the sports feats flawlessly, was exciting, but it took so long to reach that payoff. Overall, I recommend watching the last fifteen minutes of College or a stronger Keaton film, The General.
Another great screwball comedy featuring the very talented, and very flexible, Buster Keaton. A major talent in the ways of physical comedy, and having a great "stone face" that never laughs nor smiles, Keaton is a heavyweight title character in this farce about the myth that the strongest will survive. There are some really stellar sequences, including a slow motion series of events where the title character is tossed up in the air by a group of college freshmen, and a scene in blackface, which at first I found distateful, but eventually laughed at, as it was necessary to the scene. The ending, where Keaton somehow goes through a routine of acrobatics, was my favorite of all.
This isn't one of Keaton's best, it's my least favourite actually, mostly because the story is predictable and it's not as funny as his other movies.
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