The LEGO Movie 2: The Second Part
The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (24)
| Top Critics (2)
| Fresh (22)
| Rotten (2)
| DVD (4)
Spencer Tracy does his cuddly curmudgeon turn as Clarence Darrow; it's a lazy, vague performance, but its wit provides the only crack of light in the film's somber, gray overcast.
Tolerably gripping in its old-fashioned way, thanks chiefly to old pro performances from Tracy and March as the rival lawyers and ideologists.
It confirms Mr. Kramer as the versatile man he is, full of object lessons for the world; this time a forceful one about the right to think.
Stanley Kramer's 1960 film is a searing indictment of religious fundamentalism and anti-intellectualism. Inherit the Wind's relevance continues beyond its immediate parallels with McCarthyism.
Knock-out courtroom drama has deft comic touches.
Director Stanley Kramer can't overcome the trepidations of a verbose courtroom drama, so he lets his two actors, Spencer Tracy and Fredric March dominate and go at each other, pretending it's a deep play of ideas.
Stagey yes, but powerful Tracy and March acting + subject matter make this a must see.
Absorbing, if long-winded courtroom drama bolstered by two fine central performances from Tracy and March.
An all time classic
Tracy and March turn in superlative performances, each trying to upstage the other.
Director Kramer at his most unbearably high-minded and ostentatious
Extraordinarly vivid, rich, and wise about the core questions of how we know and who we are.
This wonderfully-written film was daring for the time it came out and remains relevant in our times, as it exposes religion and bigotry as a hindrance to human thinking and impresses us with Fredric March's three-dimensional character, even though it ends with a terrible last scene.
Saw this for perhaps the fourth time, this time part of a DVD binge during a snowed in winter. Amazing how little has changed since 1925 when the "Monkey Trial" was held. I think this is the kind of thought provoking movie that is interesting to revisit at various times of your life. When I originally saw (as a kid) I had a real pro-science bias and just saw the white and black--creationists black, evolutionists white--of the argument. This time I saw much more nuance and the question that intrigued me most was: what do you stand for? If you go through life taking the safe middle--"I am not political"--or the sophomoric stance of everything is worthy of sneering contempt--at the end of the day, what are you? You have to take a definite position in life or you are just taking up space.
Even for the sixties this film was a hotbed of turmoil and religious fervor, though the story it was based upon was already forty years old. Science and reason are brought up as the cornerstones of knowledge, in this film, and they are the reason why this story exists. The very famous Scopes Monkey Trial, which spurred the play that this film is based on, has a lot to do with the framework that makes it up. Tracy, who was a hardnosed Catholic his entire life, even outright refusing to divorce his wife in the midst of his affair with Katharine Hepburn, plays the opposing counsel in the trial, on the side of the teacher who is prosecuted for teaching evolution. Frederic March takes on the role of a blithering Southern conventionalist, in the vein of William Jennings Bryant. Both roles are crafted to exemplify famous figures in law, between the former and Clarence Darrow. Their friendship and anonymity towards one another plays an interesting role in their battles within the courtroom. Drummond (Tracy) is a very hard to read character, who finds himself defending someone based on the sciences more than his own personal beliefs. Brady (March) is more apt to rely on his showmanship and oratorical skills than to quote law books. He also believes heavily in the forces that govern the trial, which makes his constant blow-ups hard to watch. It's much more about the two lawyer's world views than anything, and though they battle endlessly, neither gets exactly what they want. The courtroom scenes and speeches always feature such riveting and thought provoking performances from both March and Tracy. It's sometimes difficult to discern whether they are fighting about the well-being of a disenfranchised schoolteacher (who is played by Dick York in his last movie role) or about the fate of a country, torn apart by indecision and doubt. This film speaks about contemporary America as well as its contemporaries of the past, and does so with all the gusto of a contemporary courtroom drama.
Based on the famous Scopes 'monkey trial" of 1925 ("the good ol'days! man, i wish we could go back!") this serious work suffers from the heavy hand of liberalism weighty throughout. Of course, when it was made, 1960, things were decidedly different which can explain the overdoing of things. Anyhow, though it's lost some of its urgency none of its poetry has gone.
View All Quotes