Shaft (1971)




Critic Consensus: No consensus yet.

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Shaft, a highly successful film, spawned an industry of sequels and imitations. The daughter (Sherri Brewer) of Bumpy Jones (Moses Gunn), a (white) gangster, has been kidnapped by a rival (black) gang. Bumpy hires private detective Shaft (Richard Roundtree) to find her. Shaft gets some assistance from Lt. Androzzy (Charles Cioffi) of the NYPD, who hopes to avoid a gang war, especially one which could lead to open racial warfare. The other person who helps him is Ben Buford (Christopher St. John), a black militant who also wants to avoid race war. Shaft is tough. Shaft is smart. Shaft succeeds. Isaac Hayes won an Academy Award for the title song.
R (adult situations/language, nudity, violence)
Action & Adventure , Classics
Directed By:
Written By:
In Theaters:
MGM Home Entertainment


Richard Roundtree
as John Shaft
Moses Gunn
as Bumpy Jonas
Gwenn Mitchell
as Ellie Moore
Charles Cioffi
as Vic Androzzi
Lawrence Pressman
as Sgt. Tom Hannon
Victor Arnold
as Charlie
Rex Robbins
as Rollie
Camille Yarbrough
as Dina Greene
Joseph Leon
as Bryan Leibowitz
George Strus
as Carmen
Tommy Lane
as Leroy
Al Kirk
as Sims
Shimen Ruskin
as Dr. Sam
Lee Steele
as Blind Vendor
Donny Burks
as Remmy
Tony King
as Davies
Benjamin R. Rixson
as Bey Newfield
Dennis Tate
as Dotts
Adam Wade
as Brother
Ed Bernard
as Peerce
Ed Barth
as Tony
Robin Nolan
as Waitress
Ron Tannas
as Billy
Betty Bresler
as Mrs. Androzzi
Jon Richards
as Elevator Starter
Paul Nevens
as Elevator Man
Gonzalo Madurga
as Counterman
Show More Cast

Critic Reviews for Shaft

All Critics (35) | Top Critics (4)

Excellent cast, headed by newcomer Richard Roundtree, may shock some audiences with heavy dose of candid dialog and situation.

Full Review… | March 25, 2009
Top Critic

Forty years of gumshoe noir collided with black power in this 1971 action classic, the most popular of the blaxploitation pictures.

Full Review… | March 1, 2007
Chicago Reader
Top Critic

A hip, cool, entertaining thriller.

Full Review… | June 23, 2006
Time Out
Top Critic

Parks isn't especially good at action direction, but the heart of a private-eye movie is in the mood scenes, anyway, and he supplies a scene in a bar and another one with the Harlem rackets boss that are very nice.

Full Review… | October 23, 2004
Chicago Sun-Times
Top Critic

There are a lot of movies from that era that do basically the same things... but not many of them do them as well.

Full Review… | September 11, 2014
Antagony & Ecstasy

Nearly every frame of Shaft is intent on doing one thing: establishing its hero as a powerful, independent, innately good yet still devilish man in control of his own destiny.

Full Review… | October 15, 2012

Audience Reviews for Shaft

This was my first foray into the world of blaxploitation and boy was it an interesting experience. I can see why it was well received in it's day by both black and white viewers. Not only does it fulfill every preconceived notion that potential white viewers may have had about African-Americans, but it also is a movie very focused on blackness. Hell, in one scene Shaft's coffee isn't even black enough for him. It is infuriatingly stereotypical and empowering all at the same time. While this film does feature some rather interesting direction and a fairly engaging story, you cannot help but be mostly entertained by it's charming anachronisms. I mean where else are you going to find classic lines such as: "You got problems, baby?" "Hehe. Yeah, I got a couple of 'em. I was born black... and I was born poor."

Reid Volk
Reid Volk

Super Reviewer

Private eye John Shaft is hired by a crime boss to find his kidnapped daughter and gets caught up in a war between Harlem gangsters and the mafia. Shaft is the original "Blaxploitation" film, but as is always the case with progenitors of an entire genre it is actually rather tamer than you'd expect. It's certainly an exploitation film, but the violence never crosses the line into excess and Shaft is shown to be a tolerant and fair-minded man (no signs of the appalling sexism and homophobia that went on the taint this type of film). It's no surprise that Richard Roundtree was an icon to young black men in these post civil rights movement years; he is tough, stylish and never without the attention of women or money but more importantly, he is totally self-assured, fearless and not only doesn't take any shit from "the man", he is accepted and respected by all concerned. Taken out of context, it's a fairly standard 70s detective story, the real reason it stood out from the crowd being the fact that all of the heroes are black and Isaac Hayes' classic soundtrack. The humour is a little weak and lowbrow and there are a couple of hilariously pointless love scenes but as a whole it's a stylish and efficient thriller that is no world changer, but never disappoints either.

xGary Xx
xGary Xx

Super Reviewer

This is the first blaxploitation movie I saw, and it's my favourite. This movie is action packed and has a great story. Shaft really is cool.

Aj V
Aj V

Super Reviewer

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