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This is the man that would risk his neck for his brother, man. Can you dig it? Read critic reviews
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Movie Info
John Shaft (Richard Roundtree) is the ultimate in suave black detectives. He first finds himself up against Bumpy (Moses Gunn), the leader of the black crime mob, then against black nationals, and finally working with both against the white mafia who are trying to blackmail Bumpy by kidnapping his daughter.
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Rating: R
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Genre: Crime, Drama
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Original Language: English
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Director: Gordon Parks
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Producer: Joel Freeman
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Writer: Ernest Tidyman, Ernest Tidyman, John D. F. Black
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Release Date (Theaters): wide
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Release Date (Streaming):
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Runtime:
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Distributor: Metro-Goldwyn-Mayer
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Production Co: Metro Goldwyn Mayer, Shaft Productions Ltd.
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Aspect Ratio: Flat (1.85:1)
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View the collection: Shaft
Cast & Crew
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Critic Reviews for Shaft
Audience Reviews for Shaft
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This was my first foray into the world of blaxploitation and boy was it an interesting experience. I can see why it was well received in it's day by both black and white viewers. Not only does it fulfill every preconceived notion that potential white viewers may have had about African-Americans, but it also is a movie very focused on blackness. Hell, in one scene Shaft's coffee isn't even black enough for him. It is infuriatingly stereotypical and empowering all at the same time. While this film does feature some rather interesting direction and a fairly engaging story, you cannot help but be mostly entertained by it's charming anachronisms. I mean where else are you going to find classic lines such as: "You got problems, baby?" "Hehe. Yeah, I got a couple of 'em. I was born black... and I was born poor."
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I understand that this is regarded as a classic blaxploitation, and I respect it for that, but I felt that it was all over the place, switching between plots every ten minutes. By the end, I wasn't really sure what to make of it. One thing about it that was great, and I'm sure everyone else will agree, was the score set by Issac Hayes. Now, that's a classic soundtrack.
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I understand that this is regarded as a classic blaxploitation, and I respect it for that, but I felt that it was all over the place, switching between plots every ten minutes. By the end, I wasn't really sure what to make of it. One thing about it that was great, and I'm sure everyone else will agree, was the score set by Issac Hayes. Now, that's a classic soundtrack.
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"They say this cat Shaft is a baaaad muther..." "SHUT YER MOUTH!"
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