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      High Noon

      1952, Western, 1h 25m

      89 Reviews 25,000+ Ratings

      What to know

      Critics Consensus

      A classic of the Western genre that broke with many of the traditions at the time, High Noon endures -- in no small part thanks to Gary Cooper's defiant, Oscar-winning performance. Read critic reviews

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      High Noon  Photos

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      Movie Info

      Former marshal Will Kane (Gary Cooper) is preparing to leave the small town of Hadleyville, New Mexico, with his new bride, Amy (Grace Kelly), when he learns that local criminal Frank Miller has been set free and is coming to seek revenge on the marshal who turned him in. When he starts recruiting deputies to fight Miller, Kane is discouraged to find that the people of Hadleyville turn cowardly when the time comes for a showdown, and he must face Miller and his cronies alone.

      • Rating: PG (Some Western Violence|Smoking)

      • Genre: Western

      • Original Language: English

      • Director: Fred Zinnemann

      • Producer: Stanley Kramer

      • Writer: John W. Cunningham, Carl Foreman

      • Release Date (Theaters):  original

      • Release Date (Streaming):

      • Runtime:

      • Distributor: United Artists, Criterion Collection, Republic Pictures

      • Production Co: Stanley Kramer Company

      Cast & Crew

      Gary Cooper
      Grace Kelly
      Katy Jurado
      Thomas Mitchell
      Lloyd Bridges
      Otto Kruger
      Harry Morgan
      Sheb Wooley
      Ian MacDonald
      Carl Foreman
      Dimitri Tiomkin
      Floyd Crosby
      Elmo Williams
      Rudolph Sternad
      Ben Hayne
      Murray Waite

      News & Interviews for High Noon

      Critic Reviews for High Noon

      Audience Reviews for High Noon

      • Oct 25, 2014
        My favourite Western of all time. Though set in the Old West, High Noon was unconventionally different from all other Western in it's dealing with the moral dilemmas. Will Kane, a local marshall has just gotten married, but a notorious criminal who got out of the death sentence is going to arrive in town at noon has swore to have his revenge. Kane tried to enlist the town folks to help him but he faced rejection from everyone. Now that everyone has abandoned him, he has to face the criminal gang alone. High Noon is special in many ways. Unlike conventional Westerns, it did not have much action, rather it focused on the dialogues and the relationships of the characters. The story also progressed in real time, meaning that events taken place are approximately the same as the time in reality. Lastly, the hero was saved by the heroine, very unusual but has a beautiful message (Kelly's performance wasn't superb at this point however). Controversies arose in the different views on the themes in the film. Both the left and right celebrated the film. The left viewed the town folks as selfish greedy hypocrites (particularly at Pell) but at the same time criticized the individualism of Kane. The right enjoyed the individualism and the duty displayed by Kane and criticized the film for being un-American. Personally, I just love this film because of the pessimistic setting and the realism. It has Gary Cooper, how can anyone dislike Gary Cooper!?
        Super Reviewer
      • Oct 16, 2013
        By default, this is considered to be the greatest western of all time and it deserves the honour. Everything is interesting here from the real time footage to Gary Cooper actually acting well to a fabulous ending. Did I mention the soundtrack?
        Super Reviewer
      • Apr 11, 2013
        In an era of flamboyant and charismatic westerns, High Noon takes a turn in a somewhat darker direction. The film does a remarkable effort to highlight the suspenseful moments before it dwindles down to the climatic showdown. The music and score also plays well to reflect the pride-filled moments. Finally, the film is epitomized by the Oscar-winning performance by the resilient Gary Cooper. High Noon is a new direction in westerns that changed the face of the genre and film in the years ahead. 4/5
        Super Reviewer
      • Dec 07, 2012
        High Moon has aged remarkably well and is far more morally ambiguous and emotionally engaging than most films of its kind. Though even at its brief running time it feels slightly overly-extended, the film is a fantastic example of a well-crafted deconstruction of Western genre tropes.
        Super Reviewer

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