Shadows

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Kyle M @RT77296778 Jun 1 Atmospherically expressive when conversationally poised within thematic discourse amid societal transition, this independent cinema had indecisive ambition on conceptual communication that unfortunately doesn’t ascend as it ages for a dated yet admirably crafted narrative with an unfound hook. (B-) See more Leprechaun K @LeprechaunKing May 10 This is Cassavetes' directorial debut and it shows. It is experimental and serves better as a short film. See more Luca D @JoeCamel7 07/23/2023 Completely overated. Watch a bunch of half decent actors live in an apartment together for an hour and a half only for the ending to resolve because there is no conflict or plot to begin with. See more Christopher B @Ikari777 10/05/2022 A film made using improvisation performances from it's talented cast, Shadows was the first film by director John Cassavetes and was made with a meager budget of $40,000. The film obviously focuses fully on the story and issues at hand and the brief 82 minute runtime flies by as the film keeps going full steam ahead. A great drama piece exploring the, rare at the time, issue with interracial relationships and is a genuine and realistic approach to the ideals explored. See more William L @RT77267842 03/28/2021 Shadows doesn't meet the same bar of technical competence that Cassavetes would bring to his later films, but it's a debut effort so some leeway can be given in that department. As a film on race that takes place between ordinary people without massive direct implications (in 1959, no less), Shadows shows a more conventional form of uneasy prejudice rather than a cross-burning, white-hooded disdain. The entire film hinges on a moment in which Ray's Tony realizes that Goldoni's Lelia, the woman he spent the previous night with, was actually black by virtue of her brothers' darker skin tone; objectively, nothing about her has changed from the moments of awkward intimacy that they shared before, but now Tony finds himself reconsidering his position as a result of his prejudice. There are no violent outbursts or theatrics, just mumbled excuses and uneasy glances. It's a nuance you wouldn't expect from a film that predates the heyday of the Civil Rights Movement, it must have been something to see upon release; in a modern context, it's not a mountain mover and doesn't necessarily compare well to some of Cassavetes' later work, but it's a solid first film for the rising American director. (3.5/5) See more 08/27/2020 At it's best, it's a groundbreaking experimental film that opened the doors to a new wave of independent filmmaking a decade before Easy Rider. At it's worst, it's a mess that gets lost in it's experiment, and may lose the viewer at times too. Nevertheless, Cassavetes improvisational approach to filmmaking opened the doors to countless others who would go on to refine what he founded. Any of us who call ourselves filmmakers are indebted to his pioneering. See more Read all reviews

Shadows

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