John Cassavetes

John Cassavetes

Highest Rated: 100% Love Streams (1984)

Lowest Rated: 17% Big Trouble (1986)

Birthday: Dec 9, 1929

Birthplace: New York, New York, USA

Perhaps better known to the general public as an actor, John Cassavetes' true artistic legacy derives from his work behind the camera; arguably, he was America's first truly independent filmmaker, an iconoclastic maverick whose movies challenged the assumptions of the cinematic form. Obsessed with bringing to the screen the "small feelings" he believed that American society at large attempted to suppress, Cassavetes' work emphasized his actors above all else, favoring character examination over traditional narrative storytelling to explore the realities of the human condition. A pioneer of self-financing and self-distribution, he led the way for filmmakers to break free of Hollywood control, perfecting an improvisational, cinéma vérité aesthetic all his own.The son of Greek immigrants, Cassavetes was born December 9, 1929, in New York City. After attending public school on Long Island, he later studied English at both Mohawk College and Colgate University prior to enrolling at the New York Academy of Dramatic Arts. Upon graduating in 1950, he signed on with a Rhode Island stock company while attempting to land roles on Broadway and made his film debut in Gregory Ratoff's Taxi in 1953. A series of television roles followed, with Cassavetes frequently typecast as a troubled youth. By 1955, he was playing similar parts in the movies, appearing in pictures ranging from Night Holds Terror to Crime in the Streets. Cassavetes' career as a filmmaker began most unexpectedly. In 1957, he was appearing on Night People, a New York-based radio show, to promote his recent performance in the Martin Ritt film Edge of the City. While talking with host Jean Shepherd, Cassavetes abruptly announced that he felt the film was a disappointment and claimed he could make a better movie himself; at the close of the program, he challenged listeners interested in an alternative to Hollywood formulas to send in a dollar or two to fund his aspirations, promising he would make "a movie about people." No one was more surprised than Cassavetes himself when, over the course of the next several days, the radio station received over 2,000 dollars in dollar bills and loose change; true to his word, he began production within the week, despite having no idea exactly what kind of film he wanted to make.Assembling a group of students from his acting workshop, Cassavetes began work on what was later titled Shadows. The production had no script or professional crew, only rented lights and a 16 mm camera. Without any prior experience behind the camera, Cassavetes and his cast made mistake after mistake, resulting in a soundtrack which rendered the actors' dialogue completely inaudible (consequently creating a three-year delay in release while a new soundtrack was dubbed). A sprawling, wholly improvised piece about a family of black Greenwich Village jazz musicians -- the oldest brother dark-skinned, the younger brother and sister light enough to pass for white -- the film staked out the kind of fringe society to which Cassavetes' work would consistently return, posing difficult questions about love and identity.Unable to find an American distributor, the completed Shadows appeared in 1960, and was widely hailed as a groundbreaking accomplishment. After receiving the Critics Award at that year's Venice Film Festival, it finally was released in the U.S. with the backing of a British distributor. The film's success brought Cassavetes to the attention of Paramount, who hired him to direct the 1961 drama Too Late Blues with Bobby Darin. The movie was a financial and critical disaster, and he was quickly dropped from his contract. Landing at United Artists, he directed A Child Is Waiting for producer Stanley Kramer. After the two men had a falling out, Cassavetes was removed from the project, which Kramer then drastically re-cut, prompting a bitter Cassavetes to wash his hands of the finished product. Stung by his experiences as a Hollywood filmmaker, he vowed to thereafter


Highest Rated Movies



66% She's So Lovely Screenwriter 1997
No Score Yet Hollywood Mavericks Actor 1990
17% Big Trouble Director 1986
100% Love Streams Robert Harmon Director Screenwriter 1984
No Score Yet I'm Almost Not Crazy: John Cassavetes Actor 1984
No Score Yet Marvin and Tige Marvin Stewart 1983
29% The Incubus Dr. Sam Cordell 1982
60% Tempest Phillip Dimitrius 1982
67% Whose Life Is It Anyway? Dr. Michael Emerson 1981
92% Gloria Director Screenwriter Producer 1980
No Score Yet Brass Target Maj. Joe De Lucca 1978
78% The Fury Childress 1978
96% Opening Night Maurice Aarons Screenwriter Director 1977
79% The Killing of a Chinese Bookie Director Screenwriter 1976
84% Mikey and Nicky Nicky Godalin 1976
25% Two Minute Warning Actor 1976
No Score Yet Capone Frankie Yale 1975
93% A Woman Under the Influence Screenwriter Director 1975
No Score Yet Columbo: Étude in Black Director Actor 1972
80% Minnie and Moskowitz Jim Screenwriter Director 1972
67% Husbands Gus Demetri Director Screenwriter 1970
No Score Yet Machine Gun McCain Hank McCain 1970
60% If It's Tuesday, This Must Be Belgium Card Player 1969
87% Faces Director Screenwriter 1968
97% Rosemary's Baby Guy Woodhouse 1968
No Score Yet Alexander the Great Actor 1968
88% The Dirty Dozen Victor Franko 1967
No Score Yet Devil's Angels Cody 1967
79% The Killers Johnny North 1964
92% A Child Is Waiting Director 1963
No Score Yet A Pair of Boots Director 1962
86% Too Late Blues Screenwriter Director Actor Producer 1961
100% Shadows Screenwriter 1959
No Score Yet Virgin Island Evan 1959
No Score Yet Saddle the Wind Tony Sinclair 1958
No Score Yet Edge of the City Axel North 1957
No Score Yet Crime in the Streets Frankie Dane 1956
No Score Yet I'll Cry Tomorrow Bit: Card Player 1955
No Score Yet The Night Holds Terror Robert Batsford 1955


No Score Yet Columbo
Director Maestro 1972
No Score Yet Rawhide
Cal 1961
No Score Yet Alfred Hitchcock Presents
Sam Cobbett 1956


Rosemary Woodhouse says: Its going to be a very special party. You have to be under sixty to get in.

Guy Woodhouse says: Well... for a minute there I thought I wasn't going to make it!

Rosemary Woodhouse says: Oh, you'll make it all right. You can be bartender.

Victor Franko says: Hey! What's the matter with you? You think I'm going to die? Ha! If you think that then you don't know Victor Franko.