Shadows

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100%

TOMATOMETER

Total Count: 21

82%

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Movie Info

Shadows was John Cassavetes' first directorial effort. Like his later critically acclaimed films Faces and Husbands, Cassavetes fills the screen with probing, unflattering closeups. Unlike his other films, however, Shadows zips along at 87 minutes, avoiding the pitfall of putting the director's nonfans to sleep. The film is a straightforward account of a biracial romance (a far less common film subject in 1960 than today). Light-skinned African-American Lelia Goldoni falls in love with a white man Anthony Ray, who spurns her when he meets the rest of her family. Far from subtle, Shadows benefits from the undisciplined energy of its direction and the excellence of its individual performances. Costing a scant $40,000 (less than the average half hour TV episode of the era), Shadows won the Critic's Award at the Cannes Film Festival and led to more expensive studio assignments for John Cassavetes.

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Critic Reviews for Shadows

All Critics (21) | Top Critics (6) | Fresh (21)

Audience Reviews for Shadows

  • Jul 22, 2014
    Don't have much to say about this movie, seems others enjoyed it I did Not. 1 Star 3-2514
    Bruce B Super Reviewer
  • Nov 07, 2011
    Everyone knows "Shadows" is a historically important film, but it's also interesting on its own terms. The loose plot takes place within the late-'50s clique of New York jazz cats. Period lingo is kept to a minimum (save some talk of "making the scene"), so the dialogue doesn't age as badly as one might expect. A white man picks up a beautiful young woman, but later discovers she's a fair-skinned black. The meat of the story is the racial tension between the surprised man and the woman's wary brothers, but the conflict is pushed aside rather than building to a strong conclusion. Otherwise, the sequences mostly dwell on cynical hipsters cavorting in clubs and apartments while making aggressive plays for whatever tawdry babe is within reach. The closing credits boast that the film was an improvisation, and some awkward cuts and blackouts do suggest off-the-cuff spontaneity that was structured afterwards in the editing room. The acting is amateurish, though not offensively so. Director John Cassavetes briefly appears as a ruffian in one early crowd scene.
    Eric B Super Reviewer
  • Nov 02, 2011
    A film made using improvisation performances from it's talented cast, Shadows was the first film by director John Cassavetes and was made with a meager budget of $40,000. The film obviously focuses fully on the story and issues at hand and the brief 82 minute runtime flies by as the film keeps going full steam ahead. A great drama piece exploring the, rare at the time, issue with interracial relationships and is a genuine and realistic approach to the ideals explored.
    Chris B Super Reviewer
  • Aug 30, 2011
    You can cheer for <i>Ben Hur</i> and <i>Some Like it Hot</i> as much as you want, but truth is Cassavetes' "improvisatory" examination of daily life is several times much more imporant, socially speaking. A set of common characters with multiple personalities arise undeniable psychological clashes. It's perhaps also important to note that this directorial debut hit American cinemas before Godard's work travelled abroad, so you may add the "improvisation" excuse right there, in Cassavetes' style. Nonetheless, it is a wonderful contribution to the independent cinema branch. 99/100
    Edgar C Super Reviewer

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