Undercurrent

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54%

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User Ratings: 447

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Movie Info

After a rapid engagement, Ann Hamilton (Katharine Hepburn), the dowdy daughter of a chemist, weds handsome industrialist Alan Garroway (Robert Taylor), knowing little of his family or past. Alan transforms Ann into an elegant society wife, but becomes enraged whenever she asks about Michael (Robert Mitchum), his mysterious long-lost brother. Ann begins to suspect her new husband of the worst when she digs into the Garroway history and learns that Michael is believed to have been murdered.

Cast

Katharine Hepburn
as Ann Hamilton
Robert Taylor
as Alan Garroway
Robert Mitchum
as Michael Garroway
Edmund Gwenn
as Prof. Dink Hamilton
Jayne Cotter
as Sylvia Burton
Jayne Meadows
as Sylvia Lea Burton
Clinton Sundberg
as Mr. Warmsley
Dan Tobin
as Prof. Herbert Bangs
Kathryn Card
as Mrs. Foster
Charles Trowbridge
as Justice Putnam
James Westerfield
as Henry Gilson
Billy McLain
as Uncle Ben
Jean Andren
as Mrs. Davenport
Forbes Murray
as Sen. Edwards
Milton Kibbee
as Minister
Victor McLaglen
as Uncle Ben
Betty Blythe
as Saleswoman
Monya Andre
as Saleswoman
Eula Guy
as Housekeeper
Wheaton Chambers
as Proprietor
Robert E. O'Connor
as Stationmaster
Gordon Richards
as Headwaiter
Frank Dae
as 2nd Man
Nina Ross
as Woman
Dan Kerry
as Elevator Man
Hank Worden
as Attendant
Rudy Rama
as Headwaiter
Phil Dunham
as Elevator Man
Jack Murphy
as Messenger
Bill Cartledge
as Messenger
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Critic Reviews for Undercurrent

All Critics (3) | Fresh (3)

Audience Reviews for Undercurrent

  • May 06, 2012
    Upon it's release in 2000, Jonathan Mostow's "U571" was panned by many for it's rewriting of World War 2 history. In Mostow's version of events the crew of an American submarine are responsible for breaking the Nazi enigma code. In reality it had been cracked by a team of British and American scientists. Hollywood's WWII revisionism began a lot earlier though. In this 1946 movie Taylor's inventor is credited with inventing a machine which won the war. It's hard to buy Taylor as a scientist, he was one of those actors whose fame seemed to be solely based around the fact he looked good in a suit. If he was any more wooden the crew would have to sweep up sawdust after each take. Pairing him with an actress so full of life as Hepburn does him no favors. You would never guess she was five years older than Taylor, a casting choice which is rare even in today's supposedly more liberated Hollywood. The movie feels somewhat like a changing of the guard, stiff actors like Taylor were dying out, being replaced by a new breed of more naturalistic performers like his costars Hepburn and Mitchum. By Minnelli's standards this is average fare, a ripoff of Hitchcock's "Suspicion" but sadly lacking a leading man of Cary Grant's charisma. Thankfully Hepburn gets the lion's share of screen time as scenes which don't feature her fall flat. Minnelli does his best to keep things interesting and in lesser hands it would be a rather plodding affair. His love of music plays a part in the form of a recurring Brahms melody which ultimately bonds Hepburn and Mitchum together. Minnelli is of course known most of all for his lavish use of color but he equally knows how to get the most from black and white. Here he works with the great cinematographer Karl Freund to produce some striking monochrome images. A scene involving a knocked over lamp is particularly impressive, creating a shadow and light dynamic which serves to heighten the scene. It pales in comparison to similar melodramatic thrillers like "Suspicion" and "Leave Her To Heaven" but fans of the sub genre will find it worthwhile.
    The Movie W Super Reviewer
  • Nov 11, 2009
    I expected to really like this movie but for me, It was just something to watch
    Brody M Super Reviewer
  • Jul 07, 2007
    hepburn is oddly cast in a menaced woman role but that helps make it interesting viewing.
    jay n Super Reviewer

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