Anita O'Day: The Life of a Jazz Singer (2007)
Critic Consensus: This rich documentary chronicles the highs and lows of one of the medium's finest singers, utilizing remarkable archive footage and insightful interviews with O'Day herself.
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Critic Reviews for Anita O'Day: The Life of a Jazz Singer
The incomparable songbird is finally given her due in one of the greatest music documentaries I've ever seen.
A close-up look at the strange alchemy that is jazz singing -- singing at its most sublime.
Robbie Cavalina and Ian McCrudden's loving tribute to the great singer orchestrates archival footage, late-in-life interviews and some spectacular music into one of the better bio-pics of recent years.
Anita O'Day: The Life of a Jazz Singer chooses from all the existing materials, and is invaluable.
A gentle, swinging film that pieces together her extraordinary life story from vintage performance clips and various interviews done over the years.
Alive with improvisational energy and rejecting the conventional biographical format, the film pursues ideas and feelings rather than chronology as it scats through an archival wealth of interviews with O'Day and some of her most inspired performances.
Audience Reviews for Anita O'Day: The Life of a Jazz Singer
Fascinating documentary on a great jazz singer who should be more well known. It was a tough life for Anita but the pluck which saw her through many hard times, some admittingly of her own making, is showcased front and center by reminiscences from the lady herself and backed by the people who either knew her when or admire her now.
[size=3]The new documentary "Anita O'Day: The Life of a Jazz Singer" taught me a lot. I'm embarrassed to say this, but I had never heard of Ms. O'Day. Now I know that she was a jazz legend from the 1950s through to the 70s. Jazz aficionadoes consider her one of the great vocalists, right up there with Billie Holiday, Ella Fitzgerald, and Sarah Vaughan. [/size]
[size=3]I also didn't know what a radical she was. The first uproar she caused was in the 1940s, when she became the first white female to sing a duet with a black man as part of an ongoing nightclub act. (The song, "Let Me Off Uptown," became quite popular.) She was also one of the few white artists ever to play the Apollo Theater in Harlem. [/size]
[size=3]A national scandal followed soon thereafter when O'Day was arrested for smoking marijuana and sent to prison for several months. Not several days, several [i]months[/i]. It is shocking to me that jazz musicians were sent to prison for smoking a joint! [/size]
[size=3]O'Day's bad-girl reputation only grew in the 1950s when she started using heroin. [/size][size=3][b]Move over Janis Joplin; Anita O'Day was there first.[/b] Most Americans believe that the first serious rebellion against conservative mores came with advent of rock and roll. Hardly. It all began with jazz. An important service that documentaries like this provide is to correct popular misconceptions about history. The history of American radicalism cannot be written without jazz.[/size]
[size=3]This Anita O'Day documentary is entertaining, informative, and important, but it is also highly conventional. The filmmakers have as much style as the squares who arrested O'Day for smoking pot. Documentary filmmakers in America seem to have no cinematic sense. "Man on Wire," a British documentary also playing in Manhattan art houses at the moment, runs circles around "Anita O'Day" in terms of directorial creativity.[/size]
[size=3]The complete lack of filmmaking art forces me to bring down the film's rating to a 6, which is a shame. An artist like O'Day deserved a screen treatment that matched her creativity.[/size]
[font=Comic Sans MS]"[/font][font=Century Gothic]Anita O'Day - The Life of a Jazz Singer" is a breezy and insightful documentary about the legendary jazz singer. Her life had more than its share of ups and downs including two marriages and a 15-year heroin addiction which she survived, living to the age of 87.(I don't know why jazz musicians suffered so much from drug addiction but maybe it had something to do with the freedom that the music gave to their lives during a very conformist period. At a certain point, freedom cuts both ways...) Thankfully, all of that is simply touched on. What the documentary is mostly interested in is her professional career, as she moved from larger to smaller bands, giving her much more room for improvisation. Along with interviews she gave before she died in 2006, her story is told by experts and her contemporaries. And that is where this film stands out by explaining her vocal talents and where she places alongside other great jazz singers, one commentator explaining her voice was like another instrument of the band. The footage of her singing, especially the famous performance from the Newport Jazz Festival seen in the concert film, "Jazz on a Summer's Day," testifies to this.[/font]
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