A Letter to Elia

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For Martin Scorsese, growing up in Little Italy, seeing On the Waterfront and East of Eden as a young man was a life-changing experience. Scorsese appears on and off camera throughout A Letter to Elia, taking us through Kazan's life and through his own as well, and through his growing realization that there was an artist behind the camera, someone "who knew me, maybe better than I knew myself." The film is about being exposed to the right movies at the right moment in your adolescent life, when you're wide open and ready to connect, to be spurred on by the work up there on the screen, and then, maybe, to chart a course toward making your own movies. Composed of clips, stills, readings from Kazan's autobiography and his speech on directing (read by Elias Koteas), a videotaped interview done late in Kazan's life, and Scorsese's commentary on and offscreen, A Letter to Elia takes a close look at the life of art and its creation - the work, the distractions, the inspirations, the complications, the intersections between art and experience. A Letter to Elia, written and directed by Scorsese and his longtime collaborator Kent Jones, is a deeply personal film, a frank portrait and self-portrait, and an equally frank acknowledgement of the closeness and the distance between artists and their art. -- (C) Official Site

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Critic Reviews for A Letter to Elia

All Critics (4) | Fresh (4)

Audience Reviews for A Letter to Elia

  • Nov 09, 2015
    I think I saw this on TCM a few years back. It is also included in The Elia Kazan Collection DVD box set. Scorsese hosts this love letter to the cinematic legacy of Kazan. Elia Kazan started in theatre as an actor and developed into a Broadway director before being called to Hollywood. Scorsese talks personally about growing up and seeing Kazan's movies with characters and locations that were familiar to fellow New Yorker Scorsese. Lots of clips from the films included in the DVD collection are shared. This doc touches upon the House UnAmerican Activities Committee hearings, but is not as much about Kazan's biography as his films influence on Scorsese.
    Byron B Super Reviewer

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