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View All Alps (Alpeis) News
All Critics (44)
| Top Critics (18)
| Fresh (33)
| Rotten (11)
| DVD (1)
The reality it takes place in is heightened just enough to make the concept feel ironic, but then all attempt at genuine sentiment subsequently falls flat.
An hour and a half of darkening absurdism.
The film takes some deciphering, but once a viewer cracks its code "Alps" opens up into something expansive and rich.
The movie contains some of the same elements that made [Dogtooth] so startling but they tend to float around rather than coalesce into a singular perspective.
A film peculiar beyond all understanding, based on a premise that begs belief.
A strange story. A strange world. And strange characters doing even stranger things.
Lanthimos's film Dogtooth disturbed and impressed a lot of people, and I doubt his new film ALPS will receive a different reaction.
Giorgos Lanthimos' "Alps" is a gimmick brought to life, a conceptual idea of a social situation filmed with automatons and containing but an illustration of a concept.
It will certainly keep you interested, but the ending lacks the strength to make it work completely. [Full review in Spanish]
In fact, you probably shouldn't be reading this review if you have an interest in seeing the film.
Emphatically weird, watchable and niche.
It's hard to see what, if anything, Lanthimos is saying about modern Greece. And without that clear focus, the film feels a bit off-piste.
In "Alps," a young tennis player is gravely injured in an auto accident and is given some hope for making it. In the ambulance, she is asked who her favorite American actor is. In a meeting in a gymnasium being presided over by Mont Blanc(Aris Servetalis), a gymnast(Ariane Labed) tries to call dibs on substituting for the tennis player but Mountbatten(Johnny Vekris), her coach, in no uncertain terms, feels she is not even ready for pop music in her routine. In the meantime, Monte Rosa(Aggeliki Papoulia), a nurse at the hospital, looks in on her.
Throuhgout, "Alps" does a neat job of keeping the viewer off-balance. At first, I thought something very sinister was going on due to having watched too many episodes of "The Avengers" when I was growing up but it turns out the cell's well-intentioned with their allowing mourning family members to work through their grief through them. That does not mean that there are not dangers for the characters in this movie, especially considering the extreme emotions in play.
The question about the actors is rather odd at first. One could argue that it is about the kind of performance the customers want; natural, method or scenery chewing?(Heaven help anybody if they say Nicolas Cage.) Or could it be about American culture overwhelming all others? Therefore, the substitutes could be working on developing their own native culture with no other creative outlet in Greece. But at least considering "Alps" and excellent recent Greek movies like "Dogtooth" and "Attenberg," there is certainly a national cinema there to keep an eye out for.
Make me decidedly neutral on the latest film from Giorgos Lanthimos. I find his films to be very slow in their relevant ions. You almost have to see them twice because you don't really know what's going on until an hour in. Wonderful unique concepts. Execution that is too cute.
A group of four people act as stand-ins for deceased loved ones to help families with the grieving process. The idea isn't a bad one but there is almost no story development, and the (deliberately) bad acting, lighting and camerawork create 90 minutes of unpleasant awkwardness without much to reward the viewer. The second film from the director of DOGTOOTH shows all the stereotypical flaws you associate with sophomore efforts.
'Alps'. Morbid, absurd and completely messed up. I'm sure there's some deeper meaning on identity waiting to be gleaned, but it became an exercise in the weird for me, and one that I couldn't look past.
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