Höstsonaten (Autumn Sonata) (1978)

Höstsonaten (Autumn Sonata) (1978)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Höstsonaten (Autumn Sonata) Photos

Movie Info

Directed by Ingmar Bergman, this intense domestic drama offers insight into the troubled relationships between a mother and her two daughters, one of whom is dying of a terrible disease that has left her paralyzed and only able to communicate via grunts, and the other who has been estranged from her mother for seven years. It is the sudden arrival of the estranged daughter (Liv Ullmann) that gets the story started. She originally left because she felt that her mother, a famous concert pianist (Ingrid Bergman) ignored her while growing up. Now she brings with her the paralyzed sister who has spent the last few years in an institution. As the story progresses, the threesome try to make peace with each other and in their lives.
Rating:
R
Genre:
Art House & International , Drama
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
Criterion Collection

Cast

Ingrid Bergman
as Charlotte Andergast
Lena Nyman
as Helena
Halvar Björk
as Viktor
Georg Løkkeberg
as Leonardo
Knut Wigert
as Professor
Arne Bang-Hansen
as Uncle Otto
Linn Ullmann
as Eva as a child
Ame Bang-Hansen
as Uncle Otto
Marianne Aminoff
as Charlotte's private secretary
Mimi Pollak
as Piano instructor
Show More Cast

Critic Reviews for Höstsonaten (Autumn Sonata)

All Critics (22) | Top Critics (4)

Bergman's casting coup lives up to expectations. Ingrid Bergman and Liv Ullmann invest their roles with undeniable emotional conviction and impact.

Full Review… | August 4, 2015
Washington Post
Top Critic

No excerpt available.

Full Review… | April 15, 2009
Variety
Top Critic

The movie makes good chamber music: it's a crafted miniature with Bergman's usual bombast built, for once, into the plot requirements.

Full Review… | August 1, 2007
Chicago Reader
Top Critic

Of course Bergman's actresses suffer superbly in microscopic close-up, but the nagging doubt persists as to whether this is incisive psychodrama or just those old nordic blues again.

Full Review… | February 8, 2006
Time Out
Top Critic

Autumn Sonata can finally be seen as an austerely beautiful meditation on death and the not-always-realized possibility of reconciliation across generations.

June 5, 2001
AV Club
Top Critic

[Bergman's] self conscious, immensely grave direction suggests some statement about the meaning of life and all that. It is all exquisitely tedious.

Full Review… | September 28, 2015
The Spectator

Audience Reviews for Höstsonaten (Autumn Sonata)

Affecting less due to the story, and more due to observing still-radiant Ingrid Bergman in the twilight of her life. Otherwise, there's not much happening in the filmmaking beyond "warm lighting," and the script seems like just a case of Ingmar struggling to find new ways to make characters intensely miserable.

Eric Broome
Eric Broome

Super Reviewer

½

Ingrid is great as a totally self involved woman of great musical talent but no outward vision beyond how it serves her no matter how she tries. The rest of the film is dour and terribly depressing which of course is par for the course with Ingmar Bergman. We are suppose to empathize with Liv Ullman's character but she seems stunted by her bad childhood unable to realize that at some point you have to accept people as they are and get on with the business of living.

jay nixon
jay nixon

Super Reviewer

½

This is one of the very best Ingmar Bergman films I have seen, and therefore one of the very best films. Ingrid Bergman and Liv Ullman are simply amazing together as a mother and daughter combination from hell. Ingrid Bergman is terrific, despite a deliberately naff hairdo which makes her look like Queen Elizabeth II of the UK rather than the faded beauty she is. Liv Ullman also has visual nuances to enhance her character - the glasses, platted hair and jumpers enabling this beautiful woman to look frumpy. The acting is simply amazing, even through the subtitles you can tell. Fortunately Scandinavian vocal nuance is similar enough to English to enable us non-Swedish speakers to appreciate the acting. Of course, it has the Ingmar Bergman darkness to it. The sister with the horrible degenerative disease, the drowned toddler, the selfishness of the Ingrid Bergman character. If you get depressed along with the characters in films like this, you might be better off giving this one a miss. But for those with a taste for this type of claustrophobic drama, this is one of the most powerful films you will ever see.

Cassandra Maples
Cassandra Maples

Super Reviewer

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