Band of Outsiders (Bande à part)

Critics Consensus

An oddball heist movie with an dark streak that picks apart every rule in filmmaking.

94%

TOMATOMETER

Total Count: 49

91%

Audience Score

User Ratings: 12,457
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Movie Info

In the dreary Parisian suburb of Joinville, Brasseur and Frey ("Belmondo's suburban cousins" - Godard) take turns romancing English language student Karina, then light up when she mentions the big pile of cash stashed at her aunt's villa. A piece of cake burglary, but of course things go memorably awry. A jeu d'ésprit - extracted from one of the blackest of Série Noire novels, Fools' Gold by Dolores Hitchens - with echt Godardian set pieces including the trio line-dancing "Le Madison" (later "homaged" by Tarantino in Pulp Fiction)and then "doing" the Louvre in record time. Along with Band, Karina's collaborations with boyfriend/husband/ex-husband Godard (they married in 1961 and divorced in 1965) include Le Petit Soldat, Vivre Sa Vie, Alphaville, Pierrot Le Fou, Made In U.S.A., and A Woman is a Woman, which won her a Best Actress award at the Berlin Film Festival. "Anna & Jean-Luc," a one-week festival of their films together, will be shown as a sidebar to the Band of Outsiders run (see below for schedule). In addition to her films with Godard, Karina has appeared in Visconti's The Stranger, Rivette's The Nun, George Cukor's Justine, Tony Richardson's Laughter in the Dark, Fassbinder's Chinese Roulette, and many other films. Born in Denmark, Anna arrived in Paris at age 17, unable to speak a word of French. Sitting at the café Les Deux Magots, she was spotted by a woman from an advertising agency, which led to a successful career as a fashion model. A picture of Karina in a bubble bath in an ad for Palmolive soap was seen by young film critic Godard, then casting his first feature, Breathless. Offered a part that would include a nude scene, Karina turned him down, but then accepted a role in his second feature, Le Petit Soldat.
  • Rating:
    NR
  • Genre:
    Art House & International, Drama
  • Directed By:
    Jean-Luc Godard
  • Written By:
    Jean-Luc Godard
  • In Theaters:
     wide
  • On Disc/Streaming:
  • Box Office:
    $37,651
  • Runtime:
  • Studio:
    Royal Films International

Cast

Claude Brasseur
as Arthur
Anna Karina
as Odile
Sami Frey
as Franz
Ernest Menzer
as Arthur's uncle
Louisa Colpeyn
as Mme. Victoria
Georges Staquet
as Legionnaire
Michel Delahaye
as Doorman at School
Danièle Girard
as English teacher
Jean-Luc Godard
as Narrator
Claude Makovski
as Pupil
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Critic Reviews for Band of Outsiders (Bande à part)

All Critics (49) | Top Critics (17) | Fresh (46) | Rotten (3)

  • Behind its substantial charm and light touch is a movie that's more morbid, alienated, and personal than it lets on.

    May 5, 2016 | Rating: A | Full Review…

    Ignatiy Vishnevetsky

    AV Club
    Top Critic

  • This 1964 feature remains one of Godard's most appealing and underrated films, relatively relaxed and strangely optimistic.

    March 3, 2008 | Rating: 4/4

    Dave Kehr

    Chicago Reader
    Top Critic

  • Grave, light-hearted and quietly poetic.

    October 21, 2006 | Full Review…

    Philippa Hawker

    The Age (Australia)
    Top Critic

  • One of Godard's most open and enjoyable films.

    February 11, 2006 | Full Review…
    Time Out
    Top Critic

  • As charming as seasoned film buffs remember and as refreshing as initiates expect.

    January 17, 2002

    Philip Wuntch

    Dallas Morning News
    Top Critic

  • Delivers one clever idea atop another.

    January 4, 2002 | Full Review…

    John Monaghan

    Detroit Free Press
    Top Critic
View All Critic Reviews (49)

Audience Reviews for Band of Outsiders (Bande à part)

  • Nov 10, 2013
    Band of Outsiders is ultimately one of Godard's lesser films due to its lack of a focused plot, but it's this very same lack of focus that creates three unforgettable sequences (The minute of silence, the Madison dance scene, and the record-breaking sprint through the Louvre), and these scenes along with Anna Karina's charming screen presence make Band of Outsiders more than enjoyable enough to be worth seeing for any Godard fan.
    Joey S Super Reviewer
  • Sep 10, 2011
    Band Of Outsiders is an influential French New Wave classic by Jean-Luc Godard that features a relaxed and youthful band of three scheming an inside robbery. Endearing. Appealing.
    Jan Marc M Super Reviewer
  • May 14, 2011
    One of my favorite Godard films.
    Alex H Super Reviewer
  • Dec 11, 2010
    <i>"A few clues for latecomers: Several weeks ago... A pile of money... An English class... A house by the river... A romantic young girl..."</i> Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery. <center><font size=+2 face="Century Schoolbook"><b><u>REVIEW</u></b></font></center> Very much in the same vein as his break-out hit Breathless, Band of Outsiders works just the way it is supposed to, an homage to the pulp crime novels and B- movies of America. Here, however, it is all set to the gorgeous and timeless scenery of Paris along with three very bright and engaging people. Sami Frey and Claude Brasseur play Franz and Arthur, two young men who seem to be going nowhere in life except the occasional English class and cruising around in their speedy black, American car. They meet up with a girl they both admire, Odile, played wonderfully by the beautiful Anna Karina, and soon are setting up a plot to steal money from her aunt's boarding house. This is about all the plot there is and about all the plot there needs to be. Since this is based on a dime-store novel by Dolores Hitchens, Godard knew that the climax would be the actual crime. However, what to fill the rest of the time with? Perhaps a fantastic dance number right in the middle of a Parisian restaurant, or the famous scene of the three characters running through the great halls of the Louvre. There are also some very interesting dialog scenes, such as when Arthur and Odile discuss why they like each other, or Arthur and Franz exchanging morbid stories from the newspaper. Like most of Godard's other work, many people will be turned off by his eccentric, offbeat cinematic version of the human condition. Indeed, although he was heavily inspired by American crime tales such as Orson Welles' Touch of Evil, there is a definite French twist here which is all the more entertaining for us. Still, this is certainly one of Godard's best work; completely original and thought-provoking as well as shot in beautiful, stark black-and-white cinematography that captures the rough and rugged era of Paris. Keep your mind open to the possibilities and you may just learn something... or nothing.
    Lorenzo v Super Reviewer
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