Ben-Hur: A Tale of the Christ

Critics Consensus

No consensus yet.

100%

TOMATOMETER

Total Count: 7

86%

Audience Score

User Ratings: 2,723
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Movie Info

This renowned silent epic was one of the most expensive features of its day, and easily stands up to the later, technically superior version. Juda Ben-Hur, a Judean Prince forced to become a galley slave, saves the life of a Roman nobleman. He is adopted by the Roman and becomes a respected citizen and a famed chariot racer. Upon his return to Judea, Ben-Hur witnesses the crucifixion of Jesus and is inspired to convert to Christianity. Hold on tight during the sea battle and chariot race.

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Critic Reviews for Ben-Hur: A Tale of the Christ

All Critics (7)

Audience Reviews for Ben-Hur: A Tale of the Christ

  • Sep 24, 2011
    I think I ought to re-watch this movie. I did just watch it last week, but it was so long I got bored and wasn't paying attention. I do remember a few good scenes, and the epic landscapes and enormous cast are really cool looking, but it's just so long. It really looks like an expensive picture, and the main cast does a good job, so I think it deserves a re-watch.
    Aj V Super Reviewer
  • Aug 16, 2011
    Subjectively speaking, the remake is obviously superior to the original silent classic technically. That's just like saying that The Matrix (1999) is superior to Metropolis (1927) also technically. However, this masterpiece outdoes the epic remake in a more objective way in basically every single aspect. What is funny, though, is that pretentious critics nowadays show harshness towards Wyler's version because of its popularity, when deep inside they know they fought against themselves quite strongly so they could rate it below 4 stars. They have no solid arguments whatsoever. The ones that criticize the silent version and put the remake over the original also lack solid reasons. Can't all of us be objective, then? Cinema is a serious game. And about Ben Hur: A Tale of the Christ, it is the best version of the story for a good number of reasons, almost reaching the scope of Griffith's Intolerance, below Abel Gance's Napoleon, but representing a longstanding legend for the Golden Age of US moviemaking. 99/100
    Edgar C Super Reviewer

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