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Death Race 2000 is a fun, campy classic, drawing genuine thrills from its mindless ultra-violence.
All Critics (35)
| Top Critics (6)
| Fresh (29)
| Rotten (6)
| DVD (10)
I was torn between walking out immediately and staying to witness a spectacle more dismaying than anything on the screen: the way small children were digging gratuitous bloodshed.
Behold the power of cheese!
The story, about a road race in the not-too-distant future for which the drivers are given points for running down pedestrians, becomes an elaborate and telling fantasy about our peculiar popular entertainments. Fine work carved from minimal materials.
Script, from an Ib Melchior story, makes its satirical points economically, and director Paul Bartel keeps the film moving quickly.
Overall the movie isn't as synchromeshed as it might be; the rivalry between champions Carradine and Stallone isn't very interesting, and some of the gags aren't sick or funny enough. But it's a great audience film.
In the end, it reveals itself to have nothing to say beyond the superficial about government or rebellion. And in the absence of such a statement, it becomes what it seems to have mocked -- a spectacle glorifying the car is an instrument of violence.
A movie that has a little bit of everything, and it's easily the best version of itself that could possibly be put together.
A goofy piece of over-the-top mayhem with half a brain.
A terrifically entertaining movie, and a sharp, funny social commentary from start to finish.
Roger Corman is the master of doing a lot with a little, and Death Race 2000 is but one shining example of the filmmaker's know-how.
Director Paul Bartel perfected his brand of blackhearted humor on this ragged production, overcoming budgetary restraint with inspired moments of B movie spectacle...
The conception and execution are top-notch low-budget trash.
Mr. President: The drivers are ready, the world is watching. Once more, I give you what you want.
"A Cross Country Road Wreck!"
Death Race 2000 is another Roger Corman produced film. It has a pretty good cult following and why, I don't really know. It's also another dystopian film that uses sporting events to control the masses and also to spread the love of violence. The dialogue is beyond bad, the acting(besides Carradine is awful), and the movie is just down right stupid. I can see why some people would have fun with it and I did for about 20 minutes, but as it ran on, the fun diminished for me more each second. Luckily the movie only comes in at an hour and nineteen minutes, which allows the film to have easy watchability.
As with any Corman produced film you know what he's selling. He's going to rip-off other movies, he's going to show breasts, it's going to be bloody, and it's going to be bad. For some reason though, a lot of people actually think this is a good movie. In Corman standards, it's a lot better than most, but it's also less fun than most in my mind. I wouldn't go as far as to say I hated the movie completely. It had its moments and there were some funny parts. I still didn't like it though.
This is the pinnacle of Roger Corman's exploitative, bombastic serial films and of them all, this is for sure the most entertaining. Corman made his money capitalizing on making films similar to ones already made or in production, and this film is no different. It doesn't show, but this film found publicity by copying the concept for "Rollerball" and for some reason has gained a cult following unlike its inspiration. The film is set in a dystopian 2000, where racers go transcontinental on a killing spree and rack up points in an almost "Hunger Games" like scenario, except without the emotional tumult but all the reality show gravitas. Though there are some gratuitous uses of blood, gore, and nudity, there's intrinsic value to this film. It spawned its own following leading to a poorly made remake and several sequels. Though it's not a terrible film it is cheaply made, reflected in the principal photography mostly being of the road where much of the film takes place and the same warehouse being used as a set for various hotel rooms. Besides the sets being downright hokey, the acting comes is stilted time and again, as the supporting characters come off as shady and over the top. One of the drivers, in this dystopian setting, is a Nazi, in this world glorified to reflect the changing values of the society, but it does not come into play more than a goofy German accent and a swastika on her helmet. The navigators, who ride with the drivers to tell them the fastest routes, are usually there to enliven the script, but often just become extra bodies to murder along the road. The best part about this film is the lead drivers, who are portrayed by exploitation fixation David Carradine as the complex and murderous Frankenstein, and Sylvester Stallone still acting as an unknown in this film. Still, even with the ripening thanks to old age, this film does not have the amazing script or original concept to be memorable. It does have some twists and turns, especially with Frankenstein's character and his plot against the rest of the drivers, but it's so offhandedly mentioned and not grown enough over time, keeping it relegated to the Corman oeuvre.
Death Race 2000 is a fun action film that has a good cast and a very good premise. This is a fun, thrilling action film with hints of dark humor and plenty of blood. Director Peter Bartel crafts a memorable Dystopian Sci Fi actioner that is a must see for genre fans. Death Race is an entertaining flick with a very young Sylvester Stallone (Pre-Rocky fame). He really gives a good performance here, as well as David Carradine. The acting is good for this type of film, and this is not the type of film to take seriously. The film is a nonstop thrill ride, and it delivers some stellar action. If you love Roger Corman, you're sure to enjoy this. This is a fine low-budget B movie that is constantly entertaining and fun. The humor included in its script makes it more enjoyable and over the top, considering that the films plot surrounds a race where the drivers run over pedestrians for points. For such a simplistic film, Death Race 2000 is more exciting than most action films that come out today. Director Peter Bartel succeeds at crafting at crafting a fun film, even if it's absolutely ridiculous. However that's what makes this film a must see. This film delivers a mindless hour and a half of awesome entertainment. If you watch the film, don't expect anything brilliant, expect a good popcorn action film, because that's what Death Race 2000 is. For all it's worth, this is a film that delivers mindless entertainment and succeeds because it's not one of those serious action films. This is a film that includes dark humor in its action, and it's what makes this film good, and very original. If you want to see one of Sylvester Stallone's earliest roles, check this one out; he really brings something great to the screen. Death Race 2000 may be a flawed film, but it delivers some memorable action and thrills.
Paul Bartel's Death Race 2000 is everything it is cracked up to be.
Behind all the gratuitous violence, dark humor, attractive women, and driving, which sums up the title nicely, there is more to the story than just racing across America killing people. While it isn't much, it gives this picture a little more to work with. The movie itself wastes no time at getting started, as it jumps right into character introductions and starting off the race, while letting the multiple TV personalities unveil the race details as it goes along.
Ultimately, the highlight of the film is the race. The deaths are brutal, a little cheesy, and there are many fast motion camera effects to add some death defying speed to the driving scenes. The fun continues between the race segments with some nudity, sexuality, and even more violence in the pits stops.
David Carradine finds himself with a suitable lead character and Sylvester Stallone proves to be a befitting rival racer that provides most of the humor.
Death Race 2000 isn't a masterpiece of a movie, but its brief run time of just under 80 minutes is enough to make it a watchable action comedy from start to finish.
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