The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (10)
| Top Critics (4)
| Fresh (9)
| Rotten (1)
| DVD (3)
In its dry and forceful way, it delivers the same message as Jiri Menzel's Closely Watched Trains and Danis Tanovic's No Man's Land.
A wild ride that effortlessly combines devilish dark humor, slapstick comedy, extreme violence and bitter satire.
Shot in rich, shadowy black-and-white, Devils chronicles, with increasingly amused irony, the relationship between reluctant captors and befuddled captives.
There's a gem of an idea lurking inside this movie, but the film is burdened with an overwrought and static first hour and wild tonal fluctuation.
The tonal shifts are jolting, and though Wen's messages are profound and thoughtfully delivered, more thorough transitions would have made the film more cohesive.
The farcical elements seemed too pat and familiar to hold my interest, yet its diverting grim message is a good one.
Rich in shadowy metaphor and as sharp as a samurai sword, Jiang Wen's Devils on the Doorstep is a wartime farce in the alternately comic and gut-wrenching style of Joseph Heller or Kurt Vonnegut.
This boisterous comedy serves up a cruel reminder of the fate of hundreds of thousands of Chinese, one which can only qualify as a terrible tragedy.
Devils on the Doorstep is a comically told tragedy. The characters and story-telling are great. It is a shame that the film was banned since it is very Chinese in spirit -- full of cynicism, vitality, and humor. Compared other war movies, DoD was not hard to take. The film prepares the viewer for its darker moments with its pacing and emphasis on absurdity. Because it winds up pretty grim, I could not recommend it to someone as a comedy but definitely recommend it as a film.
In every truly comic moment there is perhaps some deep, deep tragedy happening at the same time, or at least that's true in this interesting WWll tale of Japanese occupied China wherein a simple Chinese villager is forced to care for a Japanese prisoner secretly. At first the film seems played for laughs (think: "Life Is Beautiful'), but when it gets serious, it gets real serious. One interesting perspective in the work is how human everyone in the film is whenever they forget that's there's a war going on, for whatever that moment, and they all mostly want to forget ... but then its back to war again.
I really enjoyed this movie but it has a very inconsistent tone and it definitely runs a bit too long because of it. It's got a good story however about how a man, who is legitimately trying to do his best to protect his village and his family, gets betrayed by the man he helped keep safe for so long. The movie is also very funny but, again, it isn't consistent. One scene you're laughing, the next you're into the more serious aspects of the film and they don't really ease you into the tonal shifts, it just throws you into the next scene whether you like it or not. The writing is good, it's sharp and funny but also serious when it needs to be. I don't really have much to say about the film, I think it definitely speaks for itself in spite of its jarring tonal shifts. And the ending is pretty great, if a bit depressing. I'd recommend it but it's definitely has its weaknesses which keep it from being truly great.
An epic war film about the Chinese suffering under the control of their enemies in a Japanese occupation after the war. But guess what? It's also a comedy. While this may sound hard to believe, just remember that Stalag 17 and Hogan's Heroes made POW camps humorous.
It amazes me sometimes how films, whether they are big Hollywood releases or independently released foreign pictures, simply slip through the cracks and go unnoticed, even by the most avid of film buffs. Along with others such as Elem Klimov's "Come And See" and Victor Erice's "Spirit of the Beehive", Devils on the Doorstep is a prime example of such an ignored film that demands to be seen.
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