The LEGO Movie 2: The Second Part
The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
All Critics (9)
| Top Critics (4)
| Fresh (5)
| Rotten (4)
It is a profoundly indulgent work -- what three-hour filmed memoir wouldn't be? -- but the memory of Auder's memory will linger on for the handful of resilient experimental-film fans who see it.
Michel Auder has been making videos longer than almost anyone, and that alone makes the work of this underappreciated artist and filmmaker worth attending to.
Auder's life is more interesting than his art.
Essentially a collection of home movies, it's almost a dictionary definition of "self-indulgent," filled with famous faces, naked people and what certain celebrities mean to Auder.
Its pseudo-fiction saves the film from itself in a perverse kind of way.
A pixilated portrait of a life lived and captured unlike any other.
Feels somewhat disjointed, meandering, seemingly random and chaotic, but filled with fleeting moments of coherence, wonder and awe, much like life itself.
Suggests that either video artist Michel Auder culled the wrong footage from a lifetime of compulsive camera-wielding for this "fictional autobiography," or was saddled by fate or egoism with an inapt subject.
In a rare moment of personal illumination, he admits that "sometimes there are artists who are just no good." If nothing else, The Feature proves this statement.
There are no featured reviews for The Feature at this time.
There are no approved quotes yet for this movie.