The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An outrageous mixture of brilliant technique, puerile philosophizing, trenchant satire and sensory overload, Fight Club is the most incendiary movie to come out of Hollywood in a long time. It's a mess, but one worth fighting about.
It is working American Beauty-Susan Faludi territory, that illiberal, impious, inarticulate fringe that threatens the smug American center with an anger that cannot explain itself, can act out its frustrations only in inexplicable violence.
We're meant to take the male bonding and the blood rituals as a protest against the sterility of corporate life and modern design, but Fincher's sadomasochistic kicks overwhelm any possible social critique.
Fight Club rolls out its indictments and its Zen koans, but what it really resembles, perhaps unknowingly, is the squall of a whiny and essentially white-male generation that feels ruined by the privileges of women and a booming economy.
It's about being young, male and powerless against the pacifying drug of consumerism. It's about solitude, despair and bottled-up rage... It's about daring to imagine the disenfranchised reducing the world to rubble and starting over.