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Critics Consensus: For Your Eyes Only trades in some of the outlandish Bond staples for a more sober outing, and the result is a satisfying adventure, albeit without some of the bombastic thrills fans may be looking for.
Critic Consensus: For Your Eyes Only trades in some of the outlandish Bond staples for a more sober outing, and the result is a satisfying adventure, albeit without some of the bombastic thrills fans may be looking for.
All Critics (48) | Top Critics (10) | Fresh (35) | Rotten (13) | DVD (11)
For Your Eyes Only, however, looks like the work of people too smug in the belief they've got a good thing going to bother to make it interesting. It oozes unwarranted condescension.
Most of the time, though, For Your Eyes Only is a slick entertainment.
No. 12 in the phenomenally durable James Bond series. For Your Eyes Only is undeniably easy on the eyes. Maybe too easy to prevent the mind from wandering and the lids from drooping.
After 20 years, though, it's comforting to have 007 still stylishly triumphant and making the theaters safe for entertainment.
Roger Moore has crumpled his comic-strip good looks into something approaching world-weariness, and the newfound maturity in his expression is reflected in director John Glen's style, which goes for the measured and elegant over the flashy and excessive.
Moore is merely the best-oiled cog in this perpetual motion machine.
Some really good set pieces and some fun new characters round out a good entry into the Bond series, even if it does suffer from a bit of an identity crisis.
This 12th entry in the 007 series provides no real surprises, with the exception perhaps of Roger Moore, who gets the chance to show a little more grit than usual.
This is the one of the better stripped down Bond films. It's not flashy, the villains are grounded and Moore dials his take on 007 down significantly.
Gone are the big gadgets and huge set pieces. What we get instead are some decent car chases, fist fights, and practical stunts. The result is a pretty satisfying Bond entry.
The grittiest Roger Moore Bond, it's an under-rated, gadget-light and stunt-heavy return to Cold War action.
There are quite a few individual pieces of "For Your Eyes Only" that don't quite fit. But to borrow from its Olympic theme, its gymnastic flexibility sure lets it excel in the all-around.
Now I may be alone on this one, but "For Your Eyes Only" is easily one of the best bond films of the series. It is definitely the best film of the Roger Moore lead films. The action is cranked up to eleven here and the story does not really take slow turn. You are always on the edge of your seat and I cared about all of the characters involved. Roger Moore is great as a more serious bond in this picture and the villain really gives him a run for his money. When talking about a bond film, it really comes down to the actor portraying him, the action set pieces, and if the story is intriguing. Overall, "For Your Eyes Only" is a fantastic film!
Super Reviewer
For the twelfth installment of the James Bond franchise (and Roger Moore's fifth turn in the lead role), the decision was made to, (aside from the cold opening) return the series to a more grounded and series route with focus on intrigue over gimmickry. And the results are mostly pretty successful. What we have here is Bond being sent on a mission to infiltrate the Greek underworld in order to locate and recover a missile command system, a task that also sees him getting caught up in an interlinked revenge plot. Revenge is actually a main theme throughout, and I liked it. Our main Bond girl is on a quest to avenge the deaths of her parents, and the cold opening sees Bond get vengeance on longtime arch nemesis Blofeld for good, though, due to legal reasons, he isn't called that. It's still obvious that's who it is though. I did enjoy this film, but I will be honest and say that it is a tad slow and times, and that it often feels dragged out and longer than the running time suggests. I appreciated that they toned down the camp, but aside from a few decently staged action sequences (the diving and fortress assault scenes especially) this one isn't really all that memorable, and the main villain is also not all that noteworthy or memorable. All in all though, this is one of Moore's better films, and I'd place it in the upper middle of his era when it comes to rankings.
excellent locations, but the villain, story, action, and bond girl were all very forgettable. the villain switch was very clever, but overall a very lackluster addition to the bond series.
From the outrageous and exciting opening to it`s hang on to your seat conclusion, this Bond is truly For Your Eyes Only. A fun, imaginative, tense and exhilarating action-adventure. It`s true escapist fun that does not let up for a minute. Moore rocks more than ever with his irresistible charm and humor. Carole Bouquet is dazzling and gorgeous.
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