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Critic Reviews for Gigante
As with the recent Chilean comedy The Maid, Gigante is a sharply acted piece that presents to the audience several forks in the road by which the main character could choose either to escalate matters, or not.
Going to the movies is, at some level, pure voyeurism -- if they involve people, that is. Transformers don't count. I admire films that consist only or in large part of watching.
In his feature debut, Biniez could easily be setting in motion a familiar, suspenseful stalker thriller, but thankfully he is much more concerned with exploring the workings of the human heart with a touch of wistfulness and a dash of humor.
A spin on all the recent films utilizing video and found footage, this comedy from Uruguay has more than a few sweet, well-observed moments.
An appealing, gently comedic prologue to a love story.
Audience Reviews for Gigante
At the beginning, you think the dude's a creep, but as the movie goes a long, you really start to root for that mofo.
(*** 1/2): [img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img] Intriguing and with a good cast. I really enjoyed watching this one.
In his spare time, Jara(Horacio Camandule) babysits his nephew Matias(Federico Garcia). Actually, it's more like they just hang out and play video games together.(Just don't tell anyone.) For work, he is a night watchman at a supermarket where he keeps a dispassionate eye on the shenanigans of his co-workers. Nor does he ogle any of the women. At first, he laughs when Julia(Leonor Svarcas), a new cleaning lady, knocks over a display of toilet paper but feels empathy for her after she is severely scolded by Rojas(Augusto Peloso), a manager, going so far as to run interference for her. With fluid camerawork that is in no hurry(especially the lovely final shot), "Gigante" takes what could have been a creepy or condescending premise and turns it around into something heartwarming. A lot of that has to do with the sweet demeanor of its lead character who acts as more of a guardian angel than anything else to Julia. While he moonlights as a bouncer, violence does not come easily to him.(Even as a pacifist, I have no problem with how he reacts to the driver.) So while Jara thinks the best of people, he also ignores the growing labor conflict at work, as sometimes he is enmeshed in fantasy, the movie also oddly enough having its share of cold war references like the bar being called Molotov and the occasional familiar guitar chords, the soundtrack to a world he would like to live in.
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