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critics consensus

Delivering squarely on its title, Godzilla vs. Kong swats away character development and human drama to deliver all the spectacle you'd expect from giant monsters slugging it out. Read critic reviews

audience says

This long-awaited blockbuster matchup makes it easy not to think about the so-so story and characters by serving up plenty of action and incredible effects. Read audience reviews

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Movie Info

Legends collide in "Godzilla vs. Kong" as these mythic adversaries meet in a spectacular battle for the ages, with the fate of the world hanging in the balance. Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans--instigated by unseen forces--is only the beginning of the mystery that lies deep within the core of the Earth.

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Critic Reviews for Godzilla vs. Kong

All Critics (357) | Top Critics (62) | Fresh (268) | Rotten (89)

Audience Reviews for Godzilla vs. Kong

  • Apr 07, 2021
    While appreciating Gareth Edwards' aspirations with 2014's Godzilla and becoming perplexed by how Michael Dougherty's 2019 sequel could be so little fun despite its reactionary take to criticisms leveled against the first film, it seems the only movie in Warner Brother's new monster-verse that knew exactly what it was and what it needed to be was Jordan Vogt-Roberts' Kong flick. This may then explain why in Adam Wingard's (You're Next, The Guest) clash of the titans that Kong is made to be the center of attention; the lynch pin on which every cockamamie human character's quest hinges. That isn't to say the king of the monsters doesn't factor into the match of the century in any meaningful capacity, but more that Wingard takes up Vogt-Roberts' mentality of embracing the absurdity in this universe and then lets his imagination run wild more so than he does try to either ground this in any kind of reality as Edwards did or let it be brought down by the human characters as Dougherty did. There is little to no regard for logic and no one - especially screenwriters Eric Pearson and Max Borenstein - seems to have been bothered with the semantics of how a "sci-fi quack trading in fringe physics" is able to convince Rebecca Hall's Dr. Andrews AKA "The Kong Whisperer" to have military assets escort Kong from his home on Skull Island to Antarctica in order to enter a portal to Hollow Earth on the whim of a tech billionaire (Demián Bichir) who is looking to harness the energy of this "ecosystem as vast as any ocean" so that he may power a weapon that can compete with Godzilla who recently became a threat again after a seemingly unprovoked attack. The best part of it all though, is that none of this matters, not really, and only exists to prop up reasoning for how the two titular titans come face to face with one another. Whereas Edwards elicited Dante's Inferno in the Halo jump sequence in his Godzilla film, Wingard elicits a Saturday morning toy commercial in Godzilla vs. Kong and naturally - it's more fun than anything this monster-verse has produced thus far. One could complain the creative team behind the film doesn't take great pains to make any of this thought provoking in terms of Godzilla beginning as an allegory for nuclear war or discussing Kong's origins in analyzing colonialism and man's need for dominance over others, but this isn't about those things or even those characters individually. This is a movie about a giant gorilla and a giant lizard coming to blows with one another and it's just as stupid, ridiculous, and thoroughly entertaining as something with that simple premise should be. read the whole review at www.reviewsfromabed.com
    Philip P Super Reviewer
  • Apr 05, 2021
    Godzilla vs. Kong is the kind of movie where you need to question what your qualifications would be for its true entertainment value. Four films into the fledgling MonsterVerse, we've set up its Batman vs. Superman, its Infinity War, its climax, the biggest names on the biggest stage to settle the score once and for all. With indie director Adam Wingard at the helm, best known for peculiarly violent genre-defying movies like You're Next and The Guest, the results with G vs. K (I'm not writing the full name every time) strictly fall into the realm of dumb fun. It's up to you which of those categorical designations will reign supreme, the dumb or the fun. The gigantic 100-foot tall ape Kong is being kept in a caged atrium by the Monarch organization. Godzilla is running amuck and attacking a shady company that may have a shady conspiracy afoot. Kong and Godzilla are two alpha predators, the last known titans, and it's believed that Godzilla is seeking out Kong to put him down for good. The government is trying to protect its great ape, figure out why the big lizard is acting up, and maybe explore this kooky Hollow Earth theory. There's a reason I haven't mentioned any human character names because, once again, they don't really matter. This movie is going to entirely depend on how much your love of monster brawls can, essentially, push aside crazy, incoherent plotting and meaningless human characters. If you're the kind of fan going to G vs. K and expecting nothing else than bruising knockdown fights that decimate the landscape and ensure untold death, no matter how many times we're told the entire city of Hong Kong has miraculously evacuated in minutes, then the movie delivers. There are three big brawls and each one of them is satisfying and has a weighty quality to them; they really do feel like heavyweight title fights, with each side giving it their all and then some. It's an epic showdown and we demand the best from this clash of the titans, and Wingard comes alive during these sequences, finding stylish ways to demonstrate and develop the carnage so that the brawls feel unique rather than stale. Each of the three major battles takes place in a different location and uses that environment to its advantage when developing its action particulars. The first bout is at sea and Kong is chained to the galley of a warship, so Godzilla capsizes the ship, attempting to drown Kong. The water is also a far more friendly place for Godzilla, with Kong forced to jump from ship to ship like platforms in an old school video game. The rematch takes place in downtown Hong Kong and offers the traditional metropolitan cataclysm we've come to expect from disaster escapades (again, with vague reminders that somehow all these buildings are empty). Godzilla's fire breath becomes a laser field that Kong must avoid with drastic escapes. Wingard's camera finds fun ways to communicate the back and forth, at one point seemingly attached to the monsters as they pummel and move, like an arty Darren Aronofsky film. He finds ways to make two age-old creatures fighting still appear visually fresh and exciting. When the creatures are slugging it out, G vs. K is at its best as big-budget popcorn escapism. I also must applaud that filmmakers that, four movies in, we finally have monster fights where the audience can see what is happening. 2014's Godzilla reboot kept teasing the big lizard and giving glimpses, a foot there, a closing door here, that built anticipation but also tried audience patience. My biggest complaint was I wanted more Godzilla in my Godzilla movie, and 2019's King of the Monsters answered this complaint, providing four different monsters to duke it out for monster supremacy. However, the supernatural slug-fests were undercut by sequences that were hard to see. Whether it was in the rain, at night, in a blizzard, in the fog or smoke, it was hard to tell what was happening because of all the annoying visual obfuscation. We had more monster fights, yes, but they weren't that much easier to see than in 2014. Thankfully, this movie seems like a direct response to that chief criticism. The big fights take place entirely during the day, and not only that, it's clear and even sunny, making sure we can soak up every loving CGI detail of these two giant pretend creatures having their big pretend rumble. It may sound like I shouldn't be too congratulatory for a franchise that dares to allow its paying customers to actually see the spectacle that they paid to see, but after several other films of mitigating results, I'm happy we at least can enjoy the big brawls after so much build-up and delayed gratification. But if you expect more from a versus film other than predicated pugilism from your preferred participants, then G vs. K is going to disappoint. It is a vast understatement to say that this movie is extremely loony. It is so goofy that you will either shrug and go with the silly twists and turns, or you'll be like several of my friends, and my girlfriend, who just stared stupefied and shook their heads, muttering how much more crazy-pants bananas things could possibly get. For a franchise that started fairly grounded in 2014 from a science standpoint, and whose sequels have more or less hewn to that tonal vision, G vs. K says, "Hey, what if we…," and injects whatever it deems might be insane and awesome, like an improv game that never meets resistance. Whatever you may be prepared for, this movie goes deeper and crazier. It literally goes to the center of the Earth and back. If I were to describe the parameters of the final fight, it would sound like I was drunk or needing of mental check-ups from concerned loved ones. It feels like the Asylum version of what a Godzilla and Kong match-up would be, and by that I refer to the low-budget studio known for its schlocky knockoffs and crazy all-you-can-eat buffet-style sci-fi plotting. Again, maybe your exact sensibilities will be a match for this wilder, sillier tonal wavelength; maybe you felt the earlier MonsterVerse entries took themselves too seriously. I'll readily admit that they devoted far too much time to human drama I felt was, no pun intended, irritatingly small-scale. 2017's Kong: Skull Island is the high watermark for this monster cinematic universe, and definitely better than you remember, and it didn't take itself too seriously but found an agreeable baseline that allowed the film to have its spectacle while holding the human drama to be meaningful and entertaining itself. The movie was stylish, fun, and your brain didn't melt when the big creatures were off-screen for long duration. With G vs. K, any sense of established connectivity with the other movies is thrown out the window. Sure, there are faces that reappear (hey, Millie Bobby Brown), but they might as well be new characters. Even more than that, the tone of the movie is shifted so forcefully into self-parody, cheesy ludicrousness, including a spaceship serving as a moving defibrillator and psychic skulls, that it's hard to take anything remotely seriously. I can already hear some detractors saying why should a movie about a giant ape fighting a giant lizard ever be taken seriously, and maybe you're right you detractor you, but every movie needs an established baseline to provide a foundation of what is real, what is meaningful, and what is exceptional. If everything is crazy, it makes the monster action seem more mundane, and if anything can happen at any moment, it makes the plotting less important of careful setups and development, and satisfaction will be capped. If you're just looking for a movie about a giant ape punching a giant lizard with top-notch special effects, well Godzilla vs. Kong has that aplenty, and if that's enough for you, then enjoy. It's far more of a Kong sequel with the occasional special appearance from Godzilla, so if you're more a fan of the big lizard you may be a little miffed at the big guy being a second banana. The action is fun and splashy, and I wish I watched this titanic title match on the big screen where it belongs, and I'll admit that likely has dulled some of my experience. The sharp tonal shift for the MonsterVerse, and the escalating silliness that climaxes into insanity is either going to be selling point or a breaking point for every viewer. You'll either rock with glee and happy that this franchise has finally evolved into the schlocky spectacle you've been dying for, or you'll be trying to hang on to the silly, over-the-top plotting to orient your staggered senses. Godzilla vs. Kong is everything the title suggests and little else, and for many that will be enough. For me, I think it kind of lost me somewhere between here and Albuquerque. Nate's Grade: C+
    Nate Z Super Reviewer
  • Apr 03, 2021
    If you watched "Skull Island" and "King of Monsters" before this like you should have and enjoyed them, you'll really love what they did here! Otherwise you may have trouble appreciating the big, dumb ridiculous nature of the Kaiju genre. It does a surprisingly good job making the human stories relevant and aligning with classic Godzilla themes of man finding and blundering with powers beyond their control. Good CGI spectacle and worthy of being a 2021 blockbuster 👌
    Drake T Super Reviewer
  • Apr 02, 2021
    When Godzilla hit the big screen back in 2014 I enjoyed watching it, but it didn't blow me away by any means. Followed up by the average Kong: Skull Island, I started to lose interest in them making this into a franchise. For some reason though, even though critics weren't too pleased with Godzilla: King of the Monsters, I found that to be the most enjoyable of the three. It had been known from the beginning that a film down the road would pit both Godzilla and King Kong against one another. Personally, I found Godzilla vs. Kong to be leaps and bounds better than the previous three installments. Now available in select theatres and on-demand, here are my thoughts on Godzilla vs. Kong.  When going into a film like Godzilla vs. Kong, you shouldn't be expecting to see the greatest story ever put to film. It's a movie about two popular monsters brawling it out. For that reason alone, I would suggest going into this film just looking to have some fun. The title promises a fight and there is a lot of action to be enjoyed here. For a movie called Godzilla vs. Kong, however, there is very little Godzilla outside of the action. This actually ended up being a positive for me though.  I wasn't expecting this film to dive so deeply into the mythology of King Kong. This is basically a King Kong film, that still lives up to the promise of him fighting Godzilla. The human characters are either there to serve King Kong and provide some genuine drama, or simply to be some comedic relief when bouncing back to the side of Godzilla. The visuals involving King Kong's storyline and the in-depth exploration are really what put this film over just being a film about creatures fighting. This added lore really helped my enjoyment, making me much more invested.  Whether you're talking about You're Next or Death Note, director Adam Wingard is a filmmaker that I've never really latched onto. Other than his stellar work on The Guest, none of his films really impressed me. I've always admired his style though and that is very much present here, along with the best aspects of his direction. He keeps everything moving along at a very nice pace and I never once found myself bored. It also didn't hurt that he had an insanely talented cast alongside him. From the return of Millie Bobby Brown as Madison to the introduction of young Kaylee Hottle as Jia, and even to the comedic relief of Brian Tyree Henry as Bernie this cast either had me engaged or laughing, even though they weren't really pivotal to the core story.  Overall, Godzilla vs. Kong delivers exactly what the title promises, never skimping on the action or visual effects. They spend much more time making you believe King Kong is the hero and that Godzilla is the threat, so if you're someone who wants to choose sides, that may make it a little difficult. This film isn't one to pick apart in terms of minor inconsistencies, because it literally exists to give audiences a fun fight. Does the film have zero regard for who dies in the streets while these two are going at it? Absolutely not, but it's a blast to watch. Godzilla vs. Kong is far from a perfect movie, but it perfectly executes what it wants to, and for that, I absolutely recommend checking it out.
    KJ P Super Reviewer

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