Ralph Breaks the Internet
Mission: Impossible - Fallout
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No consensus yet.
No consensus yet.
All Critics (89)
| Top Critics (30)
| Fresh (38)
| Rotten (51)
| DVD (9)
Languorous, elliptical and dull.
Matching the movie's restrained style, Owen is extraordinarily still, and all the more riveting because of it.
A tight, well-made, evocative piece of filmmaking for true connoisseurs of gangster movies that is unnerving, yet completely sure of every step it takes.
This is Owen's picture. He broods, he seethes, he plots. Sometimes he even speaks, but it's not necessary. One glance from Will is enough to send chills down anyone's spine.
Unfortunately, the characters and their motivations are so poorly defined that the story seems vague and incomplete.
Those with the patience to adapt to its pace will find rewards.
Hodges films London restlessly, as though searching for some kind of relief. We are taken from cafés to flats to streets to houses to morgues to garages, in short unsentimental scenes while he drums up an odd, powerful mood of apprehensiveness.
While the performances are excellent and the Get Carter-in-reverse plot is intriguing, this is a film where atmospherics triumph over the script.
I'll Sleep When I'm Dead deftly traces the sad, steady pulse just under the skin of things . . . the lingering images etching out their own fitting epitaph.
...ended up sending us to slumberland a good deal sooner than the title implied.
Atmospheric post-noir film of the London underworld that never amounts to much of anything.
Next time Mike Hodges wants to make a movie, I would suggest he shoot it in total darkness and drop the dialogue.
I'm sure there are other films that have wasted their great casts as miserably as this, I just can't think of any right now. Clive Owen's character is stoic to the point of mannequin-ism, Malcolm McDowell shows up for five seconds and rapes Jonathan Meyers (who dies in the first 45 min) and Charlotte Rumpling isn't even playing British royalty!
If there's any statement in this film at all it's the glaring black hole that is the total and utter lack of direction. It seems Mike Hodges' "wander until it looks right" technique wasn't so groundbreaking after all...shame really.
Clive Owen, Jonathan Rhys Meyers, Brian Croucher, Charlotte Rampling, Malcolm McDowell, Marc O'Shea, Damian Dibben
DIRECTED BY: Mike Hodges
It doesn't really matter what this film was about. All I know is that it not only had Clive Owen in it but it also had Jonathan Rhys Meyers in it and it still couldn't keep me interested. It was by far the most boring thriller I have ever seen, maybe the only. This is what I would call a sleepy thriller. I did shut my eyes a couple times and didn't even miss a thing. Just very disappointed. I had wanted to see this and the trailer made it look like it would be a decent thriller. Lies.. LOL.. Also the actress Charlotte Rampling plays Owens past love interest. Is it just me or did she seem a bit old for the part? I had thought she was their mother.. My mistake I guess.. Anyways, most of the time I say see it for yourself since all our tastes are not the same, and I will do so with this one as well. Maybe it's from the long day that I have had that I felt that this movie was sleepy.. or I was just sleepy.. Maybe I should watch it again.. but I am certain I will come to the same conclusion... Boring and disappoiniting..
Utterly boring! It shows no sign of excitement until more than half way through. The best part of the film is definitely near the end.
The film left with unanswered questions. And the fact that I could multi-task while watching wasn't a good indicator.
Nonetheless, Owen is good, and watching this I can tell why people wanted him as Bond - he looks damn good in a suit.
But the subject of rape doesn't constitute a four-star review - it just makes things gritty.
There are some good scenes, but not enough.
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