The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It is Hye-ja Kim that carries Mother, making her mother of a Mother an all-suffering, all-enduring victim who acquires more spine and subtler shadings as the story deliberately, patiently reveals its secrets.
There are twists aplenty and if some of the deductions arrive too easily as a result of contrived clues and convenient witness testimony, those credulity hurdles are easily vaulted in the name of a good story.
At its heart, it is a probing of mother love carried to extremes in various and unexpected ways; Bong, as nervy as Quentin Tarantino, evokes the profundity of Sophocles only to compound one bleakly comic irony upon another.
Bong's ability to sustain three or four different tones in one movie without betraying the emotional truth of the story is nothing short of amazing: He can pat his head, rub his stomach, and break our hearts all at the same time.
Though richly and believably drawn, Mr. Bong's characters are often opaque and mysterious, given to sudden rages, behavioral blurts and hiccups of weird humor. But it's this very mystery that can make them feel terribly real.