1917
Just Mercy
The Lighthouse
Dare Me
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All Critics (14) | Top Critics (9) | Fresh (13) | Rotten (1)
Of course Jackson isn't here to discuss matters for himself, and Lee's documentary is, ultimately, enjoyably nostalgic, but says little more than what we already know. Mar 2, 2016 | Rating: B | Full Review…
Of course Jackson isn't here to discuss matters for himself, and Lee's documentary is, ultimately, enjoyably nostalgic, but says little more than what we already know.
Joey Nolfi
This bouncily entertaining doc may boast only a notch more formal ambition than a very well-assembled "Behind the Music" special, but is no less essential than Lee's first MJ opus, the excellent "Bad 25." Feb 5, 2016 | Full Review…
This bouncily entertaining doc may boast only a notch more formal ambition than a very well-assembled "Behind the Music" special, but is no less essential than Lee's first MJ opus, the excellent "Bad 25."
Guy Lodge
Lee keeps his celebration smart and not soppy. He gets you excited, makes you feel the moment, see what was new in it, why it mattered. Feb 5, 2016 | Full Review…
Lee keeps his celebration smart and not soppy. He gets you excited, makes you feel the moment, see what was new in it, why it mattered.
Robert Lloyd
He's made a fan's film, and he's happy to let us know it, shouting out questions from behind the camera and cackling loudly when he particularly likes an answer. Feb 4, 2016 | Full Review…
He's made a fan's film, and he's happy to let us know it, shouting out questions from behind the camera and cackling loudly when he particularly likes an answer.
Mike Hale
Spike Lee's follow-up to Bad 25 shines a light on the King of Pop's indisputable talents, but is otherwise alarmingly lightweight. Jan 29, 2016 | Rating: 2/5 | Full Review…
Spike Lee's follow-up to Bad 25 shines a light on the King of Pop's indisputable talents, but is otherwise alarmingly lightweight.
Ed Gibbs
This is mainly a doc of talking heads, but when they have the faces of Stevie Wonder, Pharrell Williams, producers Mark Ronson and Rodney Jerkins, film director Lee Daniels and Michael Jackson's own mother, it's spellbinding. Jan 28, 2016 | Rating: 4/5 | Full Review…
This is mainly a doc of talking heads, but when they have the faces of Stevie Wonder, Pharrell Williams, producers Mark Ronson and Rodney Jerkins, film director Lee Daniels and Michael Jackson's own mother, it's spellbinding.
Emma Jones
It's just plain bursting with joy - it's a documentary that feels like the music it's about. May 3, 2016 | Full Review…
It's just plain bursting with joy - it's a documentary that feels like the music it's about.
Jason Bailey
In a sense, it's a remembrance of things past for all of us. Mar 7, 2016 | Rating: 3.0/5 | Full Review…
In a sense, it's a remembrance of things past for all of us.
Tony Macklin
The second installment of Spike Lee's definitive chronicle of Michael Jackson's career. Hopefully all of MJ's albums will get the same treatment. Jan 31, 2016 | Rating: 8/10 | Full Review…
The second installment of Spike Lee's definitive chronicle of Michael Jackson's career. Hopefully all of MJ's albums will get the same treatment.
Chris Bumbray
Spike Lee's documentary on this formative period in Michael Jackson's career derives electric, enlivening energy from fantastic clips. Jan 29, 2016 | Rating: C+
Spike Lee's documentary on this formative period in Michael Jackson's career derives electric, enlivening energy from fantastic clips.
Nick Schager
Journey from Motown to Off the Wall is a friendly, warm, and inviting documentary that dances and shouts without ever shaking its body down to the ground. Jan 26, 2016 | Rating: C+ | Full Review…
Journey from Motown to Off the Wall is a friendly, warm, and inviting documentary that dances and shouts without ever shaking its body down to the ground.
Michael Roffman
A movie called Michael Jackson's Journey that leaves out the personal dimension of his transformation is missing a key part of the story. Jan 28, 2016 | Rating: 3/5 | Full Review…
A movie called Michael Jackson's Journey that leaves out the personal dimension of his transformation is missing a key part of the story.
Owen Gleiberman
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