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While not one of horror legend George Romero's more evolved efforts, Monkey Shines delivers enough primal fear to satisfy more forgiving genre enthusiasts.
All Critics (32)
| Top Critics (6)
| Fresh (17)
| Rotten (15)
| DVD (2)
A befuddled story about a man constrained from the neck down told by a director confused from the neck up.
One of George Romero's most effective and interesting horror thrillers.
Romero's is a formidable talent which others can only hope to ape.
A film that begins in sentimentality and ends in ludicrous melodrama.
Somewhere within this movie's two hours or so is hidden an absolutely spellbinding 90-minute thriller.
There was a time when Romero would have used these elements for pure shock effect, but the horrors in Monkey Shines are more internalized, which make them all the more scary.
The absurdity is played up, the dark laughs are plentiful and some very-repeatable lines of dialogue suggest Romero may have been midway through a John Waters marathon at the time.
before its disappointing dénouement, Monkey Shines is a very tense thriller concerned precisely with one man's struggle to tame his older, wilder instincts.
a lot of awful performances in the service of a lousy script.
One of Romero's best non-zombie flicks, this intelligent, absorbing watch includes early roles for Stanley Tucci and Stephen Root.
Features a compelling plot and some stylish individual moments of tension during the thunderous climax, but its energy is sapped and forward momentum severely lacking. One patiently waits for it to take off, and it never fully does.
By the time the hilarious yet memorable Carrie-esque final shocker rolls around, Monkey Shines has established itself as a passable horror effort...
Disturbing, well executed horror yarn by master director George Romero, Monkey Shines is an accomplished film. With a great cast, and effective scares, this is a must see film for horror fans. What really stood out in this film was the performance of the monkey. That made the film very interesting and memorable. With a great script, and good cast, Monkey Shines is an underrated film that delivers some truly unique chills. This is yet another film that proves that George Romero is a capable director who is able to make other types of horror films. This is an engaging film that is truly entertaining from start to finish. The film does start off slow, but it grabs your attention from the first shot onwards. The film blends Slasher and psychological horror elements into one picture and there's a perfect balance between the two. The result is a film that is quite disturbing and chilling at the same time. This is among Romero's best works that is not a movie dealing with creatures of the undead. Underrated upon release, this is a film that doesn't deserve the flack it has received. This is an effective horror film that induces fear and manages to be an inventive, thrilling and memorable film that is sure to please diehard horror fans. George Romero delivers a truly unique and original film that is really good and deserves much more praise than what it got. If you want to see a different film from Romero, which a totally different change of pace, then give Monkey Shines a watch.
Preposterous but, because of a much better cast than this sort of picture usually has, a not unenjoyable scare pic. A few moments of unnecessary violence but mostly overall the tension comes from what is implied rather than shown.
If you look at Monkey Shines as a horror movie, it's a complete failure. It's not horrific or scary at all. However, if you see it as a goofy monkey movie it's a little better. The music is so inappropriate and the length it takes to go anywhere is unacceptable. It also feels like a second rate Stephen King novel a lot of the time. However, it does have some of the best monkey business i've ever witnessed. The capuchin monkey playing Ella gave the best performance in the movie. I just loved seeing it go crazy and fulfill all these bizarre tasks for its paraplegic master. That being said, it's not enough to take away from the boring story, mediocre acting and uninspiring visuals. When you know this comes from an extremely talented horror director it's even more disappointing. You know this could've been good, but it's like no one knew what they were doing (except for the monkey).
George Romero does an excellent job of swapping Zombies for Monkeys. This film may sound ridiculous in the most preposterous way. But then again, we now live in a world of Snakes on a Plane and Burning Bright, so this is a little easier to swallow. In its genre, it is one of the best examples, and I'm not just talking about killer animals. I'm also referring to the stalker/obsessive partner/friend genre.
What Romero does brilliantly, is to take a number of characters and the audience on a journey of emotions and self discovery. For example, I started off wanting one of these monkeys. The relationship built up is a genuinely loving one. It's really cute, and this could easily be one of those lifetime inspirational movies. If the monkey wasn't a genetically modified, telepathic, homicidal, psycho monkey. The well trained monkey takes us from tragic victim of experiments, to a loving carer. We get a wonderful cleaning montage, as the monkey helps the friendship expands. The monkey's obsession grows steadily. It starts off with a few temper tantrums and escalates into bananas in the slippers. Soon bananas turn to murder. It's the evolution of all species.
None of this would work if it wasn't for a dramatic human connection. Beghe is a law student/athelete that is paralysed. He goes through acceptance, denial, frustration, which is understandable as his girlfriend leaves him for his doctor (a sleazy Tucci), he gets a patronizing nurse, and then his overbearing mother. It's great to see how the characters react to Beghe's quadriplegia, as it enforces Beghe's later anger. Beghe also does a terrific job of facial acting, which is most important as he can't use his body. In a single look he can convey the embarrassment of his mother having to wash him.
On the surface, this is a story of a monkey being a bitch to a cripple. But look deep down, REAAAAAAALLY deep, and you'll see a social commentary. For a long time, the monkey is the only one that treats Beghe as an equal. It doesn't throw money at his problem, try and cheer him up, nor can the monkey do everything for him.
Romero fills the film with dread, absurdity, and most of all a serious edge that clearly does the film justice. It's easy to mock this film. But the truth is, this could actually happen. Monkeys are creepy and untrustworthy.
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