Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (11) | Top Critics (2) | Fresh (6) | Rotten (5)
It is managed with honesty, dignity and conviction, and there are very real moments of personal pain. November 24, 2016 | Rating: 4/5 | Full Review…
It is managed with honesty, dignity and conviction, and there are very real moments of personal pain.
Peter Bradshaw
The encounters with doctors and the hospital scenes are often chilling. Nonetheless, there is a plodding sentimentality and predictability here which stop the film from having the emotional kick that might have been expected. November 23, 2016 | Rating: 2/5 | Full Review…
The encounters with doctors and the hospital scenes are often chilling. Nonetheless, there is a plodding sentimentality and predictability here which stop the film from having the emotional kick that might have been expected.
Geoffrey Macnab
Mum's List director Neill Johnson locks Rafe Spall in a very different version of hell, whose 101 minutes of footage weighed on the perception of this critic as if the amount had also been multiplied by a thousand. [Full Review in Spanish] November 16, 2018 | Full Review…
Mum's List director Neill Johnson locks Rafe Spall in a very different version of hell, whose 101 minutes of footage weighed on the perception of this critic as if the amount had also been multiplied by a thousand. [Full Review in Spanish]
Jordi Costa
The scene at a dinner party in which Spall's Singe likens the pain of bereavement to struggling against the sea's undertow will knock you off your feet. November 12, 2017 | Rating: 4/5 | Full Review…
The scene at a dinner party in which Spall's Singe likens the pain of bereavement to struggling against the sea's undertow will knock you off your feet.
Jason Best
It's a tough watch but a powerful one, and beautifully acted not just by Fox and Spall but by William and Matthew Stagg, as their young sons. Well done, boys. October 17, 2017 | Rating: 4/5 | Full Review…
It's a tough watch but a powerful one, and beautifully acted not just by Fox and Spall but by William and Matthew Stagg, as their young sons. Well done, boys.
Matthew Bond
Even before the opening credits it is tugging on the heartstrings as if Quasimodo were at the other end, and the fierce pressure on the tear ducts never lets up, which is why I found myself resisting. December 1, 2016 | Rating: 2/5 | Full Review…
Even before the opening credits it is tugging on the heartstrings as if Quasimodo were at the other end, and the fierce pressure on the tear ducts never lets up, which is why I found myself resisting.
Brian Viner
It's warm to the touch, slightly soft in the middle. November 27, 2016 | Rating: 3/5 | Full Review…
It's warm to the touch, slightly soft in the middle.
Xan Brooks
The film is an incoherent mess that may prove baffling to those unfamiliar with the source. November 26, 2016 | Rating: 2/5 | Full Review…
The film is an incoherent mess that may prove baffling to those unfamiliar with the source.
Donald Clarke
Good as Emilia Fox is ... it's Spall's bluff charm and unexpected resourcefulness that keeps the film as rooted in reality as cinematographer Eben Bolter's seascapes. November 24, 2016 | Rating: 3/5 | Full Review…
Good as Emilia Fox is ... it's Spall's bluff charm and unexpected resourcefulness that keeps the film as rooted in reality as cinematographer Eben Bolter's seascapes.
David Parkinson
A touching - if rather soft-edged - cancer weepie ... November 22, 2016 | Full Review…
A touching - if rather soft-edged - cancer weepie ...
Charles Gant
It clearly aims to move, but the cutting between three timelines dilutes emotional impact. And despite Spall and Fox's efforts, there's something too good to be true about the characters. November 21, 2016 | Rating: 2/5 | Full Review…
It clearly aims to move, but the cutting between three timelines dilutes emotional impact. And despite Spall and Fox's efforts, there's something too good to be true about the characters.
Tom Dawson
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