The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Combining the sinister suspense of Alfred Hitchcock with the unrepentant violence of Quentin Tarantino, South Korean director Park Chan-wook delivers a revenge tale as shocking as it is thought-provoking.
Deserves to be seen because of its relentless energy, the acting by Choi Min-sik that strikes a genuinely tragic note amid the mayhem and cartoonish excess, and the director's clear conviction that this wild story will resonate.
You will either feel mollified by the hysterically moral denouement or feel offended by the filmmaker's strategy of debasement, which reduces the audience to the mongrel-like prostration of its protagonist.
It says something when you come out of a film as weird and fantastical as Oldboy and feel that you've experienced something truly authentic. I just don't know what. I can't think of anything to compare it to.
Oldboy may be a filmmaker's tour de force, but props should also be delivered to Choi, whose wretched, Herculean performance as the new millennium's Job could restore your faith in the selfless courage of acting.
Whether chomping down on a live octopus (in one of several scenes that require a strong stomach) or festering with half-crazed rage and impotence, Choi gives a bravura performance that powers the picture.