
One Way Pendulum
1964, Comedy, 1h 30m
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Movie Info
Based on N.F. Simpson's stage play about members of a British family who behave in often-baffling ways.
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Genre: Comedy
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Original Language: English
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Director: Peter Yates
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Producer: Michael Deeley
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Writer: Norman Frederick Simpson
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Release Date (Theaters): limited
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Release Date (Streaming):
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Runtime:
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Distributor: United Artists
Cast & Crew

Eric Sykes
Mr. Groomkirby

George Cole
Fred

Julia Foster
Sylvia

Jonathan Miller
Kirby

Peggy Mount
Mrs. Gantry

Alison Leggatt
Mrs. Groomkirby

Mona Washbourne
Aunt Mildred

Douglas Wilmer
Judge, Maintenance Man

Kenneth Farringdon
Stan

Glyn Houston
Detective Inspector Barnes

Graham Crowden
Prosecuting Counsel, Caretaker

Walter Horsbruch
Clerk of the Court, Drycleaner's Assistant

Frederick Piper
Usher, Office Clerk

Vincent Harding
Policeman, Bus Conductor

Peter Yates
Director

Norman Frederick Simpson
Writer

Michael Deeley
Producer

Denys N. Coop
Cinematographer
Critic Reviews for One Way Pendulum
Audience Reviews for One Way Pendulum
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Oct 08, 2011"One Way Pendulum" is one of the strangest films you'll ever see. There are no druggy hallucinations, time distortions or splashy visual effects -- just pure deadpan absurdity. Apparently a seminal influence on the Monty Python/Goon Show school of British humor, the scenario is a day in the life of an oddball, obsessive family. The father carts home supplies from a humdrum accounting job and constructs a replica of a high English court in the living room, where he orchestrates his son's murder trial (note that some members of the court appear in different guises during the film's opening section). When called to testify, he swears upon a copy of "Uncle Tom's Cabin" because he has moral objections to the Bible.The mother can't bear unconsumed food and hires a neighbor to finish the family's leftovers. The daughter ignores her obvious attractiveness, instead worrying that her arms are too short and wishing she were built more like an ape. Poor Aunt Mildred sits in a wheelchair all day, believing she's in an Outer Hebrides train station while yammering about various modes of transportation. And the possibly murderous son (writer/director/producer Jonathan Miller, in a rare acting role) hoards talking weight machines in the attic and teaches them to sing in chorus. His body is turned on and off by the ring of a downstairs cash register, which the family uses to stop him when his machines become too noisy. He's a Pavlov fan, you see. Wha? The acting is wholly stone-faced, as if no one knows they're in a comedy or that anything unusual is happening. Insane! Director Peter Yates later worked on "Bullitt," "Breaking Away" and other much more mainstream projects.eric b Super Reviewer
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