Mary Poppins Returns
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All Critics (13)
| Top Critics (7)
| Fresh (5)
| Rotten (8)
There are shadows on top of shadows. It's the film noir universe, all right. What does the title refer to? Perhaps to what you will enjoy during the film.
Easy on the eyes but brutal on the ears, The Perfect Sleep fuses Shakespearean tragedy and noir iconography into a strange, lovely, leaden ball of confusion.
The disjointed story is no more comprehensible than The Big Sleep. Though Alter is no Howard Hawks and Pardoe and Sanchez are no Bogie and Bacall, this movie looks great. You won't nap through The Perfect Sleep.
Alter's film is a rare pleasure.
Style significantly trumps substance in The Perfect Sleep, a good-looking but convoluted homage to film noir, Russian literature and Shakespearean tragedy, among a few too many other things.
Unfortunately, Alter's often inventive work is kneecapped by a deliriously nonsensical script, which misses the mark as both over-the-top parody and straight-faced homage, and could have been intended as either.
might not strictly be novel, or original, or even entertaining - but it cuts to something quintessential about cinema, as if to say: with visuals like these, what does it matter?
Well-directed with exquisite visuals, but suffers from an often dull, convoluted and confusing plot as well as too much style over substance.
Nothing makes much sense in this ridiculously high minded narrative, but the emptiness is brimming with intensity and attitude, along with some inspired night vision footage and dialogue delivered as over the top self-serious soundbites.
The Perfect Sleep is an empty homage to a bygone genre.
An undeniably odd mixture of 80% noir, 15% action, and 5% random homage. I dug it.
The well-chosen supporting cast also deliver with especially sharp turns from Sanchez, Bauchau and Amendola who act this script as if it were Shakespeare.
Is this suppose to be funny? Lame.
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