The Painter and the Thief
The Half of It
The Vast of Night
Stargirl
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All Critics (28) | Top Critics (8) | Fresh (12) | Rotten (16)
As children's entertainment, [it] is pretty wretched. Character designs are rudimentary, plot points are set up and never paid off, and halfway through the closing musical number the animators appear to forget that Pat is meant to be moving his lips. August 14, 2014 | Rating: 1.5/5 | Full Review…
As children's entertainment, [it] is pretty wretched. Character designs are rudimentary, plot points are set up and never paid off, and halfway through the closing musical number the animators appear to forget that Pat is meant to be moving his lips.
Jake Wilson
One of the best family films to come down the pike this year, and not just because this year has also brought us The Nut Job and Legends of Oz: Dorothy's Return. June 29, 2014 | Full Review…
One of the best family films to come down the pike this year, and not just because this year has also brought us The Nut Job and Legends of Oz: Dorothy's Return.
Sherilyn Connelly
Viewers unencumbered by nostalgia will probably see this zippy, occasionally funny movie as no more frantic or pop-culture-addled than the average multiplex fodder. June 26, 2014 | Full Review…
Viewers unencumbered by nostalgia will probably see this zippy, occasionally funny movie as no more frantic or pop-culture-addled than the average multiplex fodder.
Ben Kenigsberg
The 6-year-old I watched it with summed it up perfectly: "It starts out fun but then it's kinda sad and scary. And sorta boring, too." June 26, 2014 | Rating: 1/5 | Full Review…
The 6-year-old I watched it with summed it up perfectly: "It starts out fun but then it's kinda sad and scary. And sorta boring, too."
Elizabeth Weitzman
There are far worse ways to spend 88 minutes of your life. May 23, 2014 | Rating: 3/5 | Full Review…
There are far worse ways to spend 88 minutes of your life.
Charlotte O'Sullivan
Disa can't really satirise society's homogenised speed-freakery when his songs feature Ronan Keating and his animation looks scarcely finished. May 22, 2014 | Rating: 2/5 | Full Review…
Disa can't really satirise society's homogenised speed-freakery when his songs feature Ronan Keating and his animation looks scarcely finished.
Mike McCahill
[It's] ends up juggling too many issues, and can't decide whether it's a modernizing of a popular children's character. March 6, 2019 | Full Review…
[It's] ends up juggling too many issues, and can't decide whether it's a modernizing of a popular children's character.
Paula Fleri-Soler
All the series' wholesomeness has been sucked dry not only by the script's lifelessness, but also by the shift from traditional stop-motion animation to cost-effective CGI. August 13, 2018 | Rating: 1/5 | Full Review…
All the series' wholesomeness has been sucked dry not only by the script's lifelessness, but also by the shift from traditional stop-motion animation to cost-effective CGI.
Jamie Neish
There's a smattering of adult friendly humour, but Postman Pat: The Movie is aimed at the littlies. September 7, 2017 | Rating: 2.5/5 | Full Review…
There's a smattering of adult friendly humour, but Postman Pat: The Movie is aimed at the littlies.
Francesca Rudkin
Since Simon Cowell and his talent shows are already over-exposed on TV, it's a real shame that Postman Pat's producers have rubber-stamped such a contrived storyline at the expense of originality. October 10, 2014 | Rating: 2/5 | Full Review…
Since Simon Cowell and his talent shows are already over-exposed on TV, it's a real shame that Postman Pat's producers have rubber-stamped such a contrived storyline at the expense of originality.
Graham Young
Return to sender. September 27, 2014 | Full Review…
Return to sender.
Jason Best
Simply adorable...Plenty of digs at celebrity culture (including great use of Peter Gabriel's Big Time), TV and the film itself spice up a sweet, message-strong story, directed by American Mike Disa (Hookwinked). August 16, 2014 | Rating: 3/5 | Full Review…
Simply adorable...Plenty of digs at celebrity culture (including great use of Peter Gabriel's Big Time), TV and the film itself spice up a sweet, message-strong story, directed by American Mike Disa (Hookwinked).
Jim Schembri
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