Quai des Orfèvres (Quay of the Goldsmiths) (Jenny Lamour)

1948

Quai des Orfèvres (Quay of the Goldsmiths) (Jenny Lamour)

Critics Consensus

Henri-Georges Clouzot's engrossing noir explores the troubles of post-war France and the line dividing social struggle and criminality.

100%

TOMATOMETER

Total Count: 32

89%

Audience Score

User Ratings: 1,601
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Quai des Orfèvres (Quay of the Goldsmiths) (Jenny Lamour) Photos

Movie Info

In this thriller, two miserable lovers inadvertently find themselves involved in a creepy film producer's murder that occurred when the lascivious fellow made a pass at the woman. To stop him, she crashed a champagne bottle over his head and kills him. Her lover rushes in as he too, wanted to kill the producer. During the police investigation, the man considered a suspect until his girlfriend tells all to the cops. Later it is discovered that neither are guilty. The producer was really killed by a gangster.

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Critic Reviews for Quai des Orfèvres (Quay of the Goldsmiths) (Jenny Lamour)

All Critics (32) | Top Critics (12)

  • Clouzot is able to reveal a complex and interactive working-class world in which cops and criminals are sometimes difficult to tell apart.

    Apr 20, 2009 | Full Review…
  • Direction by Henri-Georges Clouzot takes full advantage of every possible opportunity to bring out character and manages to keep the tempo at a fast clip all the time.

    Mar 26, 2009 | Full Review…

    Variety Staff

    Variety
    Top Critic
  • Jouvet's Maigret-esque cop gets all the best lines, and gives the film its human, tragic focus.

    Jun 24, 2006 | Full Review…
    Time Out
    Top Critic
  • Terrifically entertaining.

    Apr 18, 2003 | Rating: 4/4 | Full Review…

    Ty Burr

    Boston Globe
    Top Critic
  • An elegant show-biz noir that weaves an intricate web of deception and intrigue.

    Apr 17, 2003 | Rating: A- | Full Review…
  • For those with a taste for classic movies, it's like finding a buried treasure.

    Feb 28, 2003 | Rating: 4/4

Audience Reviews for Quai des Orfèvres (Quay of the Goldsmiths) (Jenny Lamour)

  • Dec 12, 2015
    Even for a more commercial effort, Clouzot lends his unique style and voice to a well-written and exquisitely-directed crime story that has great touches of humor and some very delightful performances by Delair and Jouvet (who is hilarious and gets the best lines).
    Carlos M Super Reviewer
  • Jun 09, 2011
    Beautifully photographed noir from master Clouzot with a perfect balance of farce and post-war social criticism.
    Matheus C Super Reviewer
  • Mar 06, 2011
    one of the most remarkable screenplays of any film ive seen. the details of the story are complex, but simply told and without missteps. clouzot deserves far more respect than he receives in the U.S., and this film simply adds to his legacy of astoundingly good suspense and horror films. blier was fantastic, and even the supporting players in smaller roles such as larquey as the cab driver deliver very solid performances. the ending is the best part, as it was unexpected even for clouzot, a director who is great with unexpected endings. great film.
    danny d Super Reviewer
  • Sep 12, 2008
    Maybe not as thrilling as some of Clouzot's other films but a fine film nonetheless. One downside is it takes a while to get going, only really doing so once Louis Jouvet's police detective enters the picture. The secondary characters are more impressive than the leads, such as the already mentioned Jouvet and Simone Renant, who's character displays some quite blatant sexuality for the time.
    Emily B Super Reviewer

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