Once Upon a Time In Hollywood
The Farewell
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Pose
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No consensus yet.
All Critics (14) | Top Critics (9)
Little about the Doyles makes you want to partake of their sour hospitality, even if it's only for an hour and a half. Oct 18, 2008 | Rating: 2/4 | Full Review…
Little about the Doyles makes you want to partake of their sour hospitality, even if it's only for an hour and a half.
Maureen M. Hart
Because Petrol is so grim, its few moments of repentance and reconciliation don't feel as contrived as they might otherwise; if any film has earned the right to be sentimental, it's this one. Sep 12, 2008 | Rating: 3/4 | Full Review…
Because Petrol is so grim, its few moments of repentance and reconciliation don't feel as contrived as they might otherwise; if any film has earned the right to be sentimental, it's this one.
Michael Hardy
As even a novice moviegoer would expect, they argue and drink, then argue and drink some more. Jun 27, 2008 | Rating: 1/4 | Full Review…
As even a novice moviegoer would expect, they argue and drink, then argue and drink some more.
V.A. Musetto
Solid performances and a literary feel help turn a standard family-rift drama into a dry but saucy narrative. Jun 27, 2008 | Rating: 2/5 | Full Review…
Solid performances and a literary feel help turn a standard family-rift drama into a dry but saucy narrative.
Joe Neumaier
If, as Tolstoy observed, happy families are alike, and each unhappy family is unhappy in its own way, the Dublin-set film Red Roses and Petrol didn't get the message, being a dysfunctional clan movie that feels dispiritingly like all the others. Jun 27, 2008 | Rating: 1.5/5 | Full Review…
If, as Tolstoy observed, happy families are alike, and each unhappy family is unhappy in its own way, the Dublin-set film Red Roses and Petrol didn't get the message, being a dysfunctional clan movie that feels dispiritingly like all the others.
Robert Abele
In Red Roses and Petrol, a soused, post-funeral postmortem on a dysfunctional Dublin family, the misery seeps from the screen in cold, damp waves; by the end you'll be grabbing for the bottle yourself. Jun 27, 2008 | Rating: 1.5/5 | Full Review…
In Red Roses and Petrol, a soused, post-funeral postmortem on a dysfunctional Dublin family, the misery seeps from the screen in cold, damp waves; by the end you'll be grabbing for the bottle yourself.
With her static camera, director and co-writer Tamar Simon Hoffs has done little to move it out of its staginess. Jun 27, 2008 | Full Review…
With her static camera, director and co-writer Tamar Simon Hoffs has done little to move it out of its staginess.
Rob Lowman
Mired by cliché and oddly beset by a sense of false Irishness. Jun 27, 2008 | Rating: 2/5 | Full Review…
Mired by cliché and oddly beset by a sense of false Irishness.
Sara Maria Vizcarrondo
Hoffs locks down her characters in unimaginatively framed medium shots, while mixing in a few monochromatic flashbacks, some video footage of the dead patriarch and two fast-cut sequences in a vain attempt at visual variety. Jun 8, 2008 | Rating: 1.5/4 | Full Review…
Hoffs locks down her characters in unimaginatively framed medium shots, while mixing in a few monochromatic flashbacks, some video footage of the dead patriarch and two fast-cut sequences in a vain attempt at visual variety.
Andrew Schenker
Iâ(TM)d rather just sit in on one of my own families squabbles; weâ(TM)re much more entertaining. Oct 27, 2007 | Rating: 2/5
Iâ(TM)d rather just sit in on one of my own families squabbles; weâ(TM)re much more entertaining.
Eric Campos
Tamar Simon Hoffs's bland-as-boiled-cabbage adaptation of Joseph O'Connor's play finally hobbles into theaters, reminding us every 15 seconds that just because it looks distinctly American and was shot in California, it's a fookin' Irish movie. Jun 25, 2008 | Full Review…
Tamar Simon Hoffs's bland-as-boiled-cabbage adaptation of Joseph O'Connor's play finally hobbles into theaters, reminding us every 15 seconds that just because it looks distinctly American and was shot in California, it's a fookin' Irish movie.
Aaron Hillis
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