Shirley
Da 5 Bloods
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I May Destroy You
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Renaissance attempts to blend sci-fi wonder with stark noir animation, but is often more fun to look at than to watch.
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All Critics (77) | Top Critics (22) | Fresh (38) | Rotten (39)
It's a testament to the production design that one quickly gets caught up in the story without ever completely losing the "ooh-ahh" factor. Ominous, wall-to-wall music bolsters the appropriately uneasy mood, and the bittersweet conclusion is satisfying. July 22, 2008
It's a testament to the production design that one quickly gets caught up in the story without ever completely losing the "ooh-ahh" factor. Ominous, wall-to-wall music bolsters the appropriately uneasy mood, and the bittersweet conclusion is satisfying.
Lisa Nesselson
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing. November 3, 2006 | Rating: 2/4 | Full Review…
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing.
Bill Stamets
Its dark images echo in the mind's eye. And for that alone, it's worth seeing. October 12, 2006 | Rating: B+ | Full Review…
Its dark images echo in the mind's eye. And for that alone, it's worth seeing.
Bob Townsend
An empty experience; lots of shadow and noise, adding up to very little. October 6, 2006 | Rating: 2/4 | Full Review…
An empty experience; lots of shadow and noise, adding up to very little.
Moira MacDonald
It's unfortunate that it's all in the service of a story as dull as it is complicated, though if you can make it to the end without drifting off, there is a small reward. October 6, 2006 | Rating: 2/4
It's unfortunate that it's all in the service of a story as dull as it is complicated, though if you can make it to the end without drifting off, there is a small reward.
Terry Lawson
Undone by a plot that is ridiculously hard to follow and hackneyed. September 29, 2006 | Rating: 2/4 | Full Review…
Undone by a plot that is ridiculously hard to follow and hackneyed.
Ruthe Stein
As an experiment in marrying motion to a very painterly b&w two-tone storyboard, Renaissance is a breathtaking achievement. Sadly, as a full-length film with an involving plot and compelling characters, it fails completely. February 28, 2020 | Full Review…
As an experiment in marrying motion to a very painterly b&w two-tone storyboard, Renaissance is a breathtaking achievement. Sadly, as a full-length film with an involving plot and compelling characters, it fails completely.
Kathi Maio
Ultimately saved by the strong performances, taut atmosphere, and awe inspiring animation... April 25, 2014 | Full Review…
Ultimately saved by the strong performances, taut atmosphere, and awe inspiring animation...
Felix Vasquez Jr.
The picture is visually stark - at times imagining Fritz Lang had directed The Matrix - and isolated compositions, spiked with high contrast menace, are impressive in their artistic detail. However, the perfunctory plot is B-grade sci-fi. November 7, 2012 | Rating: 3/5
The picture is visually stark - at times imagining Fritz Lang had directed The Matrix - and isolated compositions, spiked with high contrast menace, are impressive in their artistic detail. However, the perfunctory plot is B-grade sci-fi.
Luke Goodsell
The script's fusion of B-movie crime cliches and dystopian futurism, if not exactly original, is nonetheless vigorously engaging, and the English-language voice cast is good enough to make the existential noodling seem like real dialogue. July 27, 2011 | Rating: 3/4 | Full Review…
The script's fusion of B-movie crime cliches and dystopian futurism, if not exactly original, is nonetheless vigorously engaging, and the English-language voice cast is good enough to make the existential noodling seem like real dialogue.
Maitland McDonagh
Visually impressive sci-fi noir July 11, 2011 | Rating: B | Full Review…
Visually impressive sci-fi noir
Emanuel Levy
The visuals of Christian Volckman's film blow away just about everything else on the screen this year. April 23, 2009 | Rating: 2.5/4 | Full Review…
The visuals of Christian Volckman's film blow away just about everything else on the screen this year.
Peter Keough
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