Searching

Searching Videos

2:23

Searching: Trailer 1

1:00

Searching: Trailer 1

View All Videos (2)

Searching Photos

View All Photos (4)

Watch it now

Cast

John Cho
as David Kim

Debra Messing
as Detective Rosemary Vick

Joseph Lee
as Peter

Michelle La
as Margot

Sara Sohn
as Nam 'Pamela' Kim

News & Interviews for Searching

Critic Reviews for Searching

Audience Reviews for Searching

• Jun 19, 2019

  Searching is an intense and well-crafted found-footage crime thriller starring John Cho and Debra Messing. When his 16-year old daughter goes missing David Kim starts his own investigation to help the police by searching through all her online accounts and social networks, and is shocked to discover that he didn't really know his daughter. Both Cho and Messing give strong performances and do a good job playing to the found footage medium. And the director does an impressive job at keeping the film moving and at using a variety of different apps and programs (Facebook, YouTube, Google Maps, etc.). However, there are times that the film pushes the bounds of believability and stretches a bit to have the entire story unfold through electronic media. Yet despite a few weaknesses, Searching is remarkably compelling.
  

  Dann M Super Reviewer
• Feb 07, 2019

  Taking the microgenre within the found footage genre of the all-on-your-computer-screen genre (I guess it's a thing?), Searching expands from the formula in Unfriended. Similar to how other movies expanded from Blair Witch Project though, there is an odd subtext here. For example, Blair Witch Project altogether made sense as a "found" footage movie, whereas later movies of the type raise the question of "who found this and who edited this altogether?" Searching has a similar oddity. Unfriended was real time and straight on, Searching uses the format more to tell its story in a unique way. We are not stuck to one computer, and even on one computer the camera will still pan around the screen. There are montages, timejumps, and cuts across different machines. It threw me off at first, and made me wonder why this format was even necessary if they weren't going to stick to it. However, since so much of this story takes place in the internet, I can accept its format. I mention this right off the bat because a lot of critics have praised this films format, and I really can't as much, since it feels like they cheated with it a bit to me. However, the elements within the format work well enough that I can forgive it. Watching him use the computer and all the steps he goes through are effective. It feels extremely genuine down to all the weird little details, like using a string of "forgot password" chains to get into his daughters Facebook and find out more about her friends. It's little details like that which we don't necessarily need, but make the film more real, and watchin his whole process is strangely hypnotic and engaging. The overall reaction of his daughter's disappearance is all too real as well, with media reactions running the gamut and blog think-pieces we see brief headlines for on the side. These little details give an air of realism to the whole thing. As for the actual plot itself, it ultimately works fine. One thing I did appreciate is that the red herrings given are more than just detours, they add character depth. However, the ultimate reveal doesn't feel that shocking. It's fine, it works, but that's it and the movie ultimately goes out without much of a bang.
  Michael M Super Reviewer
• Feb 07, 2019

  29/01/2019
  

  Peter B Super Reviewer
• Jan 06, 2019

  Interesting concept, that was fun and annoying. I liked the choice in Cho for the lead, he is a gifted actor who never receives the quality he deserves. The film is bogged down in the storyline and that twist comes off as a typical and very expected story beat. I wanted to enjoy the film, but the style was a little too much for me. I hope Hollywood doesn't flood the cinema with copy versions seeing that this film was successful at the box office. I enjoyed the film and it is rewarding, but I'm not into a happy ending that robs the film of the emotinal journey. 05/01/2019.
  Brendan N Super Reviewer

Searching Quotes

News & Features