The Congress (2014)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: The Congress rises on the strength of Robin Wright's powerful performance, with enough ambitious storytelling and technical thrills to overcome its somewhat messy structure.


Movie Info

More than two decades after catapulting to stardom with The Princess Bride, an aging actress (Robin Wright, playing a version of herself) decides to take her final job: preserving her digital likeness for a future Hollywood. Through a deal brokered by her loyal, longtime agent (Harvey Keitel) and the head of Miramount Studios (Danny Huston), her alias will be controlled by the studio, and will star in any film they want with no restrictions. In return, she receives healthy compensation so she … More

Rating: Unrated
Genre: Science Fiction & Fantasy, Animation
Directed By:
Written By: Stanislaw Lem, Ari Folman
In Theaters:
On DVD: Dec 2, 2014
Box Office: $0.1M
Runtime:
Drafthouse Films - Official Site

Cast


as Robin Wright

as Jeff Green

as Dr. Baker

as Dylan Truliner

as Aaron Wright

as Sarah Wright

as Michelle
Show More Cast

News & Interviews for The Congress

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Critic Reviews for The Congress

All Critics (93) | Top Critics (21)

The anger drains out of the picture, and we watch in a state of passive appreciation and indifference.

Full Review… | September 5, 2014
New Yorker
Top Critic

An acquired taste, this dense Jabberwocky-ish word salad is a political allegory about a populace that's been pharmaceutically duped into believing its wretched world is wonderful.

Full Review… | September 4, 2014
New York Times
Top Critic

A half-live-action, half-animated headtrip that throws Robin Wright into a dizzying showbiz paradigm shift.

Full Review… | September 4, 2014
Boston Globe
Top Critic

A dystopian blend of live-action and animation that acidly comments on some of Hollywood's touchiest issues before drifting off into an existential fog.

Full Review… | September 3, 2014
New York Post
Top Critic

It's almost painful to watch the immense promise of "The Congress," Ari Folman's spectacularly ambitious experiment, dissipate into nothing.

Full Review… | September 3, 2014
New York Daily News
Top Critic

It's like Folman took several different genres-Hollywood satire, speculative dystopian fiction, family melodrama-and fused them into something amorphous and nebulous.

Full Review… | September 2, 2014
Time Out
Top Critic

Audience Reviews for The Congress

It may feel disjointed to some viewers as it did to me when I first saw it, but I was wrong; in fact, this is a beautiful film that has Robin Wright in a fantastic performance and offers a fascinating discussion about reality and the thin line separating the escapism of Hollywood movies from alienation.

blacksheepboy
Carlos Magalh„es

Super Reviewer

Jeff: Once we've scanned you, there's no going back.

I saw writer/director's Ari Folman's 2008 film Waltz with Bashir and was very intrigued by where he would go next. That film revolved around a character searching for his lost memories as an Israeli soldier and was made using unique animation techniques. Folman's new film, The Congress, is similarly about finding one's self in a sense, but it comes at this topic from a different angle. Based on a science fiction novel by Stanislaw Lem, The Congress follows a character through an allegorical world that depicts the extreme merging of the entertainment industry and technology in ways so complex that people literally become animated characters. This is a film that has too many ideas to fully make work, but thanks to a strong lead performance by Robin Wright, let alone the nature of the film, there is a lot to appreciate or dissect about what is seen in The Congress; aspects that I am still thinking about.

read the whole review at thecodeiszeek.com

DrZeek
Aaron Neuwirth

Super Reviewer

½

In "The Congress," the actress Robin Wright lives on the edge of nowhere and an airport with her two teenaged children, Sarah(Sami Gayle) and Aaron(Kodi Smit-McPhee). Excited to get an offer of any sort, she travels with her longtime agent, Al(Harvey Keitel), to meet with Jeff Green(Danny Huston), the chief of Miramount Studios. It turns out to be something totally different from what she was expecting. Namely, as Jeff puts it, it is to be scanned into a computer, and as he puts it the last deal she will ever make. She declines it flat. But then realizing how much care Aaron will require as he is slowly going deaf and blind, she agrees, with a few conditions.

"The Congress" is a movie about transitions, willing and not, that only begins with this possibly being a transition for director Ari Folman towards live action fiction movies. As far as this being about a transition for Robin Wright, this movie serves as a critical exploration of the difficulty actresses finding work as they get older.(Jeff Green scoffs as Robin's leaving porn off the list. "At her age?" You'd be surprised...)

That's only the beginning as "The Congress," criticizing other science fiction movies as dumb, does the one thing that all decent science fiction movies should be in being about ideas, namely how technology does not always spur on creativity, with hand drawn animation being a prime example used while never forgetting the human element involved. Yes, some of that can be filed under a narrative stretch, but the occasional spectacular imagery makes up for that, not only the animation but also the former hangar and the scanning scene.

Harlequin68
Walter M.

Super Reviewer

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