Time Out (L' Emploi du temps) (2001)



Critic Consensus: A haunting psychological drama, Time Out takes a penetrating look at the angst of the modern worker.

Time Out (L' Emploi du temps) Photos

Movie Info

French director Laurent Cantet's sophomore effort is a somber and complex meditation on work -- specifically, how work has become the defining feature of the contemporary individual as well as the quintessential symbol of quotidian despair. The movie tells the story of Vincent (Aurelien Recoing), a middle-class family man recently fired from his drab, middle-management job. Unable to tell his family about his firing, Vincent spends his workdays driving around the French countryside --"business trips" he tells his wife -- keeping intact the reassuring routine of going to work and coming home to his wife and kids. As his family grows suspicious of his evasive behavior, Vincent is forced to spin a new tale, pretending to get a job working for the U.N. In a bid to keep the money coming in, he recruits old friends to invest in an imaginary emerging-markets investment scheme. Vincent also falls in with Jean-Michel (Serge Livrozet), a black market dealer whose ignominious past serves as an ominous warning for Vincent's present course. Despite his efforts to maintain an undisturbed surface, Vincent's wife begins to suspect something amiss. As the lies pile up and the questions from his family mount, Vincent loses control of his fragile double life, leading to a poignant conclusion. Cantet's film premiered at the 2001 Venice Film Festival.
PG-13 (for sensuality)
Art House & International , Comedy , Documentary , Drama
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Karin Viard
as Muriel
Serge Livozet
as Jean-Michel
Jean-Pierre Mangeot
as Vincent's father
Monique Mangeot
as Vincent's mother
Nigel Palmer
as Jeffrey
Didier Perez
as Philippe
Show More Cast

Critic Reviews for Time Out (L' Emploi du temps)

All Critics (82) | Top Critics (26)

Time Out is as serious as a pink slip. And more than that, it's an observant, unfussily poetic meditation about identity and alienation.

August 2, 2002
Orlando Sentinel
Top Critic

The drama discloses almost nothing.

May 10, 2002
Washington Post
Top Critic

What a modern horror story!

May 10, 2002
Washington Post
Top Critic

Human Resources was a good, straightforward tale, but Time Out is better. It's haunting. It's like a poem.

Full Review… | May 10, 2002
San Francisco Chronicle
Top Critic

Moody, reflective and acutely noticing, Time Out is less a drama than a cinematic essay about one man's experience in an era defined for professional and laborer by downsizing.

May 10, 2002
Detroit News
Top Critic

Time Out is existential drama without any of the pretension associated with the term.

Full Review… | May 10, 2002
Detroit Free Press
Top Critic

Audience Reviews for Time Out (L' Emploi du temps)

More than the plot, this movie works because it succeeds in creating an atmosphere of constantly being an outsider, left out from the rest of the normal world.

Sherwin Liu
Sherwin Liu

A great French drama. Why do they have it listed as a documentary here? This thing isn't a damn documentary. Aurelien Recoing is fantastic as the man who seeks to hide the truth from his family as a matter of pride.

John Ballantine
John Ballantine

Super Reviewer

The first hour of "Time Out" is the most involving portion of the film; after that, it settles into a pretty basic formula that's predictable yet still intriguing. Laurent Cantent's moody direction mixed with documentary-style camerawork and Aurelien Recoing's quiet, captivating central performance make watching the film a hauntingly effective experience. When it's all said and done, "Time Out" doesn't seem to have much of a point to it and the ending isn't as satisfying as I would have hoped for, but it's quite possibly one of the best dramatic pieces this side of the year 2000.

Stephen Earnest
Stephen Earnest

Super Reviewer

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