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Today We Live Photos
Movie Info
Ann (Joan Crawford), a young British aristocrat, bids farewell to her brother, Ronnie (Franchot Tone), and neighbor, Claude (Robert Young), who are both about to join England's naval forces in World War I. Claude has proposed to Ann, and she agreed to get married when he returns. However, an American, Richard (Gary Cooper), soon arrives, having bought her estate. Ann and Richard, who has also enlisted to be a pilot, quickly fall in love, but she still wants to keep her promise to Claude.
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Genre: War
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Original Language: English
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Director: Howard Hawks
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Producer: Howard Hawks
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Writer: Edith Fitzgerald, Dwight Taylor
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Release Date (Theaters): original
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Release Date (DVD):
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Runtime:
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Distributor: Metro-Goldwyn-Mayer
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Production Co: Metro-Goldwyn-Mayer
Cast & Crew

Joan Crawford
Diana

Gary Cooper
Bogard

Franchot Tone
Ronnie

Louise Closser Hale
Applegate

Rollo Lloyd
Major

Hilda Vaughn
Eleanor

Robert Young
Claude

Howard Hawks
Director

Richard Rosson
Co-Director

Edith Fitzgerald
Screenwriter

Dwight Taylor
Screenwriter

Howard Hawks
Producer

Oliver T. Marsh
Cinematographer

Edward Curtiss
Film Editing

Cedric Gibbons
Art Director
Critic Reviews for Today We Live
Audience Reviews for Today We Live
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Sep 22, 2013
Ponderous, miscast slog of a film. The performers try their best but only Cooper's character is believable. Crawford, Young and Tone are all supposed to be British born, none speak in anything but refined American accents. Their parts should have been played by Diana Wynyard, Ronald Coleman and Leslie Howard. The film would probably still have been a bore but at least it would have felt grounded in some kind of reality.
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Jun 03, 2009
Despite being made by the infamous Hawks, written by Faulkner, and starring some great legends in the likes of Crawford, Cooper, Young, etc., this movie is as frustrating to watch as putting together a puzzle that you know is missing pieces. The fault mainly lies in the editing, as the running time was cut from 135 min. We are left watching scenes take place that we don't understand why it's happening. The dialogue, as the film, is somewhat staccato in its delivery. This film would have succeeded more as a war film and left off the added romantic triangle.
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