A Touch of Class Reviews

  • Jul 16, 2020

    Everything about it is really unlikable.

    Everything about it is really unlikable.

  • May 10, 2020

    A touch of boredom. A shallow and slow-witted movie about 2 callous seemingly ppl. They have an affair without a second thought as to who they are hurting and also with seemingly little love connection. All either of the 2 main characters care about is themselves, not their children, pets, friends, each other or their spouses. The humor was also bad, as was the music. It's very dated from the 70s. The whole thing seemed silly and stupid, like it was trying to reach for something deep n failed miserably with this corny rendition. I've seen good movies about affairs, this was not one of them.

    A touch of boredom. A shallow and slow-witted movie about 2 callous seemingly ppl. They have an affair without a second thought as to who they are hurting and also with seemingly little love connection. All either of the 2 main characters care about is themselves, not their children, pets, friends, each other or their spouses. The humor was also bad, as was the music. It's very dated from the 70s. The whole thing seemed silly and stupid, like it was trying to reach for something deep n failed miserably with this corny rendition. I've seen good movies about affairs, this was not one of them.

  • Apr 12, 2020

    Probably undeserving of its five Oscar nominations including Best Picture and Best Adapted Screenplay, and most certainly not for Glenda Jackson's Best Actress win in this whimsically written but intolerably whining featherweight adultery comedy.

    Probably undeserving of its five Oscar nominations including Best Picture and Best Adapted Screenplay, and most certainly not for Glenda Jackson's Best Actress win in this whimsically written but intolerably whining featherweight adultery comedy.

  • Jun 20, 2019

    The 1970s were a great time for the romantic comedy genre because The Goodbye Girl (1977), Cinderella Liberty (1973) and Annie Hall (1977) were released but this little British film was one of those that received a Best Picture nomination from the Academy. In my view this was one of the best films nominated for Best Picture in 1973 despite it's unconventional genre for that sort of attention from the Academy. I was not familiar with the work of the film's director, Melvin Frank, before seeing this film but I will try to seek out his other work after enjoying this so much. People seem to overlook this film for some odd reason but I hope it gets rediscovered because other than one off color reference to rape the film has aged very well. Married man Steve Blackburn, George Segal, falls for divorced fashion designer Vicky Allessio, Glenda Jackson, and the two plan to have a brief sexual affair on holiday in Malaga, Spain. The affair does not start off on a positive note as the holiday goes wrong in a variety of farcical ways. The two do get along eventually and at the end of their holiday decide to buy a small apartment where they can continue to engage in their affair. Vicky quickly finds that she is more committed to the relationship than he is and as his affections begin to waver she decides that she must break things off because she is becoming too attached to a man who will never give himself to her completely. It was very strange to watch this film the day after having seen the delightful but hardly weighty Falling in Love (1984) which also features a couple having an affair falling in love but that film ends on a more upbeat tone. The genius of the film is it's ending because we see that this woman really does want to have a proper relationship with a man, complete with love and commitment. A lot of films refuse to show this the hard way however where this film shows us her anguish over his lack of attention and the embarrassment that comes with showing too much commitment to the affair. Their love will never be able to continue because he is too committed to his family and current lifestyle to ever considering leaving them for her but for the brief time we see them together we understand why the two of them would feel so connected. Jackson is quite lovely in her role as she brings a sharp witted British sensibility to all of her cutting remarks and a surprising sensitivity to her more serious moments. She is a prime example of why we love British comedic actresses as she feels like an antecedent of Emma Thompson and Miranda Richardson, we want to hug their accents. I felt an incredible sadness as I watched her sit in an apartment alone waiting for the man she loves and yet I never got the sense that this was not a woman who could hold her own in her career and personal life. Segal brings wonderful comic timing and an American goofiness to his role and complements his leading lady well as the two face of and then fall for each other completely. I can see why Jackson won her Best Actress Academy Award and I think she richly deserved it even though I also love Marsha Mason in Cinderella Liberty. It's nice to see a romantic comedy lead get rewarded who is not Cher or Helent Hunt. I would absolutely recommend that you see this film because it's a really fun romp with unexpected depth that shows people having the sort of love story that feels both natural and ridiculously comic. For those who don't usually like romantic comedies this one may appeal to them because it is significantly meaner and more explicit in it's sexual references than say While You Were Sleeping (1995). Do I love this film? Yes. Do I think it is a masterpiece? No. All I can be certain of is that it is a hell of a lot better than The Sting (1973).

    The 1970s were a great time for the romantic comedy genre because The Goodbye Girl (1977), Cinderella Liberty (1973) and Annie Hall (1977) were released but this little British film was one of those that received a Best Picture nomination from the Academy. In my view this was one of the best films nominated for Best Picture in 1973 despite it's unconventional genre for that sort of attention from the Academy. I was not familiar with the work of the film's director, Melvin Frank, before seeing this film but I will try to seek out his other work after enjoying this so much. People seem to overlook this film for some odd reason but I hope it gets rediscovered because other than one off color reference to rape the film has aged very well. Married man Steve Blackburn, George Segal, falls for divorced fashion designer Vicky Allessio, Glenda Jackson, and the two plan to have a brief sexual affair on holiday in Malaga, Spain. The affair does not start off on a positive note as the holiday goes wrong in a variety of farcical ways. The two do get along eventually and at the end of their holiday decide to buy a small apartment where they can continue to engage in their affair. Vicky quickly finds that she is more committed to the relationship than he is and as his affections begin to waver she decides that she must break things off because she is becoming too attached to a man who will never give himself to her completely. It was very strange to watch this film the day after having seen the delightful but hardly weighty Falling in Love (1984) which also features a couple having an affair falling in love but that film ends on a more upbeat tone. The genius of the film is it's ending because we see that this woman really does want to have a proper relationship with a man, complete with love and commitment. A lot of films refuse to show this the hard way however where this film shows us her anguish over his lack of attention and the embarrassment that comes with showing too much commitment to the affair. Their love will never be able to continue because he is too committed to his family and current lifestyle to ever considering leaving them for her but for the brief time we see them together we understand why the two of them would feel so connected. Jackson is quite lovely in her role as she brings a sharp witted British sensibility to all of her cutting remarks and a surprising sensitivity to her more serious moments. She is a prime example of why we love British comedic actresses as she feels like an antecedent of Emma Thompson and Miranda Richardson, we want to hug their accents. I felt an incredible sadness as I watched her sit in an apartment alone waiting for the man she loves and yet I never got the sense that this was not a woman who could hold her own in her career and personal life. Segal brings wonderful comic timing and an American goofiness to his role and complements his leading lady well as the two face of and then fall for each other completely. I can see why Jackson won her Best Actress Academy Award and I think she richly deserved it even though I also love Marsha Mason in Cinderella Liberty. It's nice to see a romantic comedy lead get rewarded who is not Cher or Helent Hunt. I would absolutely recommend that you see this film because it's a really fun romp with unexpected depth that shows people having the sort of love story that feels both natural and ridiculously comic. For those who don't usually like romantic comedies this one may appeal to them because it is significantly meaner and more explicit in it's sexual references than say While You Were Sleeping (1995). Do I love this film? Yes. Do I think it is a masterpiece? No. All I can be certain of is that it is a hell of a lot better than The Sting (1973).

  • Jul 27, 2018

    Everything is well-done. It's just predictable. And the last third comes across nearly aimless, despite its intact ending.

    Everything is well-done. It's just predictable. And the last third comes across nearly aimless, despite its intact ending.

  • Mar 16, 2016

    8.0/10, my review: http://wp.me/p1eXom-2iJ

    8.0/10, my review: http://wp.me/p1eXom-2iJ

  • Jul 17, 2015

    a small film that is well acted but does not age particularly well.

    a small film that is well acted but does not age particularly well.

  • Jul 04, 2014

    A very good film that's worth watching again and again...

    A very good film that's worth watching again and again...

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    John B Super Reviewer
    May 12, 2014

    A funny bit of romping between George Segal and Glenda Jackson. It makes a bit too much light of adultery but ultimately we can forgive it because of its charm.

    A funny bit of romping between George Segal and Glenda Jackson. It makes a bit too much light of adultery but ultimately we can forgive it because of its charm.

  • Oct 10, 2013

    Very well done romantic comedy from the 70's. Glenda Jackson and George Segal are fantastic and I loved Paul Sorvino. I couldn't help reflecting on how life has changed with modern technology. Especially when they were booking flights and missing phone calls. I can see why this film was a big deal in 1973.

    Very well done romantic comedy from the 70's. Glenda Jackson and George Segal are fantastic and I loved Paul Sorvino. I couldn't help reflecting on how life has changed with modern technology. Especially when they were booking flights and missing phone calls. I can see why this film was a big deal in 1973.