Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (20)
| Top Critics (8)
| Fresh (19)
| Rotten (1)
| DVD (5)
[Director] Dornford-May deftly balances the details of his setting with the universality of his themes, exploring every dusty corner of a village thrumming with tension between patriarchal leaders and strong-willed women.
No one can know whether Bizet would have approved of the movie musical U-Carmen e-Khayelitsha. But you suspect that he would have admired the filmmakers' gall.
A vivacious film that is a treat for eyes and ears.
This was basically the best idea ever.
Performances and singing are both on the money, and the film's organic, realistic feel seems to have been bolstered by the translation contribution that thesps Malefane and Andiswa Kedama made to the screenplay.
The main attraction is the performance of Carmen by the magnificent Pauline Malefane, who also translated the libretto into Xhosa.
Central to an expression of new female South African pride, is the lovely Pauline Malefane as Carmen, whose astonishing vocal power embodies both feminine grace and charm, along with bold, militant proletarian fire.
Carmen finds a new home in a South African shantytown, lending the nation her powerful voice for the new freedoms of the post-apartheid era.
[Director] Dornford-May's straightforward filmmaking neither glamorizes Khayelitsha and its residents nor plays up the contrast between the silky score and their hardscrabble lives.
U-Carmen is brash, often strident, yet in the end it is not cathartic.
Set in locales ostensibly picked without concern for cinematic pretense, this crowd-pleaser conveys a sense of everyday life in South Africa while simultaneously serving up an endearing variation of a magical opera for the ages. Bravo!
Though not the best film version of Bizet's famous opera Carmen, Mark Dornford-May's Berlin Bear-winner from 2005 may be among the most loyal.
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