The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[T]there are problems both with the tale, which was an awful lot more subversive 20 years ago than it is today, and the telling, which in contrast to Moore's radical experimentation is disappointingly staid and straightforward.
It wasn't that I wasn't engaged in some of the (many) story lines, it's just that there was never enough time spent with any particular one to so as to become emotionally involved ... which seem strange to say about a movie 165 minutes long.
... A bizarrely bleak blockbuster, as director Zack Snyder ("300") turns the rich, revisionist, justly praised, 12-part 1986 comic book into nothing less than an attempt to decode 20th century America through its pop culture and vice-versa.
Watchmen fans wondering whether their graphic novel has been ruined will be thrilled to see its key scenes reproduced with storyboardlike fidelity, but those who've never read it will be unlikely to understand what the big deal was in the first place.
Watchmen deserves credit for staying true to the characters, plot (up to a point), and look of the original material while still generating his own kind of energy, even though that energy sometimes feels misapplied and overcranked.
This movie will shake your windows and rattle your walls. At least it will for a couple of hours, before 40-odd minutes of draggy, comic-book exposition smother the wild, subversive superhero business that came before.
Snyder has been unable to create a satisfying tone for the proceedings. While the graphic novel played everything as realistically as it could, the film feels artificially stylized and inappropriately cartoonish.
Snyder has appropriated Moore's doomsday themes without any sense of how to animate them. That's the trouble with loyalty. Too little, and you alienate your core fans. Too much, and you lose everyone -- and everything -- else.
The movie is ultimately undone by its own reverence; there's simply no room for these characters and stories to breathe of their own accord, and even the most fastidiously replicated scenes can feel glib and truncated.