You See Me Laughin'

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Movie Info

In 1991, Matthew Johnson was an on-and-off college student who in his spare time wrote record reviews for Living Blues magazine. Johnson liked the raw, primitive sound of rural Mississippi blues, but was disappointed that so little of it was being committed to record; after discovering a juke joint in Holly Springs, MS, where proprietor Junior Kimbrough and his friend R.L. Burnside played raucous, electrified country blues til the break of dawn, Johnson decided the music should be committed to tape. Using 400 dollars left over from a student loan, Johnson started Fat Possum Records, and began recording deep Southern blues artists such as Kimbrough, Burnside, T-Model Ford, Cedell Davis, and Johnny Farmer while struggling to bring their music to a broader audience, pay their artists and keep the business afloat. You See Me Laughin' is a documentary which offers a look at Johnson and partner Bruce Watson's ongoing mission to capture this music before it's too late, and more importantly profiles the musicians who record for his label, exploring the wild and often violent lives that inform their work and fuel their often wary relationship with Johnson and Watson. Featuring rare live footage of Burnside and Kimbrough on-stage, You See Me Laughin' was the first feature film from director Mandy Stein.

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Critic Reviews for You See Me Laughin'

All Critics (4) | Top Critics (2)

  • A churning, affectionate group portrait, a cinematic pendant to a New Yorker piece Jay McInerney wrote about Fat Possum a few years back.

    Nov 11, 2004 | Rating: 3/5
  • It introduces us to the Fat Possum label's roster of self-taught players against a backdrop of poverty and otherworldly Delta remoteness.

    Nov 9, 2004 | Full Review…

Audience Reviews for You See Me Laughin'

  • Apr 23, 2008
    Finally got a chance to see this again. And sadly it's not as good a documentary as I thought on first wieving. It's more like a 90 minute comercial for Fat Possum Records, but it's at least a good one. You get some of their stories and a lot of fat possum's. But it's totally worth it. Theres not just some ass kicking music in it, but seeing those guys play is last chance for an 'over seas' guy like me. Not considering most of them are dead now.. And let me just tell you. You'll get a whole new opinion of cool. These guys are not cool due to their attitude like most rappers, rockers and funkers these days. They're cool because there's simply no other way to describe them. Not trying. Just being! I would have given an arm to be in Junior's Juke Joint before it burned down seeing these guys, but I would probably have been waay too white to even stand casually in there. Anyway, the obligatory "If you're a blues fan..." of course applies here so.. I hope you all are!
    a z Super Reviewer

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