Tense and thrilling, if not terribly distinct, Angel of Darkness takes The Alienist in a darker direction while giving the superb Dakota Fanning more time to shine. Read critic reviews
The Alienist: Angel of Darkness (2020)
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Episodes
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1. Ex Ore Infantium
Air date: Jul 19, 2020
Sara Howard opens a private detective agency in New York; Sara reunites with Dr. Kreizler and John Moore.
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2. Something Wicked
Air date: Jul 19, 2020
Sara uncovers a clue at the Siegel Cooper Department Store that leads her into dangerous territory; Moore struggles to balance his personal and professional life; Kreizler suspects dark goings-on at the Lying-In Hospital.
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3. Labyrinth
Air date: Jul 26, 2020
Sara persuades a young nurse to disclose what happens behind closed doors; Kreizler is convinced that hypnosis might unlock the traumatic memories of Señora Linares; Moore introduces Sara to a well-connected friend.
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4. Gilded Cage
Air date: Jul 26, 2020
The team must locate baby Ana; Sara worries about Bitsy Sussman; William Randolph Hearst hosts a lavish ball celebrating his goddaughter's engagement to Moore.
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5. Belly of the Beast
Air date: Aug 2, 2020
After a Lying-In Hospital employee is murdered, the team is hot on the heels of the killer; Sara enlists the help of Joanna to tail their prime suspect; the gang finds that not even Sara's office is out of the killer's reach.
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6. Memento Mori
Air date: Aug 2, 2020
Sara and Moore search for new information about their suspect; Kreizler faces ruin after a tragic incident at the Institute; Sara and the team must work with their adversary, former Commissioner Thomas Byrnes, to rescue another missing child.
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7. Last Exit to Brooklyn
Air date: Aug 9, 2020
Sara, Kreizler and Moore travel to Brooklyn in search of clues hidden in the killer's dark past; Thomas Byrnes plans to double-cross the team as the killer's behavior becomes more and more unhinged.
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8. Better Angels
Air date: Aug 9, 2020
While Sara Moore and Kreizler struggle with decisions about their future paths, New York is in the grips of an all-out manhunt for the killer; the team must overcome the wrath of the police and an underworld gang to save innocent lives.
The Alienist: Angel of Darkness: Angel of Darkness Videos
The Alienist: Angel of Darkness: Angel of Darkness Photos
Tv Season Info
Cast & Crew
News & Interviews forThe Alienist: Angel of Darkness
Critic Reviews for The Alienist: Angel of Darkness: Angel of Darkness
Audience Reviews for The Alienist: Angel of Darkness: Angel of Darkness
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The show it's amazing. But i was disappointed that in the 2nd season the main protagonist who is actually Kreizler as the alienist, has very little participation. The whole season was about Sara and her capabilities and her romance with John. I think that the second season was not so good as the first one. Kreizler was like a secondary role.
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Two amazing seasons this second one had me biting the nail on the most ferocious and frightening, incredible performances.
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S02 does make no sense!! The show's name is The Alienist, right? Then, why S02 looks like there is nothing about the alienist? Look, if you guys want some feminism, then do a spin-off of Sara, not like this, name The Alienist, film The Detective, and the worse part is that you guys let Dr. Laszlo said " I may won't be back.", seriously, change the show name.
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Just as good as the first season and keeps on making me wanting more and more at the end of every episode.
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Season 2 is sooooooo much better than the book. Just like season 1, the second season of the Alienist is a fast-paced historical mystery. The acting is superb! Seriously, the entire ensemble knocks it out of the park. The costumes, especially Sarah's, were mesmerizing.
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I really loved season 2 of The Alienist. The series returned with a high quality in entertaining fusion of history and fictional embellishment, looking at the TNT production, it continues to make a very brillante and clever environment and pace. This season is about the murder of baby girls and shows the begigning of the feminist movement on the U.S.A, the actors are perfect when playing the caracters, the cast has a very good interaction, they were expressive and give a high performance. You will like this series if you like mystery movies with investigation, murder and a lot of blood, and expecially if you like a dramatic and uncanny narrative.
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(Español / English) Las heridas que no sanan / The wounds that don't heal Extracto: La segunda temporada de este policial gótico victoriano que se desarrolla en la Nueva York de fines del siglo XIX luce menos audaz y original que la primera, pero exhibe una dureza y oscuridad acaso mayor, la solvencia actoral de su trio protagónico (encabezado por una extraordinaria Dakota Fanning), un criminal notable y la deslumbrante producción y rigurosa reconstrucción de época de siempre. ……………………………………………………………………………………………………………………………………………………………………. Abstract: The second season of this Victorian Gothic crime scene set in late 19th century New York looks less daring and original than the first, but exhibits a perhaps greater harshness and darkness, the acting solvency of its leading trio (led by an extraordinary Dakota Fanning), a notable criminal and the dazzling production and rigorous re-enactment of the same old days. ………………………………………………………………………………………………………………………………… ………………………………. Reseña: Contiene referencias (no spoiler) a la temporada 1 en el segundo párrafo. Esta vez el trío protagónico de la serie encara la investigación de las desapariciones y asesinatos de bebés, algunos de ellos hijos e hijas de personajes encumbrados. En la temporada 2 podríamos decir que Sara Howard (Dakota Fanning) asume el protagonismo de la serie, al frente de su propia agencia de detectives. Colaboran con ella el periodista John Moore (Luke Evans), comprometido con la hija del magnate del periodismo Hearst y el alienista Laszlo Kreisler (Daniel Brühl), esa suerte de protopsicoanalista al frente de su propio instituto de patologías mentales. No se puede negar que el asunto de la temporada 1 era de una audacia mucho mayor y que el caso abordado en la segunda es más convencional. Pero considero que la personalidad de quien comete los crímenes es abordada con más detenimiento (su responsable realiza una actuación notable) y la atmósfera general de la serie es aún más sombría, sórdida y triste, asomándose al género de horror gótico, con reminscencias de la victoriana serie Penny Dreadful. La reconstrucción de época y la producción continúan siendo admirables. Sobresale la extraordinaria actuación de Dakota Fanning, cuya Sara si bien ha logrado independencia como profesional y luce un arrojo y un compromiso sin fisuras, sigue acarreando y transmitiendo una tristeza patente en cada uno de sus movimientos. Además, es de destacar la intensa química que logra en las escenas con Evans. El personaje de Brühl (que da nombre a la serie, no lo olvidemos) queda un tanto relegado y por momentos parece casi un relleno, sin que esto desmerezca su lucimiento como actor. En definitiva, otra intensa temporada, menos audaz y original que la anterior, pero de inusual dureza. ……………………………………………………………………………………………………………………………………………………………. Review: Contains references (not spoiler) to season 1 in the second paragraph This time the leading trio of the series faces the investigation of the disappearances and murders of babies, some of them the sons and daughters of high-ranking characters. In season 2 we could say that Sara Howard (Dakota Fanning) takes center stage in the series, leading her own detective agency. Collaborating with her is the journalist John Moore (Luke Evans), committed to the daughter of the journalism mogul Hearst and the alienist Laszlo Kreisler (Daniel Brühl), that sort of proto-psychoanalyst at the head of his own institute of mental pathologies. It cannot be denied that the issue of season 1 was of much greater audacity and that the case addressed in the second is more conventional. But I consider that the personality of the person who commits the crimes is approached more carefully (the person in charge performs a remarkable performance) and the general atmosphere of the series is even more somber, sordid and sad, peering into the Gothic horror genre, reminiscent of the Victorian Penny Dreadful series. The period reconstruction and production continue to be admirable. The extraordinary performance of Dakota Fanning stands out, whose Sara, although she has achieved independence as a professional and shows a courage and a seamless commitment, continues to carry and transmit a patent sadness in each of her movements. In addition, the intense chemistry that she achieves in her scenes with Evans is noteworthy. Brühl's character (who gives the series its name, let's not forget it) is somewhat relegated and at times seems almost a filler, without this detracting from his brilliance as an actor. In short, another intense season, less daring and original than the previous one, but of unusual toughness. ………………………………………………………………………………………………………………………
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To go from being such a fantastic show in series one and gripping the viewer from first episode to last focusing on Dr Kreizler throughout with help from his colleagues, it was extremely disappointing that in season 2 a show called "The Alienist" seemed to focus on everybody but said Alienist. I sincerely hope if there is to be a season 3 that the focus of the show moves back to what got people interested and invested in the first place. Rather than lecturing and pontificating how about just entertaining.
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My goodness, watching this was painful. I say that with a heavy heart as I was the biggest champion of The Alienist. Were we supposed to be watching a show called "The Detective" instead? I had to actually fast forward as some scenes dragged on and I suffered from a constant case of inward eye-rolling. Sara Howard is supposed to be a supporting actress in this show and I found the show lacking the mystery, the brilliance, the refined passion for answers as it constantly focused on her instead of Dr. Kreizler. The first season was incredible, the investigation went from odds to ends to end up at Japheth and it was a stomach-twisting journey in trying to find out who the killer is. This season lacked that same intensity. I loved Dr. Kreizler's over-bearing desire to solve the case in the first season and without it, this season lacked punch. Good acting, poor screen-play, poor plot. Very poorly done indeed, I took a month to watch it whereas with the first season I skipped work to finish.
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increíble los detalles como reconstruyen una ciudad en ese siglo, con una trama de detectives muy interesante
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