The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An accomplished painter, Derek Jarman entered films in the early '70s, designing sets for Ken Russell's The Devils (1971) and Savage Messiah (1972). After making numerous experimental shorts, mostly in Super-8, he began helming features in 1979 with Sebastiane, a controversial gay-themed account of Saint Sebastian, in which all the dialogue was spoken in Latin. Over the next 20 years Jarman frequently interwove historical evocation and unexpected anachronisms, particularly in his biopics Caravaggio (1986) and Wittgenstein (1993). His landmark non-narrative features of the '80s, The Angelic Conversation (1985) and The Last of England (1987), offer a painter's sense of texture, with Jarman transferring Super-8 footage onto video for his editing, and then transferring the video onto 35-mm film. Radical gay politics, a constant theme in his films, emerged most forcefully in the '90s with The Garden (1990), which re-enacts incidents from the life of Christ with two gay lovers in place of Jesus; Edward II (1992), his fiery adaptation of Christopher Marlowe's 16th-century tragedy; and his last film Blue (1993), in which the sole visual element is an unchanging field of blue, while the soundtrack describes Jarman's thoughts and emotions in the face of his imminent death from AIDS.