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Caravaggio Photos



















Movie Info
This fictional portrait of Italian Renaissance artist Michelangelo Merisi da Caravaggio (Nigel Terry) follows the painter as he wanders the streets, often using prostitutes and homeless people as models for his work, which was lauded in his own time. Involved with two very different lovers, Ranuccio (Sean Bean) and Lena (Tilda Swinton), Caravaggio leads a troubled life in spite of his relative success, with his reckless behavior steering him towards an early grave.
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Genre: History, Drama
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Original Language: English
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Director: Derek Jarman
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Producer: Sarah Radclyffe
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Writer: Derek Jarman
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Release Date (Theaters): wide
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Rerelease Date (Theaters):
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Release Date (Streaming):
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Box Office (Gross USA): $3.2K
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Runtime:
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Distributor: Zeitgeist Films
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Sound Mix: Dolby SR, Dolby Digital, Dolby A, Dolby Stereo
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Aspect Ratio: Flat (1.66:1)
Cast & Crew

Nigel Terry
Caravaggio

Sean Bean
Ranuccio

Michael Gough
Cardinal Del Monte

Tilda Swinton
Lena

Nigel Davenport
Giustiniani

Robbie Coltrane
Scipione Borghese

Garry Cooper
Davide

Lol Coxhill
Old Priest

Derek Jarman
Director

Derek Jarman
Writer

Colin MacCabe
Executive Producer

Sarah Radclyffe
Producer

Simon Fisher-Turner
Original Music

Gabriel Beristain
Cinematographer

George Akers
Film Editing

Debbie McWilliams
Casting

Christopher Hobbs
Production Design

Michael Buchanan
Art Director

Sandy Powell
Costume Design

Morag Ross
Makeup Artist

Sarah Wilson
Production Manager

Glynn Purcell
First Assistant Director

Simon Moseley
Second Assistant Director

Pat Aldersley
Third Assistant Director

Bill McCarthy
Sound Recordist

Matthew Whiteman
Assistant Editor

Alastair Bates
Assistant Editor

Nicola Black
Assistant Editor
Critic Reviews for Caravaggio
Audience Reviews for Caravaggio
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Feb 10, 2011Quite simply unlike any other biographical film you will ever see, Derek Jarman's acclaimed production of Caravaggio (1986) is a lovingly constructed, highly personal cross-reference of tormented sixteenth century genius, twentieth century iconography and a somewhat satire on the shallowness of the burgeoning eighties' art scene of which Jarman was very much part of. Exploring Caravaggio's life through his work, the film distinctively merges fact, fiction, legend and imagination in a bold and confident approach that will probably leave serious art enthusiasts and casual viewers outraged by the complete disregard for accurate, historical storytelling. Shot with a typically avant-garde approach, director/writer Jarman doesn't so much fashion a biography of the artist, but rather, creates a personal reflection of the man using intimate characteristics that appeal to his film-making sensibilities. This makes Caravaggio more of an interpretation of the filmmaker than the artist himself; somewhat self-indulgently focusing on Caravaggio's struggle with bisexuality, perfectionism and wanton obsession; perhaps even glossing over the more intricate workings of the character, for instance, his own passion for art and his battles with the various religious and creative constraints of the period. It's a shame some of these ideas aren't further elaborated upon, because, at its heart, Caravaggio is really an exceptional film. As I commented earlier, it's perhaps unlike any other film you will ever see; an iconoclastic vision with a cinematic imagination that knows no bounds. Caravaggio is a film in which a 16th century setting gives way to the various anachronisms of passing trains, tuxedos, motorbikes, typewriters and chic nightclub settings. It is a film in which every frame is rendered in reference to the artist's work, composed with rich, shadowy colours that bring to mind the contrast between fresh and rotting fruit, and an unrivalled interplay between sound and production design that is reminiscent in its intense savagery of two dogs angrily ripping each other to pieces. There is no other 'based on fact film' that has demonstrated such a wild and evocative recreation of real-life hysteria and events, with the possible exception of Peter Jackson's masterful Heavenly Creatures (1994) or even some of Jarman's subsequent projects like Edward II (1991) and Wittgenstein (1994). With a cast of now very well known faces, such as Nigel Terry, Sean Bean, Tilda Swinton, Michael Gough, Dexter Fletcher and Robbie Coltrane - not to mention some of the most beautiful photography ever committed to film - Caravaggio represents an impressive and enjoyable combination of art and cinema that is now, twenty years on, ripe for rediscovery.
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Mar 15, 2007Not a film that i would recommend, although, if you appreciate paintings or Caravaggio, maybe it is something to look for.
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Feb 19, 2007I didn't like this one. Never got off the ground for me. Caravaggio was one of the most dramatic painters ever. He deserved a better movie.
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